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There Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre

Posted by Ivanka Apostolova Baskar | 5th Feb 2025 | Playwriting, Slovenia, Theatre and Gender

…are reviving a part of the Slovenian folklore – oral tradition, but also of the tradition of the great Slovenian playwright Ivan Cankar and his dramatic requiem Beautiful Vida? SS:…

Melati Suryodarmo and Alessandro Sciarroni Moving Within Patriarchy

Posted by Ilinca Todoruţ | 12th Dec 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review

…the Last Dance for Me explores a nearly vanished popular tradition that emerged in Bologna in the 1900s: the polka chinata, or crouched polka. The dance’s distinguishing trait is the…

Great Acting: Training Your Mind and Body to be Perceptive – Learning About Yourself and Your Surroundings. An Interview with Zdravko Stojmirov

Posted by Ivanka Apostolova Baskar | 21st Dec 2023 | Acting, Interview, Macedonia

…intuitive, lucid, transformative in acting, also artistically-creatively and by interpretation/s – and you selflessly (contra stage egos and vanities around us) you offer many very good acting options-versions. Can you…

Craft of “Downton Abbey” and “Gilded Age” Director, Michael Engler

Posted by Alexander Fatouros | 28th Jul 2023 | Directing, Interview, New York, Theatre and Film, United States of America

…aristocrat Agnes van Rhijn who reigns over an established order. “Well, it was fantastic working with Salli. I adore her. She is a completely original director with her own voice….

At the End of the Land: an avalanche of images that invites us to sit alone in time and space together

Posted by Leah Mercer | 22nd Dec 2023 | Australia, Review

…young women in a Victorian-era boarding house. Speaking as one of these vanished women about “the day we all died” and what it’s like to be dead, Rubin guides the…

Miriam Battye’s “Little Scratch” at the New Diorama Theatre: Restaged Adaptation of Rebecca Watson’s Novel Is Powerfully Theatrical

Posted by Aleks Sierz | 21st Apr 2023 | London, Playwriting, Review, Theatre and Gender, United Kingdom

…Eve Ponsonby, and Ragevan Vasan — wear dark clothes and perform the words as if they are playing a 90-minute musical quartet. There is something fascinating about hearing the different…

Playwriting The “Next Generation.” How To Create A Character At The University Of Arts In Târgu-Mureș.

Posted by Anda Cadariu | 25th Jul 2024 | Interview, Playwriting, Romania

…I met Suzanne van Lohuizen from the Netherlands, who has unfortunately now passed away. She was my first teacher and she was excellent for me. I was in my twenties…

Keeping Alive the U.N.’s Dialogue Among Civilizations – as Theatre

Posted by Heather Waters | 6th Oct 2023 | Boston, Interview, United States of America

…long did you live in Turkey? VY: Almost two years. During the first year I was living with refugees from Syria, Iraq, and Iran in the city of Van’s U.N….

La Vie En Sickly Rose: Florian Zeller’s “The Son” at the German State Theatre

Posted by Ilinca Todoruţ | 13th Oct 2024 | Review, Romania, Theatre and Politics

…of the upper middle class. Topped by a geometric candelabra that throws shade in concentric, sleek circles around the couch, Răzvan Bordoș’ stage design for Florian Zeller’s 2018 play The…

The Social Theater of Ambulatory Care in Poland. Part 2.

Posted by Katarzyna Kułakowska, Katarzyna Kalinowska, Olga Drygas, Michał Bargielski | 30th Mar 2021 | Applied Theatre, Covid-19, Essay, Poland

…wołoczebne peregrination”) is a vanishing tradition of “Easter carol singing,” practiced in northern and eastern Poland. In keeping with the custom, the “carol singers” visit nearby homes on Easter Monday;…

“Feed Me, Seymour!” An Exclusive Interview with Corbin Bleu from “Little Shop of Horrors”

Posted by Lisa Monde | 7th Dec 2023 | Interview, Musical Theatre, New York, United States of America

…came about, I was beyond excited. “Little Shop of Horrors” – Corbin Bleu as Seymour/ Photo Credit by Evan Zimmerman As for Seymour – I think what’s so important to…