Barbarians in Midtown
…whose plan to marry his beloved Sarah is thwarted when a racist gang vandalizes his car, he is denied justice, and Sarah is killed trying to help. Nichelle Lewis (Sarah)…
Read MorePosted by Jonathan Kalb | 22nd Oct 2025 | Musical Theatre, Review, United States of America
…whose plan to marry his beloved Sarah is thwarted when a racist gang vandalizes his car, he is denied justice, and Sarah is killed trying to help. Nichelle Lewis (Sarah)…
Read MorePosted by Ilinca Todoruţ | 13th Dec 2024 | France, Japan, Kyoto Experiment 2024, Review
…full earnestness how the show is “a hymn to liberation.” On the website of Dance Reflections, a generous funding and support program patronized by the French luxury jewelry brand Van…
Read MorePosted by Duška Radosavljević | 6th Apr 2023 | Adaptation, Denmark, Musical Theatre, Review
…of this production is between Arbo and composer Thijs van Vuure which results in enabling the acting ensemble to also perform as singers/musicians in a seamless and fully integrated way…
Read MorePosted by Maria Delgado | 15th Aug 2024 | Festivals, Finland, Portugal, Review, Tampere Theatre Festival 2024
…much as in Uncle Vanya or Michael Cimino’s 1978 film The Deer Hunter. The easy mood, however, is about to be blown apart: for the audience soon discover that this…
Read MorePosted by Emilija Kvočka | 16th Dec 2024 | Directing, Macedonia, Review
…good and evil. They are both cries and whispers. Is this divine punishment or mortal justice? No Power for the Electric Chair directed by Dejan Projkovski, foto: Ivan Kamchev …
Read MorePosted by Ariadne Mikou | 24th Aug 2026 | Festivals, Italy, Review, Theatre and Dance
…dancers navigate convincingly the contrasting movement qualities of Brown and Cunningham. The production is also supported by a consortium of institutions, among them Dance Reflections by Van Cleef & Arpels…
Read MorePosted by L. Peter Callender | 3rd Jan 2026 | Iran, Review, Theatre and Politics, United States of America
…is a truly immigrant production, one that fuses multiple cultures seamlessly”—and nowhere is this more evident than in the extraordinary music by composer Sirvan Manoobi. As he reflects in the…
Read MorePosted by Written by Mohammad Kazem Damghani, Directed by Melika Mirzaei and Mohammed Kazem Damghani, Gray Room Theatre (2021), Iran | 1st Apr 2000 | IOTF 2023
…with the Roshan Institute. Featuring Azadeh Ganjeh, Nassim Soleimanpour, Keyvan Sarreshteh, and moderator Marjan Moosavi, this conversation exploreS Iranian theatre artists’ ethical vision and creative practice in response to the…
Read MorePosted by Verity Healey | 27th Oct 2025 | Bosnia, Review, Theatre and Politics
…important locations, which are staged at the same time. Designer Isabella Van Braeckel, in Cheng Keng’s dark light and Jovana Backovič’s bristling sound, envelops the whole play within the skeletal…
Read MorePosted by Aisha Malik | 20th Mar 2023 | Australia, Review, Theatre and Gender
Boy meets girl. Boy falls in love with girl and follows her to India. Boy has a transformative tantric sexual experience and realizes he might like boys too? Boy, girl…
Read MorePosted by Barbara Gabriel | 19th Oct 2024 | Canada, China, Review, Theatre and Politics
…China. It returns us to Miller’s revered reputation as moral Cold War hero, only to cut it off at the knees. On September 13, 2007 Vanity Fair published a remarkable…
Read MorePosted by Margaret Rose | 13th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
…she feels like ‘a vanishing lady,’ her words, Woman decides to join a therapy group, in a scene where she must finally confront her demons. In the final scenes, having…
Read MorePosted by Unnur Hlíf Rúnarsdóttir | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review
…unique ways: American Trajal Harrell offered a format of attending “work in progress”, Michel van der Aa’s work experiments with AI and opera in novel ways and Carolina Bianchi already…
Read MorePosted by Amir Al-Azraki | 19th Feb 2026 | Essay, Iraq, Theatre and Politics
…political uncertainty, and conservative religious frameworks. Theatre has not vanished under these conditions. It has learned to speak carefully, to occupy smaller spaces, and to persist through continuity rather than…
Read MorePosted by Unnur Hlíf Rúnarsdóttir | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review
…of which ground-breaking in their unique ways: American Trajal Harrell offered a format of attending “work in progress”, Michel van der Aa’s work experiments with AI and opera in novel…
Read MorePosted by Margaret Rose | 1st Dec 2023 | Essay, Italy, Theatre and Age
…entire group, while others are carried out in small groups. Photo Credit: Vanessa Costa LARGE GROUP ACTIVITIES In the opening sessions, Cristina Cavecchi and I gave all attendees an introduction…
Read MorePosted by Duška Radosavljević | 29th Aug 2024 | Edinburgh 2024, Review, United Kingdom
…writer-performer Barton Williams (Huynh van Cuong) and Hebridean composer Andy Yearley (Nguyen Tang). The authors here have been united by fate through their shared background as survivors of the post-Vietnam…
Read MorePosted by London Symphony Orchestra (2013), U.K. | 15th Dec 1999 | IOTF 2019
In this groundbreaking take on William Shakespeare’s bittersweet tragedy, Hector Berlioz combines the playwright’s influence with all the musical drama of Ludwig van Beethoven’s symphonies….
Read MorePosted by Daniel Meyer-Dinkgräfe | 16th Jun 2026 | Acting, Directing, Germany, Review
…contemporary tables. With the help of fog and very white LED lamps, lightning designer Marc van Denesse created further atmospheric variations of gloom, in addition to the (lack of) colors…
Read MorePosted by Emilija Kvočka | 26th Oct 2023 | Festivals, Review, Serbia
…of values of both and the comprehensive social bottom – which throughout the time only changes its forms. The illusions of rich and happy drawing-room homes reveal vanity and pathology….
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