Worldwide

Bound To Start Again, Again, Again…

Posted by Teodora Medeleanu | 0

The Wooster Group’s “Nayatt School Redux” at the C...

Posted by Aleks Sierz | 0

“JenXponential,” A Story Of Potential

Posted by Teodora Medeleanu | 0

“Frankenstein (History Of Hate)”

Posted by Margaret Rose | 0

“Art Of Andalucia:” Rain Outside, Fire Within. Dan...

Posted by Zoë Hewitt | 0

Africa

Everything In Programming Matters To Cultivate The Spectator`S Free Will

by Ivanka Apostolova Baskar | 7th Apr 2026 | Côte d'Ivoire, Interview, Macedonia, Management

An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...

Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo

by Verity Healey | 2nd Jan 2026 | Kosovo, Review, South Africa
Faustin Linyekula’s Missing Bodies: “My body, my archive” at the Aichi Triennale 2025

by Ilinca Todoruţ | 26th Dec 2025 | Congo, Festivals, Japan, Review, Theatre and Dance
Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?

by Ati Metwaly | 26th Sep 2025 | Egypt, Essay, Festivals
The Many Publics Of “The Marché Des Arts Du Spectacle D’Abidjan”

by Brian Valente-Quinn | 30th Jul 2024 | Côte d'Ivoire, Essay, Festivals, Transcultural Collaborations

Asia

GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown”

by Ivanka Apostolova Baskar | 8th Apr 2026 | Denmark, Interview, Kazakhstan, Theatre and Dance

An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...

The 2026 International Ibsen Award: A Reflection On The Winner By The Committee

by International Ibsen Award Committee 2026 | 27th Mar 2026 | News, Norway, South Korea, Transmedia
Marketing, Sales And Production Are Crucial For The Survival And Success Of Any Project

by Ivanka Apostolova Baskar | 16th Mar 2026 | China, Interview, Israel, Management
In the City of al-Sayyab, Theatre Still Speaks

by Amir Al-Azraki | 19th Feb 2026 | Essay, Iraq, Theatre and Politics
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen

by Kuan-Ting Lin | 6th Jan 2026 | Interview, Playwriting, Taiwan

Europe

“Handle With Care” At Milan’s FOG Festival

by Margaret Rose | 22nd Apr 2026 | Belgium, Festivals, Italy, Review

In March, FOG – Milan’s annual performing arts festival – hosted Handle with Care, a...

A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach”

by Daniel Meyer-Dinkgräfe | 15th Apr 2026 | Directing, Germany, Review
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen

by Duška Radosavljević | 14th Apr 2026 | Denmark, Review
Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb

by Aleks Sierz | 14th Apr 2026 | London, Playwriting, Review, United Kingdom
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm

by Emiliia Dementsova | 14th Apr 2026 | Festivals, Hungary, Theatre and Politics

North America

Big Fatuous Giant

by Jonathan Kalb | 10th Apr 2026 | New York, Review, United States of America

Mark Rosenblatt’s new play Giant is a sensational, admirable, and courageous effort to Make...

Dog-Gone

by Jonathan Kalb | 9th Apr 2026 | Adaptation, New York, Review, United States of America
Lyle Kessler Receives Lifetime Achievement Award In Playwriting

by Marcina Zaccaria | 7th Apr 2026 | Interview, New York, Playwriting
David Yazbek: The Master of Adapting Films into Musicals. An Exclusive Interview

by Lisa Monde | 2nd Apr 2026 | Interview, Musical Theatre, United States of America
New York City Fringe Begins April 1

by Marcina Zaccaria | 25th Mar 2026 | Featured, Festivals, Interview, New York

Oceania

Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II

by Hilary Halba and Rua McCallum | 22nd Apr 2026 | Education, New Zealand, Oceania, Theatre and Decolonization

To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...

Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I

by Hilary Halba and Rua McCallum | 21st Apr 2026 | Education, New Zealand, Oceania, Theatre and Decolonization
“Digital Access To The Performing Arts” Released Open Access

by The Theatre Times | 7th Mar 2026 | Australia, Books, Essay, Europe, Transmedia, United Kingdom, United States of America
Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello”

by David O'Donnell | 2nd Mar 2026 | Devised Theatre, New Zealand
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future

by Victoria Zavyalova | 9th Feb 2026 | Australia, Festivals, Review, United States of America

South America

On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames)

by Maria Delgado | 29th Mar 2026 | Argentina, Review

Luciana Acuña is one of the most exciting figures in contemporary dance. Her energy lit up La edad...

To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya

by Maria Delgado | 24th Mar 2026 | Argentina, Review, Spain
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)

by Yizhou Zhang | 5th Feb 2026 | Argentina, Canada, Review, Theatre and Decolonization
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility

by Maria Delgado | 4th Feb 2026 | Chile, Festivals, Review
Oscar Barney Finn and Paulo Brunetti Interview

by Jack Wernick | 20th Aug 2024 | Adaptation, Argentina, Interview

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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
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Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Everything In Programming Matters To Cultivate The… by Ivanka Apostolova Baskar 7th April 2026

Recent Posts

Bound To Start Again, Again, Again… 27th April 2026
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback 25th April 2026
“JenXponential,” A Story Of Potential 24th April 2026
“Frankenstein (History Of Hate)” 23rd April 2026
“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire. 22nd April 2026
“Handle With Care” At Milan’s FOG Festival 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026

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