Marlowe’s “Edward II” at Melbourne’s Malthouse Theatre
While the rest of the world is marking the 400th anniversary of William Shakespeare’s death,...
Read More
Australia
“Twelfth Night” and Cross-Mobility Casting
Renowned Shakespearean actor Robert Armin wrote in 1608 of the difference between a “natural” and...
Read More
Maverick Director Barrie Kosky On Rescuing Opera From The Taste Police
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
Read More
Review: “Disgraced” Turns West-Meets-Islam Divisions Into Striking Melodrama
Ayad Akhtar’s Disgraced has arrived in Sydney from America on the back of international...
Read More
The Secret River, Silences, And Our Nation’s History
Neil Armfield’s new stage adaptation of Kate Grenville’s 2005 novel The Secret River invites us to...
Read More
“Banquet of Secrets”: Australian Musical Theatre Comes of Age
Original Australian musical theatre seems to be a relatively well-kept secret. The existing...
Read More
Sydney Festival Review: “All The Sex I’ve Ever Had”
Before even entering the Drama Theatre at the Sydney Opera House on the opening night of All The...
Read More
Thou Hadst Better Avoid Getting Teary–And King Leary–This Christmas
As the year’s major family holiday season arrives, now is a good time to consider how much about...
Read More
“King Lear” Reincarnates As Geoffrey Rush–It’s A Bloody Tragedy
In one sense every play staged is a play for its times. Something about it attracts, provokes or...
Read More
Bell Shakespeare’s “Hamlet” Reviewed: The Same Great Themes In Some Strange New Haunts
Today, Shakespeare’s Hamlet is a play that haunts itself. Its saturation into cultural...
Read More
Dinosaurs On Stage: “Jurassica” Continues Australia’s Proud Lineage Of Italian Migration Stories
The play Jurassica, currently being performed at St. Kilda Theatre in Melbourne, begins with “the...
Read More
“The Experiment” Is A Musical Monodrama To Love, Hate, Or Both
Last night, The Experiment – of which I’m part – opened at the Melbourne Festival. The story of...
Read More
Jules Wright, Courageous Australian Theatre Director, Died Earlier This Year–Did You Know?
Old soldiers fade away. Old theatre directors disappear more quickly. And old female directors can...
Read More
If I Be Left Behind: Toni Morrison’s “Desdemona” Reminds Us Too Many Voices Remain Unheard
The tragedy of Shakespeare’s Desdemona haunts the literary canon. Her murder at the hands of her...
Read More
A Genre-Hopping Triumph: “The Rabbits”
What is opera? This is a question that has engaged puzzled commentators and practitioners since...
Read More
Toni Morrison’s “Desdemona” Invites Us To Listen Not Just Hear
In Desdemona, Toni Morrison’s response to Shakespeare’s Othello, which opens today at the...
Read More
Too Close For Comfort: Contemplating The Plight Of Asylum Seekers In “From Afar On A Hill”
Australia’s “boat people crisis” has, we’re told, been averted and for many, it’s a case of “out...
Read More
Goodbye To All That: Orwell’s “1984” Is A Boot Stamping On A Human Face No More
The blurb for Robert Icke and Duncan Macmillan’s stage adaption of George Orwell’s 1984 for the...
Read More
Defying Tradition: 32 Rue Vandenbranden and the Flemish Wave
Last week, Melbourne Festival opened with a production from the Belgian dance theatre...
Read More
Redefining The (Able) Body
When I first travelled overseas, fresh out of university in the early 1980s, I found myself in the...
Read MoreLike Us On Facebook
Most Popular Posts
Chess The Musical: About Human Nature, Not Politics.… 20th May 2026 - A Theatre Like Society In The Fundamentalist… 23rd May 2026
- The Precipitation Of Performance: Braddy And Burns… 6th June 2026
- David Yazbek: The Master of Adapting Films into… 2nd April 2026
- Waking Up in the Spotlight with “The Unusual… 24th March 2026
- “Today, Krleža Would Go Straight For The… 5th June 2026
- Theatre – Creating Conditions For What Has… 16th May 2026
