Rollercoaster Ride of the Now in “Building The Wall”
From the dimming lights at the top of the play to their final fade 90 minutes later, Building The...
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United States of America
Argentine Playwright Is Bold and Real in Two One-Acts
It’s good to be shaken off our predictable paths, and Ithaca’s Cherry Arts productions do that...
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Branden Jacobs-Jenkins’s “An Octoroon” In London
This is phenomenal. And pretty wild. Branden Jacobs-Jenkins’s An Octoroon at the Orange Tree...
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Sense of Crisis: An Interview with Robert Schenkkan
Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...
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The Fate of Women in “La Femme Bohème”
While most scholars addressing issues of feminism in opera focus on the fate of women in opera...
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Foreignness and Familiarity: An Interview with Dmitry Troyanovsky
Dmitry Troyanovsky, currently Assistant Professor of Theater Arts at Brandeis University, is a...
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Boston Opera Collaborative’s “La Rondine Remix”
Productions by BOC have been leaner in the last few years as the company continues to carve out its identity through quite a bit of growth.
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Dramaturgy Meets Biography
I am a dramaturg. I am also a biographer. As a dramaturg, I try to help a playwright tell the...
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“A Doll’s House, Part 2” Is No Deep Analysis Of Its Source
A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...
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Martin Zimmerman’s “Seven Spots on the Sun”: From Civil War to Plague to Miraculous Healing
In Martin Zimmerman’s play Seven Spots on the Sun, civil war leads to a plague which leads to...
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Peter Scolari in “The Dreyfus Affair” at BAM
Journeying back to late 1800s, we see how anti-semitism, the sympathies of a poet, and military...
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Experiments in Opera Presents Flash Operas
Symphony Space presents Fuse Project April 30 through May 23, which is, in their words:...
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LA County Museum Art Makes the Most of Mozart’s “Magic Flute”: Frances Stark’s Film and Chagall’s Designs
In advance of the Los Angeles County Museum of Art’s forthcoming exhibition, Chagall: Fantasies...
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Interview with Amy Aquino
You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...
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The Latinx Play Project: Building a Movement in Ashland
On April 27-29, Oregon Shakespeare Festival (OSF) welcomed Latinx theatre artists and advocates to...
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“Charlie and the Chocolate Factory” on Broadway
My companion at Charlie and the Chocolate Factory, the new Broadway musical adaptation of Roald...
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“Sensuality of Action”: Paula Vogel’s “Indecent” on Broadway
Indecent is the new play by Pulitzer Prize-winning playwright Paula Vogel, belated making her...
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Boston Lyric Opera’s “The Marriage of Figaro
Boston Lyric Opera’s The Marriage of Figaro opened on Friday to an audience that the John Hancock...
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Mourning in America: Target Margin Brings O’Neill’s Ghosts to Life
Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...
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Conversation with Renée Fleming – American Soprano
The evening of April 25th marked the culmination of Opera America’s Onstage at the Opera...
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