United States of America Archives - Page 50 of 56

Doing Time, Passing Time, Wasting Time: an Interview with Taiwanese-American Artist Tehching Hsieh

Posted by KaiChieh Tu | 3rd Aug 2017 | Interview, Taiwan, Theatre and Art, United States of America

“Downtown Manhattan, 30th September 1978. Tehching Hsieh, a young Taiwanese artist, begins to make...

Spanning Centuries: PTP’s “Arcadia”

Posted by Jack Wernick | 31st Jul 2017 | New York, Review, Theatre and Age, United States of America

The Potomac Theatre Project (PTP) has descended on Atlantic Stage 2’s subterranean bunker of a...

“Heisenberg” at the Mark Taper Forum Brings Uncertainty to New Heights

Posted by Christine Deitner | 30th Jul 2017 | Los Angeles, Theatre and Opera

As Los Angeles’ leading non-profit theatre company, The Centre Theatre Group is known for hosting...

Lynn Nottage’s “Intimate Apparel”: A Revival of Nuance

Posted by Rachel E. Diken | 29th Jul 2017 | Review, Theatre and Gender, United States of America

To revive a play by Lynn Nottage is to revive nuance. Under the direction of Daniela Varon,...

LACMA’s “Chagall: Fantasies for the Stage”

Posted by Lauren Deutsch | 27th Jul 2017 | Los Angeles, Review, Russia, Theatre and Art, United States of America

Marc Chagall’s theatrical designs (costumes and set designs) demonstrate his love of music and sheer joy in bringing to life the fantastical creatures that live in our imaginations.

Prelude to Performance Performs “Suor Angelica” and “Gianni Schicchi”

Posted by Susan LaFever and Heather Waters | 24th Jul 2017 | New York, Theatre and Opera, United States of America

Suor Angelica and Gianni Schicchi are the second and third operas of the Il trittico, a trilogy of...

“Pity in History”: The Potomac Theatre Project Wrestles with Howard Barker

Posted by Jessica Rizzo | 22nd Jul 2017 | New York, Review, United States of America

Near the end of the Potomac Theatre Project’s production of Pity in History, with England...

Hypermobility: Calder at the Whitney Museum

Posted by John Tilley | 20th Jul 2017 | New York, Theatre and Art, United States of America

What is it about Alexander Calder’s mobiles that make them so ineffably charming? Is it the clever...

“Gutless & Grateful” Tells The Tale Of Losing A Stomach And Gaining A Story

Posted by Amy Oestreicher | 17th Jul 2017 | New York, Theatre and Disability, United States of America

I grew up thinking my life was a musical. Call it the “theatre bug,” call me a “drama queen” or a...

Julius Caesar In Our Times

Posted by Jyotsna G. Singh | 5th Jul 2017 | New York, Theatre and Politics, United States of America

“All the world’s a stage,” Shakespeare once wrote. In recent weeks, that Shakespearean adage has...

Review: Ensemble Studio Theatre 1-Act Marathon, Series B

Posted by Jack Wernick | 2nd Jul 2017 | Festivals, New York, Playwriting, Review

Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...

Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta

Posted by Trevor Boffone | 2nd Jul 2017 | Interview, Playwriting, United States of America

While working on her MFA in Writing from the University of San Francisco, playwright Marisela...

The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”

Posted by Jessica Rizzo | 30th Jun 2017 | New York, Review, United States of America

In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...

Review of Martyna Majok’s “Cost Of Living”

Posted by Jack Wernick | 21st Jun 2017 | New York, Review, Theatre and Disability, United States of America

Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...

Stories of Diversity: An Interview with Martyna Majok

Posted by Jack Wernick | 16th Jun 2017 | Interview, New York, Playwriting, Theatre and Disability, United States of America

Martyna Majok is a young playwright whose new play, Cost of Living, has just opened in a Manhattan...

Taking a Ride on a “Red Bike”

Posted by Caridad Svich | 15th Jun 2017 | London, News, Theatre and Politics, United Kingdom, United States of America

Against the roar of asphalt and a set of wheels, a child looks out onto the horizon and tries to...

The Novel and Play That Predicted Donald Trump’s Rise

Posted by Charlotte M. Canning | 14th Jun 2017 | Theatre and Politics, United States of America

The performing arts and politics have an uneasy relationship. From Aristophanes satirizing the...

A Question of Comedy in Rajiv Joseph’s “Archduke” at the Mark Taper Forum

Posted by Christine Deitner | 10th Jun 2017 | Los Angeles, United States of America

The first image we were greeted with as audience members arriving to experience Rajiv Joseph’s...

Caridad Svich’s “Town Hall”: Resistance And Change

Posted by Katie Pearl and Caridad Svich | 4th Jun 2017 | New York, Theatre and Politics, United States of America

This interview between OBIE-winning director and theater maker Katie Pearl and OBIE-winning...

“Interrupted” at The 14th Factory – Immersive Multimedia Performance

Posted by Christine Deitner | 2nd Jun 2017 | Immersive Theatre, Los Angeles, Review, Theatre and Opera, United States of America

Simply put, anyone who attended The 14th Factory’s afternoon of Interrupted on May 14th, an...

United States of America

Doing Time, Passing Time, Wasting Time: an Interview with Taiwanese-American Artist Tehching Hsieh

Spanning Centuries: PTP’s “Arcadia”

“Heisenberg” at the Mark Taper Forum Brings Uncertainty to New Heights

Lynn Nottage’s “Intimate Apparel”: A Revival of Nuance

LACMA’s “Chagall: Fantasies for the Stage”

Prelude to Performance Performs “Suor Angelica” and “Gianni Schicchi”

“Pity in History”: The Potomac Theatre Project Wrestles with Howard Barker

Hypermobility: Calder at the Whitney Museum

“Gutless & Grateful” Tells The Tale Of Losing A Stomach And Gaining A Story

Julius Caesar In Our Times

Review: Ensemble Studio Theatre 1-Act Marathon, Series B

Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta

The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”

Review of Martyna Majok’s “Cost Of Living”

Stories of Diversity: An Interview with Martyna Majok

Taking a Ride on a “Red Bike”

The Novel and Play That Predicted Donald Trump’s Rise

A Question of Comedy in Rajiv Joseph’s “Archduke” at the Mark Taper Forum

Caridad Svich’s “Town Hall”: Resistance And Change

“Interrupted” at The 14th Factory – Immersive Multimedia Performance

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