“The Actor’s Life for Me:” A Conversation With David Greenspan
David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...
Read MorePosted by Jessica Rizzo | 17th Mar 2018 | Acting, Interview, Playwriting, United States of America
David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...
Read MorePosted by Jane Baldwin | 15th Mar 2018 | Boston, Review, United States of America
The White Card, Claudia Rankine’s play on racism is having its world premiere at Boston’s...
Read MorePosted by Jamie Portman | 14th Mar 2018 | Canada, LGBTQ+ Theatre, Review, United States of America
Larry Kramer’s The Normal Heart is a play fueled by anger. Anger at the political, medical and...
Read MorePosted by Jonathan Kalb | 13th Mar 2018 | New York, Review, Theatre and Disability, United States of America
Lindsey Ferrentino has done a marvelous thing in conceiving a substantial and nuanced lead...
Read MorePosted by Michael Schweikardt | 11th Mar 2018 | Design, Interview, United States of America
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
Read MorePosted by James Montaño | 10th Mar 2018 | Boston, Review, United States of America
The legacy of rap in America is rich with rhymes and rhymers that challenge institutionalized...
Read MorePosted by Christine Deitner | 8th Mar 2018 | Adaptation, Los Angeles, Review
Los Angeles can be a tricky theatre city to pin down. Though we do have a theatre district it is...
Read MorePosted by Jonathan Kalb | 7th Mar 2018 | New York, Review, Theatre and Politics, United States of America
New Yorkers have split into factions on Martin McDonagh since his plays first showed up here two...
Read MorePosted by Jane Baldwin | 3rd Mar 2018 | Adaptation, Review, United States of America
Rude Mechs, an Austin-based ensemble in their twenty-first year of collective creation, recently...
Read MorePosted by Michael Appler | 1st Mar 2018 | New York, Review, Theatre and Gender, United States of America
Where others this season have failed to mount lovable productions of classic Broadway theater, Bartlett Sher’s lush, elegant revival of My Fair Lady is triumphantly successful.
Read MorePosted by Jonathan Kalb | 27th Feb 2018 | New York, Review, Theatre and Gender, United States of America
Yesterday I knew nothing about the playwright Gracie Gardner or The Hearth, a feminist theater...
Read MorePosted by Tania Barrenechea | 25th Feb 2018 | Musical Theatre, Review, Theatre and Gender, United States of America
My Heart Felt That Sha La La The proscenium stage of the Playhouse has been converted into...
Read MorePosted by Jack Wernick | 24th Feb 2018 | Immersive Theatre, New York, Review, Stage Combat, Theatre and Politics, United States of America
One of New York City’s most dynamic young theater companies makes a bold addition to its...
Read MorePosted by Courtney Seyl | 23rd Feb 2018 | Review, Seattle, United States of America
Seattle Rep’s “Two Trains Running” shows the power of standing up for what is right and finding your own voice in a sea of impossibility.
Read MorePosted by Michael Schweikardt | 23rd Feb 2018 | Design, Interview, Philadelphia, United States of America
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
Read MorePosted by Christine Deitner | 21st Feb 2018 | Los Angeles, Review, United States of America
From the moment the play begins, it doesn’t take long for anyone to understand why playwright...
Read MorePosted by Trevor Boffone | 20th Feb 2018 | Review, Theatre and Gender, United States of America
In a city that still has a relatively conservative theatre community such as Houston, seeing ten...
Read MorePosted by Taylor L. Ciambra | 16th Feb 2018 | Dramaturgy, Interview, United States of America
When describing the role of a dramaturg Dr. Philippa Kelly says this: “I see a dramaturg’s shadow...
Read MorePosted by Jessica Rizzo | 15th Feb 2018 | New York, Review, United States of America
Best known in the US for the stunning exemplars of the German Regietheater tradition he regularly...
Read MorePosted by Katrina Holden-Buckley | 11th Feb 2018 | Boston, LGBTQ+ Theatre, Review, Theatre and Opera
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
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