Sasha Velour’s “Smoke & Mirrors”: Long Live The Queen
Is Sasha Velour a drag queen? It’s debatable. She’s certainly a drag royalty, having won the ninth...
Read MorePosted by Abigail Weil | 29th Mar 2019 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America
Is Sasha Velour a drag queen? It’s debatable. She’s certainly a drag royalty, having won the ninth...
Read MorePosted by Michael Appler | 29th Mar 2019 | New York, Review, Theatre and Disability, United States of America
We tend to think of disability as unlike other monuments of cultural identity, like race or...
Read MorePosted by Jack Wernick | 28th Mar 2019 | Education, News, Theatre and Politics, Theatre for Young Audiences, United States of America
Broadway’s Richard Rodgers Theatre is not only home to musical theatre sensation Hamilton but also...
Read MorePosted by Christine Deitner | 28th Mar 2019 | Los Angeles, Theatre and Gender, Theatre and Science, United States of America
es, it’s possible if not likely the play has simply conjured up all of this complexity of feeling and that nothing ever existed between Ada and Babbage beyond their shared vision. Yes, I know, there have been multiple instances over time where Ada’s contribution to the invention of the first computing machine has been questioned and tested and even dismissed.None of that matters, for the romantic liaison that Gunderson has crafted and Powers has brought to life delivers one of the loveliest and mature romantic moments I’ve seen on stage.
Read MorePosted by Jamie Salinger | 27th Mar 2019 | Interview, United States of America
A Stage Management Superhero Randall White is an exceptionally unique theatre creator, manager,...
Read MorePosted by Christine Deitner | 24th Mar 2019 | Los Angeles, Review, United States of America
The City Garage once again shows its audiences in Santa Monica, CA how much Moliere’s work is both relevant and necessary with their revival of “The Bourgeois Gentleman”. Originally produced by the company in 2008 with a new English translation from the show’s director Frédérique Michel and the producer/production designer Charles A. Duncombe, the play centers on a wealthy merchant with dreams of becoming a member of the aristocracy.
Read MorePosted by Abigail Weil | 21st Mar 2019 | Devised Theatre, New York, Review, Theatre for Young Audiences, United States of America
Sport is sometimes defined as a task with arbitrary but necessary constraints. Education is never...
Read MorePosted by Michael Appler | 19th Mar 2019 | Musical Theatre, New York, Review, United States of America
Anyone who tells you that Cole Porter’s Kiss Me, Kate isn’t, or can’t be, a kick in the teeth to...
Read MorePosted by Christine Deitner | 19th Mar 2019 | Los Angeles, Review, United States of America
It is Block Party time again at the Center Theatre Group’s Kirk Douglas Theatre in Culver...
Read MorePosted by Rebecca Flores | 19th Mar 2019 | Education, Interview, Theatre for Young Audiences, United States of America
Debbie Devine is an award-winning theatre director, teacher, and renowned leader in Theater Arts...
Read MorePosted by Jack Wernick | 18th Mar 2019 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Skinnamarink is a deliriously diverting new production by Little Lord, a performance ensemble that...
Read MorePosted by Dominic-Madori Davis | 17th Mar 2019 | Interview, Playwriting, United States of America
Strange Fruit They were pronounced dead on the scene. Sunday morning, September 15th, 1968,...
Read MorePosted by Abigail Weil | 17th Mar 2019 | France, Norway, Puppetry, Review, Transcultural Collaborations, United States of America
When does desire give way to fixation, compulsion, addiction? In Yngvild Aspeli’s exquisite show...
Read MorePosted by Lucas Kernan | 16th Mar 2019 | Essay, New York, United States of America
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
Read MorePosted by Abigail Weil | 15th Mar 2019 | New York, Puppetry, Review, Theatre and Science, United States of America
Of all the non-human animals that human animals love, the primate is the most embarrassing. (The...
Read MorePosted by Mevlut Katik | 15th Mar 2019 | Interview, Playwriting, United States of America
American writers don’t get much bigger than David Henry Hwang. The award-winning playwright’s...
Read MorePosted by Michael Appler | 14th Mar 2019 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
The high school musical’s calling card has always been the “be yourself” thematic. A nerdy,...
Read MorePosted by Wendy Arons | 12th Mar 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Set on the Kansas prairie in the late 19thcentury, Mark Clayton Southers’ Saviour Samuel might...
Read MorePosted by Wendy Arons | 10th Mar 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
The Octoroon is a 19th-century melodrama by Irish playwright Dion Boucicault that tells the story...
Read MorePosted by Michael Appler | 10th Mar 2019 | New York, Review, Theatre and Gender, United States of America
In 1977, Margaret Trudeau somewhat famously told People Magazine that “it takes two to destroy a...
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