“The Legend Of Georgia McBride” At Barebones Productions In Pittsburgh, PA
Unless you are somehow immune to the infectious pleasures of a good drag show, I’m willing to...
Read MorePosted by Wendy Arons | 4th Mar 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Unless you are somehow immune to the infectious pleasures of a good drag show, I’m willing to...
Read MorePosted by Abigail Weil | 1st Mar 2019 | Adaptation, Documentary Theatre, New York, Review, Theatre and Politics, United States of America
What is a juggalo? Let me think for a second…Oh! He gets butt-naked and then he walks through the...
Read MorePosted by Jack Wernick | 1st Mar 2019 | Adaptation, Germany, Review, Theatre and Politics, United States of America
New York’s Irondale Project presents a scrupulously faithful production of Brecht’s The Life Of...
Read MorePosted by Christine Deitner | 28th Feb 2019 | Los Angeles, Review, Theatre and Gender, United States of America
If this sounds stark, that’s only because a simple paragraph of explanation cannot possibly do the script justice. Los Angeles based playwright Boni B. Alvarez is himself a son of Filipino immigrant parents and he has tapped into his roots to craft multi-dimensional characters that deliver surprising levels of humor in spite of the fact that they are essentially prisoners. The humor reveals the humanity and depth of these characters in ways that draw you close to them no matter how far removed you might feel from their situation.
Read MorePosted by Matthew McMahan | 27th Feb 2019 | Boston, Devised Theatre, France, Review, United States of America
Using the tools of the circus, performance art, modern dance, and puppetry, the French director...
Read MorePosted by Trevor Boffone | 26th Feb 2019 | Musical Theatre, Review, United States of America
Confession. I love ABBA. For years I kept my Abba-session private. No one needed to know nor did I...
Read MorePosted by Irina Yakubovskaya | 26th Feb 2019 | Boston, Interview, United States of America
The weekend of February 21-24 provided the audiences of the Paramount Center (Boston) with a...
Read MorePosted by Abigail Weil | 24th Feb 2019 | Musical Theatre, New York, Review, United States of America
In 2004, Gwen Stefani, lately of the band No Doubt, released a song called Rich Girl which sampled...
Read MorePosted by Michael Appler | 22nd Feb 2019 | New York, Review, Theatre and Politics, Theatre and Science, United States of America
Irondale’s innovative and triumphant “Galileo” is Bertolt Brecht at his most excellent, cradled by an ensemble of dynamic and invested performers and pitched inevitably toward its audience with a playful, conscious eye toward its own didactic mission.
Read MorePosted by Megan McCormick | 20th Feb 2019 | Boston, Review, Theatre and Opera, United States of America
Beautiful and heart-wrenching and incredibly real, The Scarlet Ibis is a masterpiece of modern...
Read MorePosted by Irina Yakubovskaya | 19th Feb 2019 | Boston, Interview, Transmedia, United States of America
Ayesha Jordan and Justin Hicks have been collaborators for many years. Their work transcends...
Read MorePosted by Jane Baldwin | 18th Feb 2019 | Boston, Review, Theatre and Film, United States of America
Manual Cinema has returned to Boston’s ArtsEmerson with their latest work The End Of TV just a...
Read MorePosted by Eylül Fidan Akıncı | 16th Feb 2019 | Essay, New York, Theatre and Dance, Transmedia, United States of America
Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...
Read MorePosted by Michael Appler | 16th Feb 2019 | New York, Review, Theatre and Politics, United States of America
“City of No Illusions,” a political comedy that stages the modern refugee crisis inside a funeral home.
Read MorePosted by Abigail Weil | 13th Feb 2019 | New York, Review, United States of America
I follow a strict protocol of attitudinal class warfare when I board airplanes. As I walk proudly...
Read MorePosted by Christine Deitner | 13th Feb 2019 | Los Angeles, Review, Theatre and Dance, United States of America
When he first created his Cinderella in 1997, Matthew Bourne couldn’t have predicted any...
Read MorePosted by Wendy Arons | 11th Feb 2019 | Adaptation, Pittsburgh, Review, The Pittsburgh Tatler, United States of America
A couple of decades ago my then-colleague Jan Hagens introduced me to a genre categorization that...
Read MorePosted by Jonathan Kalb | 10th Feb 2019 | New York, Review, United States of America
Sam Shepard’s True West has always been a magnet for celebrity hamming, particularly in the role...
Read MorePosted by Irina Yakubovskaya | 10th Feb 2019 | Boston, France, Interview, Theatre and Dance, United States of America
ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...
Read MorePosted by Abigail Weil | 9th Feb 2019 | Festivals, New York, Review, Theatre and Gender, United States of America
When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...
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