New York Archives - Page 22 of 26

Rehearsing Transformation In An American Prison

Posted by Nick Fesette and Bruce A. Levitt | 6th Oct 2017 | Devised Theatre, New York, United States of America

The weekly meetings of the Phoenix Players Theatre Group (PPTG) always begin and end with an...

Puppet BloK: A Series Of Ground-Breaking New Works

Posted by Krista Jarboe | 4th Oct 2017 | Devised Theatre, New York, Puppetry, United States of America

Dixon Place is known for their commitment to supporting the creative process as well as hosting...

“Beckett In The City”

Posted by Jonathan Kalb | 2nd Oct 2017 | Adaptation, New York, Review, United States of America

From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...

Algorithm, Composition, And Metaphor

Posted by Annie Dorsen | 26th Sep 2017 | New York, Theatre and Science, Transmedia, United States of America

What is algorithmic theatre? For the last several years, I’ve been using the term...

“The Hungry Ghosts” A Comedy About Addiction

Posted by Rachel E. Diken | 17th Sep 2017 | New York, Review, Theatre and Politics, United States of America

Core Artists Ensemble brings Tessa Borbridge’s The Hungry Ghosts to The Barrow Group Theatre this...

Poetry And Power: “Pipeline” At Lincoln Center

Posted by Jack Wernick | 7th Aug 2017 | New York, Review, United States of America

Acclaimed playwright Dominique Morisseau makes an auspicious Lincoln Center debut with her new...

Spanning Centuries: PTP’s “Arcadia”

Posted by Jack Wernick | 31st Jul 2017 | New York, Review, Theatre and Age, United States of America

The Potomac Theatre Project (PTP) has descended on Atlantic Stage 2’s subterranean bunker of a...

Prelude to Performance Performs “Suor Angelica” and “Gianni Schicchi”

Posted by Susan LaFever and Heather Waters | 24th Jul 2017 | New York, Theatre and Opera, United States of America

Suor Angelica and Gianni Schicchi are the second and third operas of the Il trittico, a trilogy of...

“Pity in History”: The Potomac Theatre Project Wrestles with Howard Barker

Posted by Jessica Rizzo | 22nd Jul 2017 | New York, Review, United States of America

Near the end of the Potomac Theatre Project’s production of Pity in History, with England...

Hypermobility: Calder at the Whitney Museum

Posted by John Tilley | 20th Jul 2017 | New York, Theatre and Art, United States of America

What is it about Alexander Calder’s mobiles that make them so ineffably charming? Is it the clever...

“Gutless & Grateful” Tells The Tale Of Losing A Stomach And Gaining A Story

Posted by Amy Oestreicher | 17th Jul 2017 | New York, Theatre and Disability, United States of America

I grew up thinking my life was a musical. Call it the “theatre bug,” call me a “drama queen” or a...

Julius Caesar In Our Times

Posted by Jyotsna G. Singh | 5th Jul 2017 | New York, Theatre and Politics, United States of America

“All the world’s a stage,” Shakespeare once wrote. In recent weeks, that Shakespearean adage has...

Review: Ensemble Studio Theatre 1-Act Marathon, Series B

Posted by Jack Wernick | 2nd Jul 2017 | Festivals, New York, Playwriting, Review

Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...

The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”

Posted by Jessica Rizzo | 30th Jun 2017 | New York, Review, United States of America

In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...

Review of Martyna Majok’s “Cost Of Living”

Posted by Jack Wernick | 21st Jun 2017 | New York, Review, Theatre and Disability, United States of America

Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...

Stories of Diversity: An Interview with Martyna Majok

Posted by Jack Wernick | 16th Jun 2017 | Interview, New York, Playwriting, Theatre and Disability, United States of America

Martyna Majok is a young playwright whose new play, Cost of Living, has just opened in a Manhattan...

Caridad Svich’s “Town Hall”: Resistance And Change

Posted by Katie Pearl and Caridad Svich | 4th Jun 2017 | New York, Theatre and Politics, United States of America

This interview between OBIE-winning director and theater maker Katie Pearl and OBIE-winning...

Rollercoaster Ride of the Now in “Building The Wall”

Posted by Jack Wernick | 2nd Jun 2017 | New York, Review, Theatre and Politics, United States of America

From the dimming lights at the top of the play to their final fade 90 minutes later, Building The...

Sense of Crisis: An Interview with Robert Schenkkan

Posted by Jack Wernick | 26th May 2017 | Interview, New York, Playwriting, Theatre and Politics, United States of America

Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...

“A Doll’s House, Part 2” Is No Deep Analysis Of Its Source

Posted by Jonathan Kalb | 16th May 2017 | Adaptation, New York, Review, United States of America

A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...

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New York

Rehearsing Transformation In An American Prison

Puppet BloK: A Series Of Ground-Breaking New Works

“Beckett In The City”

Algorithm, Composition, And Metaphor

“The Hungry Ghosts” A Comedy About Addiction

Poetry And Power: “Pipeline” At Lincoln Center

Spanning Centuries: PTP’s “Arcadia”

Prelude to Performance Performs “Suor Angelica” and “Gianni Schicchi”

“Pity in History”: The Potomac Theatre Project Wrestles with Howard Barker

Hypermobility: Calder at the Whitney Museum

“Gutless & Grateful” Tells The Tale Of Losing A Stomach And Gaining A Story

Julius Caesar In Our Times

Review: Ensemble Studio Theatre 1-Act Marathon, Series B

The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”

Review of Martyna Majok’s “Cost Of Living”

Stories of Diversity: An Interview with Martyna Majok

Caridad Svich’s “Town Hall”: Resistance And Change

Rollercoaster Ride of the Now in “Building The Wall”

Sense of Crisis: An Interview with Robert Schenkkan

“A Doll’s House, Part 2” Is No Deep Analysis Of Its Source

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