Maria Irene Fornes’s “Mud” at Teatro Circulo
Maria Irene Fornes’s 1983 play Mud, widely considered a contemporary classic, is rarely produced...
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New York
Vietnam Is A Lullaby Of Dissolution In “My Lai” at BAM
It’s breathtaking, attending the 2017 BAM Next Wave Festival. Few opera houses have the majestic...
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Rehearsing Transformation In An American Prison
The weekly meetings of the Phoenix Players Theatre Group (PPTG) always begin and end with an...
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Puppet BloK: A Series Of Ground-Breaking New Works
Dixon Place is known for their commitment to supporting the creative process as well as hosting...
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“Beckett In The City”
From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...
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Algorithm, Composition, And Metaphor
What is algorithmic theatre? For the last several years, I’ve been using the term...
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“The Hungry Ghosts” A Comedy About Addiction
Core Artists Ensemble brings Tessa Borbridge’s The Hungry Ghosts to The Barrow Group Theatre this...
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Poetry And Power: “Pipeline” At Lincoln Center
Acclaimed playwright Dominique Morisseau makes an auspicious Lincoln Center debut with her new...
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Spanning Centuries: PTP’s “Arcadia”
The Potomac Theatre Project (PTP) has descended on Atlantic Stage 2’s subterranean bunker of a...
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Prelude to Performance Performs “Suor Angelica” and “Gianni Schicchi”
Suor Angelica and Gianni Schicchi are the second and third operas of the Il trittico, a trilogy of...
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“Pity in History”: The Potomac Theatre Project Wrestles with Howard Barker
Near the end of the Potomac Theatre Project’s production of Pity in History, with England...
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Hypermobility: Calder at the Whitney Museum
What is it about Alexander Calder’s mobiles that make them so ineffably charming? Is it the clever...
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“Gutless & Grateful” Tells The Tale Of Losing A Stomach And Gaining A Story
I grew up thinking my life was a musical. Call it the “theatre bug,” call me a “drama queen” or a...
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Julius Caesar In Our Times
“All the world’s a stage,” Shakespeare once wrote. In recent weeks, that Shakespearean adage has...
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Review: Ensemble Studio Theatre 1-Act Marathon, Series B
Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...
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The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”
In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...
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Review of Martyna Majok’s “Cost Of Living”
Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...
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Stories of Diversity: An Interview with Martyna Majok
Martyna Majok is a young playwright whose new play, Cost of Living, has just opened in a Manhattan...
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Caridad Svich’s “Town Hall”: Resistance And Change
This interview between OBIE-winning director and theater maker Katie Pearl and OBIE-winning...
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Rollercoaster Ride of the Now in “Building The Wall”
From the dimming lights at the top of the play to their final fade 90 minutes later, Building The...
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