Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
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Boston
“Small Mouth Sounds” And Not Much Dialogue Either
Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...
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“Breath And Imagination”: The Rediscovery Of Roland Hayes
Breath And Imagination is a musical, composed and written by Daniel Beaty, largely based on the...
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“Wet: A DACAmented Journey”: Living As An Undocumented Immigrant
Alex Alpharaoh has brought WET: A DACAmented Journey, his moving, comic, and political one-man...
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Review: “Man In The Ring” By Michael Cristofer
Michael Cristofer’s “Man in the Ring” is a memory play that hits on an emotional level in a way that is hard to shake.
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Legacy And Genius In Machover’s New Opera “Schoenberg In Hollywood”
It’s a bold move to write an opera about a musical genius: to evoke the style of said great...
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“Blue Kettle” And “Here We Go”: A First Rate Revival Of Two Of Caryl Churchill’s Plays
The Boston Commonwealth Shakespeare Company began life as a summer program over twenty years ago...
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“Fun Home”: An Extraordinary Musical
Fun Home, the multi-Tony award winning musical is making its Boston début at SpeakEasy and a fine...
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“We Will Not Be Silent”: A Story Of Anti-Fascist Youth
David Meyers’ We Will Not Be Silent, now playing at the New Repertory Theatre at the Mosesian...
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“The Barber Of Seville” at Boston Lyric Opera
Gioachino Rossini’s most famous opera, The Barber Of Seville, opened Friday night at the Cutler...
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Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
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“Measure For Measure”: Shakespeare’s #MeToo Moment
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
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Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios
If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...
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A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”
Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...
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Speakeasy Succeeds With “Between Riverside And Crazy”
Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...
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“Hamnet”: A Father/Son Play
Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...
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Dramaturging Performance, Pedagogy, and Protest in Boston, ATHE 2018
Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...
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Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
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Preview: OperaHub’s “DIVAS;” Calling Out The Opera Industry In A Love Letter To The Opera Art Form
This week, OperaHub’s original DIVAS, a “World Premier play with opera music” opens June 21st and...
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Boston Lyric Opera’s “Trouble In Tahiti”
Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...
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