“Jagged Little Pill” Finds A New Life
Jagged Little Pill, Alanis Morissette’s internationally famous alt-rock album released in 1995 has...
Read More
Boston
“The Women Who Mapped The Stars”: The Struggle to be Acknowledged
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
Read More
The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
Read More
The Problem Of The Unmarried Woman In “Old, New, Borrowed, Blue”
Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...
Read More
Boheme and Beer: an Unconventional Production by Boston Opera Collaborative
Audiences found themselves amidst fermentation vessels and set dressings alike this past Thursday...
Read More
Love, Death And Soviet Spies: Boston Playwrights’ Theatre Stages Its First Opera, “The Rosenbergs”
It was like the Dreyfus Affair. The Sacco-Vanzetti Trial. Any of those singular moments in history...
Read More
Socialist Morality in “The Threepenny Opera”
On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...
Read More
“The White Card”: An Attempt To Communicate
The White Card, Claudia Rankine’s play on racism is having its world premiere at Boston’s...
Read More
Rapping While White, Surviving While Black: “Hype Man” At Boston’s Company One
The legacy of rap in America is rich with rhymes and rhymers that challenge institutionalized...
Read More
“As One” – A New Biographical Opera About Transgender Experience Premiers in Boston
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
Read More
“Brodsky/Baryshnikov” – Poetry in Motion
On a Sunday afternoon at the Cutler Majestic in Boston, Brodsky/Baryshnikov had its final Boston...
Read More
“Ada/Ava”: Silent Film In The 21st Century
ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...
Read More
Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
Read More
Boston Opera Collaborative’s “Opera Bites” Is A Moveable Feast
Delightfully thought-provoking and fun, the Boston Opera Collaborative’s third annual festival...
Read More
“The Revolutionists”: How Far Have We Come?
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
Read More
One Last Grasp: “Exit The King” By Boston’s Actor’s Shakespeare Project
When the dying King Berenger the First petulantly exclaims “Let everything die, if my death won’t...
Read More
A Convincing “Tosca” at Boston Lyric Opera
Riding the line between political thriller and melodrama, Joseph Kerman described Puccini’s Tosca...
Read More
“Warholcapote” – Their World Of Celebrity, Competition, Conversation, Art, And Friendship
As its title seems to indicate, Warholcapote, a two-character play revolves around a relationship...
Read More
The Fate of Women in “La Femme Bohème”
While most scholars addressing issues of feminism in opera focus on the fate of women in opera...
Read More
Foreignness and Familiarity: An Interview with Dmitry Troyanovsky
Dmitry Troyanovsky, currently Assistant Professor of Theater Arts at Brandeis University, is a...
Read MoreLike Us On Facebook
Most Popular Posts
“Laughs In Spanish” Review 25th June 2024 - “The Pillars of the Earth”: The… 12th March 2025
- I Am Not Afraid For The Future Of The Theatre 2nd April 2025
- Back to the Updated Future: Rock Opera… 21st July 2024
