“After The Fire’s” Wit And Rage Is Incendiary
Kate Croome reviews After The Fire by Matthew MacKenzie, a Punctuate! Theatre and Alberta...
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Canada
“Deer Woman” Is A Work Of Immense Power And Artistry
One of the most exhilarating things about Wesley Enoch’s tenure as Artistic Director of the Sydney...
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Artistic Director Eric Coates remaking GCTC
Eric Coates is the artistic director of the Great Canadian Theatre Company. Now into his seventh...
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“Minding Frankie”: A Canadian Premiere Of An Irish Adaptation Goes Straight To The Heart!
The narrative voices of Irish novelist and playwright Maeve Binchy that emerge in Minding Frankie...
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Care To Dance Dramaturg? The Invention Of A New Craft
A Foreword by the Editor Thirty years ago an essay was published in the Canadian journal Theatrum...
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In The Post-Truth Era, Documentary Theatre Searches For Common Ground
With the onslaught of “alternative facts” or “fake news,” it can feel as though the ground has...
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Acting Out: Theatre Class Where Students Rehearse For Change
The auditorium buzzes with anticipation. It is opening night for a group of students from the...
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Review: “Other People’s Children” Cracks Open Postpartum Intimacy And Labor
Montreal, Québec Sarah J Culkin reviews Imago Theatre’s production of Other People’s Children by...
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Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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“Chasing Champions: The Sam Langford Story” by Nova Scotia Playwright Jacob Sampson
Chasing Champions: The Sam Langford Story by Nova Scotia playwright Jacob Sampson (who also stars)...
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In The Unseen World: Performing Storytelling In The World Of Indigenous Peoples
In the new theatre research LabO located in the Ottawa Art Gallery, a group of students and...
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Alonzo King Lines Ballet “Sutra” Unites The World
What we grasp from this hypnotic evening presented by the Alonzo King Lines Ballet performing a...
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Solo 70: Dance Is A Mechanism For Letting Go
In Solo 70, acclaimed dancer and choreographer Paul-André Fortier performs his final piece with...
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“The Drowning Girls”: A Story Of Misogyny And Murder
There’s not much on the stage. Three bathtubs, a metal dress form and shower head hanging above...
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“Sound Of The Beast” Slams Brutality, Inequality, And Racism
Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound Of The Beast, produced by...
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“Silence” At The NAC: The Romantic Life Of A Couple Behind The Invention Of The Telephone
Silence brings to the spotlight the romantic life of the husband and wife behind the invention of...
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Recalling Redfeather: Weaving Through History With Jani Lauzon And Marjorie Chan
Note: Robyn Grant-Moran interviews I Call Myself Princess playwright Jane Lauzon and director...
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C For “Cliffhanger” In Academic Murder At The O.L.T
Cliffhanger by James Yaffe in Ottawa Little Theatre. As the plot of Cliffhanger unfolds gently, it...
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“I Call Myself Princess” Is A Gifted Conduit For Escalating Ancestors
After attending a rehearsal and speaking with playwright Jani Lauzon and director Marjorie...
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Peter Hinton’s Return To The NAC Stage
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
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