What is “Ketamine: The Musical?”
A “profound and numbing” play dedicated to the powerful psychedelic drug ketamine is due to open...
Read MorePosted by Will Worley | 4th Aug 2016 | Musical Theatre, New York, News, Participatory Theatre, Theatre and Politics, United Kingdom
A “profound and numbing” play dedicated to the powerful psychedelic drug ketamine is due to open...
Read MorePosted by The Theatre Times | 2nd Aug 2016 | LGBTQ+ Theatre, Review, United Kingdom
Caryl Churchill’s new 10-minute play, Pigs and Dogs, just opened at the Royal Court Theatre, under...
Read MorePosted by Chloe Hamilton | 22nd Jul 2016 | Design, Interview, London, United Kingdom
Have you ever watched the original Thunderbirds and tried to count all the strings? Well, puppets...
Read MorePosted by Jonathan Kalb | 22nd Jul 2016 | London, Review, Theatre and Politics, United Kingdom
Setting Shakespeare in modern Africa is risky business for a white first-world director. That...
Read MorePosted by Anna Prosvetova | 18th Jun 2016 | Interview, Theatre and Opera, United Kingdom
Sir Michael Boyd was born in Belfast and studied English at Edinburgh University. In 1979 he won a...
Read MorePosted by Like Davies | 18th Jun 2016 | Documentary Theatre, London, Review, Theatre and Opera, United Kingdom
Sex work has long been a contentious issue – divisive for feminists and policy makers alike. The...
Read MorePosted by Adam Sherwin | 1st Jun 2016 | News, Theatre and Politics, United Kingdom
A member of the Russian punk group Pussy Riot who was jailed over an anti-Putin protest is to make...
Read MorePosted by Phoebe Taplin | 27th May 2016 | Essay, Playwriting, Russian Theatre Abroad, United Kingdom
British stages have long been in love with Anton Chekhov and Nikolai Gogol, but there is...
Read MorePosted by Alice Jones | 22nd May 2016 | London, Review, United Kingdom
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
Read MorePosted by Sheila T. Cavanagh | 3rd Nov 2015 | Essay, Translation, United Kingdom
An uproar ensued after it was reported that the Oregon Shakespeare Festival (OSF) – southern...
Read MorePosted by Beatriz Cabur | 19th Aug 2015 | News, United Kingdom
The Theatre Times interviews Ola Animashawun, Artistic Associate at The Royal Court Theatre and...
Read MorePosted by Peter Tregear | 5th Jul 2015 | Essay, London, Theatre and Opera, United Kingdom
As an art form routinely accused of contemporary irrelevancy, opera rarely makes headline news....
Read MorePosted by Bernard Gallagher | 12th Jun 2015 | Review, Theatre and Politics, United Kingdom
In October 2012 ITV broadcast The Other Side Of Jimmy Savile, in which several women alleged that...
Read MorePosted by Denis Flannery | 10th Apr 2015 | Adaptation, Essay, United Kingdom
I’m not sure many saw David Bowie’s latest creative project coming. It was recently announced that...
Read MorePosted by John Drakakis | 9th Apr 2015 | Adaptation, Essay, London, United Kingdom
The announcement that a play about Jimmy Savile is to be staged in London this summer has raised...
Read MorePosted by Daniela Kaleva | 12th Mar 2015 | Australia, Review, Theatre and Disability, United Kingdom
Beauty And The Beast is the quintessential story of a young beautiful daughter who has to live...
Read MorePosted by Eric Rasmussen | 11th Dec 2014 | Essay, United Kingdom
The Shakespeare First Folio (1623), the first collected edition of his plays and the sole source...
Read MorePosted by Emily McGovern | 7th Nov 2014 | Adaptation, France, Interview, Russia, Transcultural Collaborations, United Kingdom
British actor Harry Lloyd and French director Gérald Garutti’s stage adaptation of the Fyodor...
Read MorePosted by Gail Marshall | 24th Sep 2014 | Essay, Theatre and Gender, United Kingdom
Several British theatres have made a pledge to address the levels of gender inequality on the...
Read MorePosted by Mareile Pfannebecker | 22nd Sep 2014 | Essay, Theatre and Gender, United Kingdom
The ghost, in this autumn’s Royal Exchange Theatre production of Hamlet, is in the light bulbs....
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