“Sessions”, Soho Theatre
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Theo Bosanquet | 23rd Dec 2021 | Chile, Interview, London, Translation, United Kingdom
A Fight Against… (Una Lucha Contra…) marks Chilean playwright Pablo Manzi’s English-language...
Read MorePosted by Aleks Sierz | 20th Dec 2021 | London, Review, Theatre and Politics, United Kingdom
The National Theatre has a good record in staging classic American drama by black playwrights....
Read MorePosted by Mert Dilek | 13th Dec 2021 | London, Musical Theatre, Review, United Kingdom
Willkommen, bienvenue, welcome! Come on in: we need, after all, some respite from a world in...
Read MorePosted by Lynette Goddard | 10th Dec 2021 | Playwriting, Review, United Kingdom
“There’s a sidestep that Europe does where it takes itself out of the triangle… I’m never quite...
Read MorePosted by Aleks Sierz | 6th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Steve Waters | 4th Dec 2021 | Covid-19, Essay, United Kingdom
Indoor theatre is back. Despite audiences being inscrutable in masks, I’ve seen two packed shows...
Read MorePosted by Aleks Sierz | 3rd Dec 2021 | Review, Theatre and Politics, United Kingdom
Why are we indifferent to anti-Semitism? In the past few weeks the Royal Court, a proud citadel of...
Read MorePosted by Aleks Sierz | 16th Nov 2021 | London, Review, Theatre and Gender, United Kingdom
Hypocrisy. Is this the right word? I don’t mean the play, but the audience. Of course, in the...
Read MorePosted by Charis Ainslie | 14th Nov 2021 | Essay, London, Translation, United Kingdom
Wolves and a dark night. The perfect match. Those lines get me every time. From the first time I...
Read MorePosted by Niloofar Mohtadi | 3rd Nov 2021 | Iran, Review, Transmedia, United Kingdom
The play Rich Kids: A History of Shopping Malls in Tehran, authentically narrates the story of a...
Read MorePosted by Aleks Sierz | 2nd Nov 2021 | Adaptation, Review, United Kingdom
Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening...
Read MorePosted by Mert Dilek | 28th Oct 2021 | Adaptation, London, Review, United Kingdom
What does it take to stretch Shakespeare’s shortest tragedy to a runtime of over three hours? Not,...
Read MorePosted by Trevor Boffone | 27th Oct 2021 | Books, Musical Theatre, United Kingdom
The Boy Friend. Oliver!. Cats. Blood Brothers. The Phantom of the Opera. Les Miserables. Billy...
Read MorePosted by Aleks Sierz | 25th Oct 2021 | London, Playwriting, Review, Theatre and Religion, United Kingdom
Since 9/11 there has been considerable interest in staging stories about British Muslims, and the...
Read MorePosted by Catriona Craig, David Harris, Ken Cerniglia, Jarkko Lehmus and Katalin Trencsényi | 16th Oct 2021 | Dramaturgy, Interview, United Kingdom
On 21 June 2021, the Dramaturgs Network (a volunteer arts organization by and for dramaturgs...
Read MorePosted by Aleks Sierz | 10th Oct 2021 | Adaptation, London, Playwriting, Review, United Kingdom
This is a labor of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of...
Read MorePosted by Aleks Sierz | 27th Sep 2021 | Playwriting, Review, Theatre and Politics, United Kingdom
Are we too obsessed with Nazism? Apart from countless television programs which revisit that grim...
Read MorePosted by John Freedman | 25th Sep 2021 | News, Russia, Theatre and Art, United Kingdom
“Stop now! See that? You see that cloud? That beautiful shape?” That is what Ken Reynolds would...
Read MorePosted by Aleks Sierz | 17th Sep 2021 | London, Review, United Kingdom
For more than three decades, playwright Winsome Pinnock has been at the forefront of new writing,...
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