“Shedding a Skin” at Soho Theatre
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...
Read MorePosted by Aleks Sierz | 1st Apr 2022 | Playwriting, Review, Theatre and Gender, United Kingdom
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...
Read MorePosted by Aleks Sierz | 30th Mar 2022 | London, Review, Theatre and Gender, United Kingdom
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...
Read MorePosted by Aleks Sierz | 23rd Mar 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Football stories are never just about a game — they are also about life and how to live it. In...
Read MorePosted by Aleks Sierz | 18th Mar 2022 | Acting, Directing, London, Review, United Kingdom
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
Read MorePosted by Stephen Langston | 14th Mar 2022 | Covid-19, Essay, Producing, United Kingdom
When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased...
Read MorePosted by Duška Radosavljević | 3rd Mar 2022 | Acting, London, Review, Translation, United Kingdom
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
Read MorePosted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
Read MorePosted by Aleks Sierz | 2nd Feb 2022 | Directing, London, Management, Review, United Kingdom
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
Read MorePosted by Aleks Sierz | 1st Feb 2022 | London, Review, Theatre and Gender, United Kingdom
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others...
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Aleks Sierz | 29th Jan 2022 | Review, Theatre and Politics, United Kingdom
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and...
Read MorePosted by Sarah Annes Brown | 25th Jan 2022 | Adaptation, Essay, Theatre and Science, United Kingdom
Science fiction is a genre very much associated with technological marvels, innovations, and...
Read MorePosted by Aleks Sierz | 18th Jan 2022 | London, Review, Theatre and Politics, United Kingdom
The National Theatre has a good record in staging classic American drama by black playwrights....
Read MorePosted by Aleks Sierz | 16th Jan 2022 | London, Review, Theatre and Gender, United Kingdom
It’s a sign of the times that one of my last trips of the year, to Ella Road’s Fair Play at the...
Read MorePosted by Aleks Sierz | 14th Jan 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
At the end of the 1960s, American soul poet Gil Scott-Heron said that the revolution will not be...
Read MorePosted by Andrew Maunder | 8th Jan 2022 | Essay, Theatre for Young Audiences, United Kingdom
Head to London’s West End and you are likely to find all sorts of plays for families, inspired by...
Read MorePosted by Natalie Hanna | 7th Jan 2022 | Adaptation, Review, Theatre and Gender, United Kingdom
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
Read MorePosted by Aleks Sierz | 31st Dec 2021 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A couple of days ago, I watched a live stream of Milk and Gall, an American-based playwright and...
Read MorePosted by Aleks Sierz | 29th Dec 2021 | Review, Theatre and Politics, United Kingdom
Is the Bosnian conflict of 1992–95 the war that Europe forgot? Maybe, although most fans of new...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
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“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 



“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026 
