“Ravenscourt,” Hampstead Theatre
Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...
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United Kingdom
Remembering Joan Littlewood (6 October 1914 – 20 September 2002)
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
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Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity
Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...
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How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times
Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...
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“Who Killed My Father,” Young Vic
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
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Five Myths About Shakespeare’s Contribution to the English Language
Shakespeare’s language is widely considered to represent the pinnacle of English. But that status...
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“Flo & Joan,” Lund Comedy Festival
Here’s a few things to start with. Following my recent relocation from London to the Swedish...
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“Chasing Hares” at the Young Vic
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
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About “Dog/Actor” at the Etcetera Theatre
Yesterday evening I went to see Dog/Actor at the Etcetera Theatre in Camden. Written by Steven...
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“The Fellowship,” Hampstead Theatre
I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted...
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“Bangers,” Soho Theatre
Is gig theater the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around...
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Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”
As London celebratess the 50th anniversary of the Pride Parade on July 2, I’m reminded of the only...
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“Lotus Beauty,” Hampstead Theatre
Theatre is slowly recovering from the effects of the pandemic, and many shows which were canceled...
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From a Position of Perspectives: An Interview with Patrice Pavis
There is always a cultural gap between scholars and artists, each group being suspicious of the...
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“House of Ife,” Bush Theatre
In the past, most plays by black-British writers have been about the legacy of the Windrush...
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“The Haunting of Susan A” at The King’s Head Theatre
Konrad: Hello, I’m Konrad. I’m here to share an account of the production of Mark Ravenhill’s The...
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Liverpool Arab Arts Festival Returns to In-Person Format
Celebrating Arab culture, the Liverpool Arab Arts Festival (LAAF) is gearing up for its upcoming...
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“The Burnt City,” One Cartridge Place
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
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Ivo van Hove’s “Age of Rage” at Barbican
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
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Guide to the Classics: Shakespeare’s “Hamlet,” The Everest of Literature
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
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