“Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression
The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...
Read MorePosted by Iga Szczodrowska | 11th Aug 2019 | Festivals, London, Poland, Polish Theatre Abroad, Review
The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...
Read MorePosted by Aleks Sierz | 26th Jul 2019 | London, Review, Theatre and Age, United Kingdom
For a while, child abuse was banished from our stages. After all, there is a limit, surely, to how...
Read MorePosted by Aleks Sierz | 25th Jul 2019 | London, Review, United Kingdom
Few theatres have done as much to promote new young talent as the Royal Court; few theatres have...
Read MorePosted by Aleks Sierz | 24th Jul 2019 | London, Review, United Kingdom
The best kind of two-hander is the play about couples. And the most dramatic way of saying...
Read MorePosted by Aleks Sierz | 20th Jul 2019 | London, Review, Theatre and Politics, United Kingdom
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read MorePosted by Aleks Sierz | 13th Jul 2019 | London, Review, United Kingdom
Last month, Andrzej Lukowski, London Time Out’s theater editor, wrote a well-argued piece in The...
Read MorePosted by Aleks Sierz | 13th Jul 2019 | Acting, London, Review, United Kingdom
John Malkovich is back in town — and he’s starring in the most controversial play of the year....
Read MorePosted by Aleks Sierz | 12th Jul 2019 | Ireland, London, Review, United Kingdom
Irish playwright Dylan Coburn Gray’s new play won the Verity Bargate Award in 2017, and his reward...
Read MorePosted by Aleks Sierz | 6th Jul 2019 | London, Review, United Kingdom
Once upon a time, farce was one of the most popular of genres in postwar British theatre. Those...
Read MorePosted by Aleks Sierz | 5th Jul 2019 | London, Review, United Kingdom
An armadillo is a small mammal, but this is not a play about the amazing relative of the anteater....
Read MorePosted by Aleks Sierz | 2nd Jul 2019 | London, Review, United Kingdom
In one lifetime, the many loves that once dared not speak their names have become part of everyday...
Read MorePosted by Mert Dilek | 26th Jun 2019 | Adaptation, Documentary Theatre, London, Review, United Kingdom
Three generations, three centuries, three acts: The Lehman Trilogy is a theatrical feast that...
Read MorePosted by Mert Dilek | 22nd Jun 2019 | London, Review, Theatre and Science, United Kingdom
Dramatic representations of ennui often have an important decision to make at the onset of their...
Read MorePosted by Aleks Sierz | 21st Jun 2019 | London, Review, United Kingdom
I’ve always been a bit sad that so many contemporary classics are so rarely revived. I have even...
Read MorePosted by Mert Dilek | 20th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Many a dramatist has imagined what happens to Nora after she slams the door at the end of Ibsen’s...
Read MorePosted by Aleks Sierz | 17th Jun 2019 | London, Review, United Kingdom, United States of America
The word “Rustbelt” is really eloquent in its evocation of industrial decline. After all, rust is...
Read MorePosted by Aleks Sierz | 15th Jun 2019 | London, Review, United Kingdom
Since playwright Terence Rattigan’s rehabilitation in the early 1990s, after the comprehensive...
Read MorePosted by Aleks Sierz | 14th Jun 2019 | Directing, London, Review, Theatre and Gender, United Kingdom
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...
Read MorePosted by Aleks Sierz | 14th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Last night, I went, for the first time, to the Barons Court Theatre, which is staging a compact...
Read MorePosted by Aleks Sierz | 5th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...
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Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026