“Family Album”: With Artistic Director Stas Zhyrkov And Director Matteo Spiazzi
Artistic and Financial Director, Stas Zhyrkov and Director, Matteo Spiazzi, give their take on...
Read MorePosted by Melissa Denzer | 26th Jun 2020 | Directing, Dramaturgy, Interview, News, Ukraine
Artistic and Financial Director, Stas Zhyrkov and Director, Matteo Spiazzi, give their take on...
Read MorePosted by Juno Schwarz | 21st Sep 2019 | London, Review, Transmedia, Ukraine, United Kingdom
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
Read MorePosted by Juno Schwarz | 7th Sep 2019 | Edinburgh 2019, Festivals, Review, Theatre and Dance, Ukraine, United Kingdom
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
Read MorePosted by Lauren Dubowski | 16th Apr 2019 | Germany, News, Producing, Theatre and Politics, Transcultural Collaborations, Ukraine
As a mid-December snow fell over the city of Kyiv, Ukraine, the European Theatre Convention...
Read MorePosted by Alison Miller | 27th Jun 2018 | Festivals, London, Review, Translation, Ukraine, United Kingdom
Meet The team behind Maklena and become part of the story! Armed secret police were everywhere...
Read MorePosted by Elena Mygashko | 24th Jun 2018 | Essay, Management, Ukraine
The theatre landscape in Ukraine is diverse and contradictory. Presently, there are more than 120...
Read MorePosted by Aleks Sierz | 29th Nov 2017 | London, Review, Theatre and Politics, Ukraine, United Kingdom
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
Read MorePosted by The Theatre Times | 4th Nov 2017 | Germany, Interview, Management, Transcultural Collaborations, Ukraine
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
Read MorePosted by Anastasiia Gaishenets | 15th Aug 2017 | Documentary Theatre, Transmedia, Ukraine
Work on a documentary performance called End of Imitation started last autumn. It was shaped by...
Read MorePosted by Zolima Citymag | 10th Aug 2017 | Hong Kong, Theatre and Dance, Theatre for Young Audiences, Ukraine
Why We Recommend it This imaginative shadow theatre show, aimed at children aged 3 and up,...
Read MorePosted by Olena Mygashko | 2nd Aug 2017 | Adaptation, Ukraine
On the stage covered with flour appears officer Bonet (Dmytro Surzhykov). Heavy and uneven white...
Read MorePosted by Oksana Dudko | 20th Jul 2017 | Documentary Theatre, Dramaturgy, Ukraine
During the post-Soviet period, Ukrainian dramaturgy lagged behind prose and poetry and was almost...
Read MorePosted by Anastasiia Gaishenets | 17th Jul 2017 | Interview, Playwriting, Ukraine
Theatrical season of 2016-2017 finally brought post-dramatic theater to Ukraine. With a...
Read MorePosted by Oleksiy Palyanychka | 11th Jul 2017 | Theatre and Age, Ukraine
Two years before creating Autumn on Pluto, Sashko Brama visited a geriatric home while helping his...
Read MorePosted by Molly Flynn | 26th Jun 2017 | Documentary Theatre, Theatre and Politics, Ukraine
School #3, a documentary about everyday life in war-struck eastern Ukraine, recently won a Grand...
Read MorePosted by Oksana Grytsenko | 20th Jun 2017 | Theatre and Politics, Theatre for Young Audiences, Ukraine
On the front line between Russia and Ukraine, the small city of Popasna is a place deeply divided:...
Read MorePosted by Veronika Skliarova | 16th Jun 2017 | Review, Theatre and Gender, Ukraine
Theater Vinora shows Women’s Voices, performance with elements of storytelling, based on...
Read MorePosted by Oksana Dudko | 28th Mar 2017 | Documentary Theatre, Playwriting, Ukraine
“How has theatre changed after Maidan?” is among the most frequently asked questions about...
Read MorePosted by Oksana Dudko | 8th Nov 2016 | Essay, Theatre and Politics, Ukraine
New Theatre in Ukraine: Rattle, Break, and Creation Ukrainian theatre has been rattling since the...
Read MorePosted by Paula Erizanu | 20th Aug 2016 | Review, Ukraine
“Laaaadies and gentlemen,” a TV host’s animated voice says out of speakers in the semi-dark, “it’s...
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