Korean-German Collaboration “Walls–Iphigenia in Exile” Premieres in Gwangju and Berlin
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
Read MorePosted by Kee-Yoon Nahm | 2nd Nov 2016 | Germany, Review, South Korea, Theatre and Politics, Transcultural Collaborations
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
Read MorePosted by Florian Malzacher | 23rd Oct 2016 | Essay, Germany, Participatory Theatre, Theatre and Politics
The more the time we are living through seems out of joint, the harder it has been for the...
Read MorePosted by Ulrike Kahle-Steinweh | 15th Oct 2016 | Design, Essay, Germany
Katrin Brack and Barbara Ehnes, two set designers, have influenced and even changed the theatre....
Read MorePosted by Dorothea Marcus | 12th Oct 2016 | Essay, Germany, Theatre and Politics
On the German stage refugees are still often the authentic narrators of their fate, directed by...
Read MorePosted by Christine Wahl | 9th Oct 2016 | Essay, Germany, Playwriting
The new theatre texts that have been presented in the 2015/16 season at play markets in...
Read MorePosted by Christine Wahl | 22nd Sep 2016 | Essay, Germany, Theatre and Politics
The German theatre has responded to the swing to the right in society. It has thereby proceeded to...
Read MorePosted by Cristina Modreanu | 13th Sep 2016 | Directing, Germany, Interview
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
Read MorePosted by Barbara Behrendt | 9th Sep 2016 | Festivals, Germany, Review
In July and August 2016, the international performance festival Foreign Affairs in Berlin, which...
Read MorePosted by Fadi Fayad Skeiker | 23rd Jul 2016 | Applied Theatre, Essay, Germany
I am in the same room with three young asylum seekers from Syria—Abed, 17, from Deir al-Zour;...
Read MorePosted by Ilana Walder-Biesanz | 13th Feb 2015 | Germany, Review
I’ve complained a lot in previous reviews about directors staging tragedies as comedies. But...
Read MorePosted by Ilana Walder-Biesanz | 26th Jan 2015 | Germany, Review, Theatre and Gender
I don’t actually like Woyzeck very much, so I am not sure why I bought tickets to two different...
Read MorePosted by Ilana Walder-Biesanz | 25th Jan 2015 | Germany, Musical Theatre, Review, Theatre and Opera
Brecht and Weill’s Threepenny Opera is much more of a musical than an opera. But it decidedly...
Read MorePosted by Marcina Zaccaria | 1st Nov 2014 | Germany, News, Theatre and Opera
Theatre and Opera Editor Marcina Zaccaria spoke with actor Jeff Burchfield in 2014, who was...
Read MorePosted by Ilana Walder-Biesanz | 7th Sep 2014 | Festivals, Germany, Iran, Review, Russian Theatre Abroad, Transcultural Collaborations
“Alienation” drones Ivanov’s English-learning tape in the second act of the production. The...
Read MorePosted by Joanna Wichowska | 31st May 2010 | Directing, Germany, Interview
“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...
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