An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
Read MorePosted by Fadi Fayad Skeiker | 26th Mar 2017 | Germany, Interview
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
Read MorePosted by Ágnes Bakk | 20th Mar 2017 | Germany, Interview, Transmedia
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
Read MorePosted by Clement Lee | 19th Mar 2017 | Germany, Hong Kong, Theatre and Politics
Roland Schimmelpfennig ‘New Writing’ masterpiece Der Goldene Drache (The Golden Dragon) explores...
Read MorePosted by Kamelia Nikolova | 9th Mar 2017 | Bulgaria, Festivals, Germany, Transcultural Collaborations
The emblem of human existence The stage has a rectangular ramp on it, covered with a large pink...
Read MorePosted by Dorothea Marcus | 8th Mar 2017 | Germany, Theatre and Politics
What does a German municipal theater need? Wilfried Schulz has been intendant of the Düsseldorf...
Read MorePosted by Detlev Baur | 22nd Feb 2017 | Germany, Playwriting, Theatre and Politics
With his debut play Terror, the lawyer and best-selling German author Ferdinand von Schirach...
Read MorePosted by Silvia Stammen | 20th Feb 2017 | Acting, Germany
An interview with the actor Peter Brombacher, actor and a permanent member of the Münchner...
Read MorePosted by Aleks Sierz | 14th Feb 2017 | Germany, Review, Theatre and Politics, Translation, United Kingdom
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an...
Read MorePosted by Andrea Pelegri Kristić | 20th Jan 2017 | Chile, Festivals, Germany, Review, Transcultural Collaborations, Translation
On July 4th, 1999, almost 1700 low-income families in Peñalolén, Santiago de Chile illegally...
Read MorePosted by Henning Fangauf | 15th Jan 2017 | Germany, News, Theatre for Young Audiences
Since 1996, the German Children’s Theatre Prize and the German Young People’s Theatre Prize are...
Read MorePosted by Sabine Leucht | 21st Dec 2016 | Essay, Germany, Theatre for Young Audiences
In many German municipal and state theaters, the Advent season is the starting shot for the...
Read MorePosted by Ágnes Bakk | 14th Dec 2016 | Germany, Immersive Theatre, Interview, Transmedia
machina eX is one of the most immersive theatre company in Germany. They constantly recreate...
Read MorePosted by Kee-Yoon Nahm | 2nd Nov 2016 | Germany, Review, South Korea, Theatre and Politics, Transcultural Collaborations
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
Read MorePosted by Florian Malzacher | 23rd Oct 2016 | Essay, Germany, Participatory Theatre, Theatre and Politics
The more the time we are living through seems out of joint, the harder it has been for the...
Read MorePosted by Ulrike Kahle-Steinweh | 15th Oct 2016 | Design, Essay, Germany
Katrin Brack and Barbara Ehnes, two set designers, have influenced and even changed the theatre....
Read MorePosted by Dorothea Marcus | 12th Oct 2016 | Essay, Germany, Theatre and Politics
On the German stage refugees are still often the authentic narrators of their fate, directed by...
Read MorePosted by Christine Wahl | 9th Oct 2016 | Essay, Germany, Playwriting
The new theatre texts that have been presented in the 2015/16 season at play markets in...
Read MorePosted by Christine Wahl | 22nd Sep 2016 | Essay, Germany, Theatre and Politics
The German theatre has responded to the swing to the right in society. It has thereby proceeded to...
Read MorePosted by Cristina Modreanu | 13th Sep 2016 | Directing, Germany, Interview
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
Read MorePosted by Barbara Behrendt | 9th Sep 2016 | Festivals, Germany, Review
In July and August 2016, the international performance festival Foreign Affairs in Berlin, which...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
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Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026