Germany Archives - Page 7 of 9

Syrian Dancers Perform Show About Refugees and Migration in Berlin

Posted by The Theatre Times | 23rd Oct 2017 | Germany, Syria, Theatre and Dance

A group of Syrian dancers is going on tour across Germany with a show that tells of the plight...

Thomas Ostermeier’s “Richard III” at BAM

Posted by Jonathan Kalb | 17th Oct 2017 | Acting, Germany, Review

Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...

The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”

Posted by Alvina Ruprecht | 15th Oct 2017 | Canada, Germany, Theatre and Dance

The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...

On Liberation And Progression – “Theatertreffen in Hong Kong”

Posted by Clement Lee | 21st Sep 2017 | Festivals, Germany, Hong Kong, Theatre and Politics

It was an achievement that West Kowloon Cultural District Authority and Goethe-Institut Hong Kong...

Theatre Of Remembrance: Geschichtliches Gefuhl

Posted by Christoph Leibold | 19th Sep 2017 | Austria, Germany

Hardly another art form is better suited for the work of remembrance than the theatre as a medium...

Analog Virtual Reality Worlds of SIGNA Performance Group

Posted by Ágnes Bakk | 5th Sep 2017 | Festivals, Germany, Interview, Transmedia

Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...

What (Good) Examples Of Digital Technology In Theatre Do You Know?

Posted by Maren Day | 16th Aug 2017 | Germany, Theatre and Science, Transmedia

The Field Survey, Part 1: Seeing Summarizing the answers of the playful poll done at the...

How Does The (Digital) Theatre Of The Future Look Like?

Posted by Maren Day | 15th Aug 2017 | Germany, News, Theatre and Science, Transmedia

The Field Survey, Part 4: Dreaming What would you like to happen in the (near) future in relation...

Experimental Arrangement In The “In Between”

Posted by Anke Meyer | 5th Aug 2017 | Germany, Puppetry

Every two years, four cities in Franconia host an international puppet theater festival. A look at...

Avignon Part 6: Frank Castorf’s “Die Kabale der Scheinheiligen. Das Leben des Herrn de Molière”

Posted by Yana Meerzon | 24th Jul 2017 | Festivals, France, Germany

Based on 136 play The Cabal of Hypocrites by Mikhail Bulgakov, with additional texts by Pierre...

How Can Digital Technology (Help) Attract New Audiences?

Posted by Maren Day | 18th Jul 2017 | Germany, News, Theatre and Science

The Field Survey, Part 3: Opening Up Reaching and attracting new audiences with the help of...

A Globalised Approach to Theatre-Making

Posted by Vikram Phukan | 9th Jul 2017 | Germany, India, Transcultural Collaborations

The past weekend witnessed the culmination of a global theatre project at Theater Freiburg, an...

“The Ridiculous Darkness” Is An Instruction Manual For Reality

Posted by The Theatre Times | 5th Jul 2017 | Brazil, Germany, Playwriting

For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...

Berlin Turkish Theater Festival Kicks Off

Posted by The Theatre Times | 1st Jul 2017 | Festivals, Germany, Turkey

The Berlin Turkish Theater Festival kicked off on July 1, 2017 in the German capital, Berlin....

Film Artist Julian Rosefeldt: “Manifesto” and “Masquerade”

Posted by Daniela Gregori | 13th Jun 2017 | Germany, Theatre and Art

A feature on film artist Julian Rosefeldt’s most recent work, Manifesto.

“Indika” Is A Cross-Cultural Artistic Experiment Of A Snippet Of India’s History

Posted by Vikram Phukan | 11th Jun 2017 | Germany, India, Transcultural Collaborations

Although they are unlikely to be exhibited in India, auteur Sankar Venkateswaran’s recent exploits...

Theatre For Very Young Audiences: Varied And Complex

Posted by Anna Richter | 5th Jun 2017 | Germany, Theatre for Young Audiences

For ten years now German theatre-makers for a young audience have been conquering a new area of...

Pina Bausch and the Tanztheater Exhibit: Can One Put Dance In a Display Cabinet?

Posted by Sabrina Schleicher | 4th Jun 2017 | Germany, Theatre and Dance

What remains of the dance experience when it is put in a museum? How can the liveliness of the...

Changing Theatre Landscape in Germany

Posted by Nikolaus Müller-Schöll | 31st May 2017 | Germany

The crisis of German municipal theatre is a matter of concern for the art sections of newspapers,...

An Interview with Dorothea Marcus and Till Briegleb, Two Jury Members of the Berlin Theatre Meeting

Posted by Christine Wahl | 28th May 2017 | Festivals, Germany, Interview

An interview with Dorothea Marcus and Till Briegleb, two jury members of the Berlin Theatre...

Germany

Syrian Dancers Perform Show About Refugees and Migration in Berlin

Thomas Ostermeier’s “Richard III” at BAM

The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”

On Liberation And Progression – “Theatertreffen in Hong Kong”

Theatre Of Remembrance: Geschichtliches Gefuhl

Analog Virtual Reality Worlds of SIGNA Performance Group

What (Good) Examples Of Digital Technology In Theatre Do You Know?

How Does The (Digital) Theatre Of The Future Look Like?

Experimental Arrangement In The “In Between”

Avignon Part 6: Frank Castorf’s “Die Kabale der Scheinheiligen. Das Leben des Herrn de Molière”

How Can Digital Technology (Help) Attract New Audiences?

A Globalised Approach to Theatre-Making

“The Ridiculous Darkness” Is An Instruction Manual For Reality

Berlin Turkish Theater Festival Kicks Off

Film Artist Julian Rosefeldt: “Manifesto” and “Masquerade”

“Indika” Is A Cross-Cultural Artistic Experiment Of A Snippet Of India’s History

Theatre For Very Young Audiences: Varied And Complex

Pina Bausch and the Tanztheater Exhibit: Can One Put Dance In a Display Cabinet?

Changing Theatre Landscape in Germany

An Interview with Dorothea Marcus and Till Briegleb, Two Jury Members of the Berlin Theatre Meeting

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