How To Breathe Soul Into A Machine! A Plea For More Digital Tenderness
The digital age! (…) Can we turn it off? Real people want to see real people! The voices from...
Read MorePosted by Christian Römer | 23rd Nov 2018 | Germany, News, Transmedia
The digital age! (…) Can we turn it off? Real people want to see real people! The voices from...
Read MorePosted by Friederike Landau | 21st Nov 2018 | Essay, Germany, Producing, Theatre and Politics
Advocacy for the arts has been one of the central topics of the meetings and research activities...
Read MorePosted by Friederike Landau and Christophe Knoch | 20th Nov 2018 | Essay, Germany, Producing, Theatre and Politics
Advocacy for the arts has been one of the central topics of the meetings and research activities...
Read MorePosted by Patrick Wildermann | 9th Nov 2018 | Essay, Festivals, Germany, Transcultural Collaborations
With the Shifting Perspectives platform, the Berlin Theatre Meeting brings a selection of the best...
Read MorePosted by David Hughes | 4th Sep 2018 | Essay, Germany, Theatre and Art
One of the foremost figures in the influential Bauhaus movement, Oskar Schlemmer gained...
Read MorePosted by Clement Lee | 17th Aug 2018 | Design, Germany, Hong Kong, News
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
Read MorePosted by Katerina Sinadinovska | 9th Jul 2018 | France, Germany, Review, Theatre and Politics, Translation
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
Read MorePosted by Christian Rakow | 1st Jul 2018 | Festivals, Germany, News
Thematically or programmatically, curated or judged–the landscape of theatre festivals in Germany...
Read MorePosted by Cássio Diniz Santiago and Till Wyler von Ballmoos | 10th Jun 2018 | Germany, Interview
Each day at 6 pm, performers Till Wyler von Ballmoos and Cássio Diniz Santiago opened the doors to...
Read MorePosted by Carmen Kovacs | 5th Jun 2018 | Dramaturgy, Germany, Interview, Theatre and Disability, Theatre and Opera
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
Read MorePosted by Ágnes Bakk | 28th Apr 2018 | Design, Germany, Interview
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
Read MorePosted by Pieter Vanhuysse | 6th Apr 2018 | Essay, Germany, Theatre and Opera, Theatre and Politics
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
Read MorePosted by Ágnes Bakk | 17th Mar 2018 | Germany, Immersive Theatre, Interview, Transmedia
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
Read MorePosted by Jonathan Kalb | 21st Feb 2018 | Germany, Review, Theatre and Politics
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
Read MorePosted by Davide Cioffrese | 17th Feb 2018 | Germany, Review, Switzerland
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
Read MorePosted by European Theatre Lab | 26th Jan 2018 | Germany, News, Transcultural Collaborations, Transmedia
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
Read MorePosted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
Read MorePosted by Yana Meerzon | 4th Jan 2018 | Directing, Germany, Israel, Review
Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...
Read MorePosted by Ágnes Bakk | 5th Dec 2017 | Germany, Interview, Participatory Theatre, Transmedia
It’s often stated that performing arts reflect changes in society. But how does this look when we...
Read MorePosted by Laila Richter | 28th Nov 2017 | Germany, News, Theatre and Disability
Traces of a Water Spirit #2 I think of myself as a highly sensitive person. One day my therapist...
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