The 2026 International Ibsen Award: A Reflection On The Winner By The Committee
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
Read MorePosted by International Ibsen Award Committee 2026 | 27th Mar 2026 | News, Norway, South Korea, Transmedia
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
Read MorePosted by Soo Ryon Yoon | 4th Aug 2025 | Featured, Management, News, South Korea, Theatre and Gender, Theatre and Politics
“Can we just disband the Seoul Foundation for the Arts and Culture entirely and start over?” A...
Read MorePosted by Kyungjin Jo | 24th Apr 2025 | Review, South Korea, Transcultural Collaborations
In the intimate setting of a small black box theatre, audience members find themselves not in the...
Read MorePosted by Walter Byongsok Chon | 22nd Jul 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read MorePosted by Hansol Oh | 21st Mar 2024 | Musical Theatre, Review, South Korea
It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial...
Read MorePosted by Soo Ryon Yoon | 26th Nov 2023 | Review, South Korea, Theatre and AI, Theatre and Dance
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read MorePosted by Walter Byongsok Chon | 9th Sep 2023 | Review, South Korea, Theatre and Dance
Writing Using is the most recent work by Ahn Aesoon, one of the most renowned contemporary dancers...
Read MorePosted by Duška Radosavljević | 16th Aug 2023 | Edinburgh 2023, Review, Scotland, South Korea
There are multiple ways to admire this production of a Greek classic, directed by Singaporean Ong...
Read MorePosted by Walter Byongsok Chon | 4th Jun 2023 | Musical Theatre, New York, Review, South Korea, Transcultural Collaborations
KPOP is a new musical, with a book by Jason Kim and music by Helen Park and Max Vernon. It...
Read MorePosted by Clare Cioffero | 3rd Jan 2023 | New York, Playwriting, Puppetry, South Korea, United States of America
The simplicity of the set was enriched with exquisite lighting design, by Oliver Wason, depicting the starry heavens above, exploding bombs, flocks of butterflies, even projections of characters.
Read MorePosted by Kee-Yoon Nahm | 9th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation
To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...
Read MorePosted by Kee-Yoon Nahm | 8th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation
Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early...
Read MorePosted by Philippa Wehle | 1st Jun 2022 | Musical Theatre, New York, Review, South Korea, Theatre and Politics, United States of America
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
Read MorePosted by Walter Byongsok Chon | 21st May 2022 | Interview, New York, South Korea, Transcultural Collaborations, United States of America
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
Read MorePosted by Gowri S | 17th Jul 2021 | Review, South Korea, Theatre for Young Audiences
Junk Clown, a Korean play for children, brings the concept of recycling to the table through mime....
Read MorePosted by Alexa Alice Joubin | 12th Jun 2021 | Adaptation, Essay, Hong Kong, Japan, Singapore, South Korea
During the AAPI (Asian Americans and Pacific Islanders) heritage month, let us explore the...
Read MorePosted by Hansol Oh | 13th Jan 2021 | Musical Theatre, Review, South Korea, Theatre and Science
Marie Curie, whose image as an unsmiling scientist wearing a high-necked, black dress has been...
Read MorePosted by Walter Byongsok Chon | 1st Jan 2021 | Interview, Playwriting, South Korea
The Korean theatre company The Nanhee premiered its new production Mimaji!, written and directed...
Read MorePosted by Walter Byongsok Chon | 25th Jun 2020 | Adaptation, Interview, South Korea
The Korean theatre company ETS, which is an acronym for Eye To Soul, staged Charles Mee’s Big Love...
Read MorePosted by Eylül Fidan Akıncı | 7th Apr 2020 | Essay, Puppetry, South Korea, Transmedia
The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 
