Gelsey Bell’s “Cairns”: Sanctuary and Renewal in the Cemetery
I’ve never not gotten lost in Green-Wood Cemetery. One of the oldest landscaped cemeteries in...
Read MorePosted by Abigail Weil | 15th Aug 2020 | New York, Review, Transmedia, United States of America
I’ve never not gotten lost in Green-Wood Cemetery. One of the oldest landscaped cemeteries in...
Read MorePosted by Alexander Mantush | 15th Aug 2020 | Belarus, News, Poland, Transmedia
The season 2019/2020 is over. While there were several remarkable events, some aspects —...
Read MorePosted by Irina Yakubovskaya | 14th Aug 2020 | Interview, Participatory Theatre, Russian Theatre Abroad, Transcultural Collaborations, Transmedia, United States of America
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
Read MorePosted by Athira M | 10th Aug 2020 | India, News, Theatre and Dance, Transmedia
When performance spaces closed during the lockdown, digital mediums became the stage for several...
Read MorePosted by Alma Söderberg | 7th Aug 2020 | Germany, Interview, Transmedia
Theatres remain closed, so instead of publishing reviews of new pieces, Etcetera asked artists to...
Read MorePosted by Kate Lovell | 5th Aug 2020 | Essay, Japan, Theatre and Dance, Theatre and Disability, Transmedia, United Kingdom
Digital dance piece tells the never-before heard stories of deaf survivors of the A-bombs dropped...
Read MorePosted by Heather Waters | 2nd Aug 2020 | Dramaturgy, Interview, Iraq, South Africa, Transcultural Collaborations, Transmedia, Turkey
M(O)ther is an international online collaboration to be shown August 9, 2020: 2pm EST, 8pm South...
Read MorePosted by Hannah Trivilino and Vassiliki Rapti | 1st Aug 2020 | Review, Romania, Theatre and Disability, Transmedia
The following review is based on the Snowdrops and Chlorine script, which differs slightly from...
Read MorePosted by Nikolay Shevchenko | 28th Jul 2020 | Adaptation, News, Russia, Transmedia
The “ironic, but reliable” version recreates the theater experience in the finest details. The...
Read MorePosted by Nobuko Tanaka | 24th Jul 2020 | Devised Theatre, Japan, News, Transmedia
As the new reality of daily life amid a global pandemic settles in, many people are getting...
Read MorePosted by Dana Pierangeli | 22nd Jul 2020 | Covid-19, Interview, Theatre and Disability, Transmedia, United Kingdom
Award-winning disabled documentary filmmaker, photographer, artist, published writer, and...
Read MorePosted by Ian Kiyingi Muddu | 19th Jul 2020 | Festivals, Review, South Africa, Transmedia
“They’ve locked us in here and they’re going to wait for the virus to finish us off.”...
Read MorePosted by Andrew Agress | 17th Jul 2020 | Interview, Transmedia, United Kingdom
As many have already said, the best streamed performances seem to be those that are made for the...
Read MorePosted by Vikram Phukan | 6th Jul 2020 | Essay, India, Transmedia
In 1971, in New York’s SoHo neighborhood, a site-specific dance performance — one in which the...
Read MorePosted by Gowri S | 29th Jun 2020 | Covid-19, Interview, Transmedia, United Kingdom
The play imagines an encounter between composer, Benjamin Britten, and poet, WH Auden. Picturing a...
Read MorePosted by Takudzwa Chihambakwe | 22nd Jun 2020 | Covid-19, Essay, Transmedia, Zimbabwe
On Thursday, June 4th, Jasen Mphepo Little Theatre in Zimbabwe showcased the first of many shows...
Read MorePosted by Nobuko Tanaka | 15th Jun 2020 | Covid-19, Japan, News, Transmedia
Troupes turn to telework in a bid to keep audiences entertained The performing arts are built on...
Read MorePosted by Kat Mustatea | 8th Jun 2020 | Covid-19, News, Participatory Theatre, Theatre and Politics, Transmedia, United States of America
The frame lingered some seconds too long on Frances McDormand, playing Jocasta, just long enough...
Read MorePosted by Rajashree Das | 1st Jun 2020 | Covid-19, News, Theatre and Disability, Transmedia, United Kingdom
The COVID-19 pandemic has brought significant shifts in routines all over the world. With more...
Read MorePosted by Aleks Sierz | 29th May 2020 | London, Review, Transmedia, United Kingdom
During the lockdown, the best online theatre, more or less, are shows that are specially created...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
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“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
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