Changing The Landscape Of Puppetry Theatre In Poland: Jakub Krofta And The Wrocław Puppet Theatre
Jakub Krofta is currently the Artistic Director of the Wrocław Puppet Theatre (Wrocławski Teatr...
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Transcultural Collaborations
The Art Of Ageing Theatre Project
A first glance at the website for “The Art of Ageing” theatre project may lead you to...
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“I Feel As If I’m Loosing My Leaves:” Translatability Of Theme Through Language In Theatr Genedlaethol Cymru’s Production Of Florian Zeller’s “Y Tad”
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
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Satoshi Miyagi Returns To The Japan Society With “Mugen Noh Othello”
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
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Performing Arts Join Digital Forces To Celebrate Cultural Heritage On Stage
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
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An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
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Casting In Multiethnic And Multiracial Context: Changing Perspectives
Though I never met my great-grandfather, I was told he was fond of saying “Lucky we come...
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A New Approach To Subtitling
Finding poetry in technology: theatre = yet tears Shall we take it as a bad omen that Siri is...
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The Fusion Dance and Theatre: What’s Required in Successful Intercultural Collaboration
Australian theatre-person and actor Trevor Jamieson on finding parallels between Indian and...
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Russian Theatre On Screen: Yury Butusov’s “The Seagull”
Yury Butusov’s The Seagull is an exuberant feast of a theatrical performance. In the nearly...
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The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park
To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...
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The “KPOP” Invasion in a New American Musical Part I
In the last few months of 2017, K-pop (Korean pop) has made it into U.S. news reports in two...
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Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
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Intercultural Theatre Practices – Interview With Frances Barbe
Interview conducted as part of the media partnership between Culture360 and International Theatre...
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Are You Ready to ReOrient? Festival Overview By Vidhu Singh, ReOrient Publications Dramaturg
As a team member of the first-time partnership between Golden Thread Productions and Literary...
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Performance Research/Performance Practice-ASAP Event, UvA
ASAP is a new initiative of both staff members and students from the Theatre Studies department at the UvA in order to create space for exchange within and around the department of Theatre Studies.
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The Serendipitous Path of a U.S.-Russia Theatre Ambassador: An Interview with John Freedman
John Freedman was Theatre Critic at The Moscow Times from 1992 to 2015 and is currently Assistant...
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Natalya Vorozhbit’s “Bad Roads” At The Royal Court: Russian And Ukrainian Drama In The UK
This November, the Royal Court Theatre in London stages the global premiere of Ukrainian...
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Homo Digitalis Meets Zigmagora
What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...
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Encountering Indonesia At AsiaTOPA (Part 2)
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
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