“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
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Theatre and Politics
Avignon 2019: Imagining Two Plays That Embody the Ghosts of Europe. “Dévotion” and “Nous l’Europe”
Moving along with the themes of history, memory and forgetting – the focus of Paul Ricœur’s famous...
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World Premiere of The Dramedy “Nancy F***ing Reagan” at Secret Rose Theatre
The world premiere of a new play in North Hollywood opens old wounds for one man on his 50th...
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“Brooklyn Quartet”: A Story of Resonating Political Polarization
The Auroville Theatre Group’s latest production adapts a searing drama of social injustice written...
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“Europe” at The Donmar Warehouse
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read More![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-627x376.jpg)
Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]
Following the themes of the Avignon 2019, Alexandra Badea’s Points de non-retour [Quais de...
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They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place”
Ruhollah J’afari’s Richard III Will Not Take Place is an excavation of real historical events. A...
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Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert
The playwright “I spring from ministers, murderers, rebels, addicts, closeted queens, soldiers,...
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Co-Translating Hanoch Levin, The “Beckett of Israel”: A Conversation With Jessica Cohen & Evan Fallenberg
Although Hanoch Levin (1943–1999) is arguably Israel’s most important playwright, his work is...
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“An Enemy Is Someone Whose Story You Don’t Know”: Interview with Arab Israeli Playwright Ibrahim Miari About His Drama “In Between”
Ibrahim Miari, son of a Palestinian Muslim father and Jewish Israeli mother, grew up in Israel,...
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Borders, Barriers and Limitations: “Lwów We Won’t Give Up”
Standing on the edge of a meadow and a forest, the spreading lime tree in the opening scene of the...
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Taming of A “Terror” Father
What happens when an egoistic father of a middle-class family is brought down to earth? While the...
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Dana Michel: “Cutlass Spring”
“You have to sit on the side of the stage. You’ll see that when you enter you have the option of...
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Samuel Adamson’s “Wife” at Kiln Theatre
Many a dramatist has imagined what happens to Nora after she slams the door at the end of Ibsen’s...
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Counterpoint Players – Timely But a Bit Overstuffed.”Omnibus Bill” Tackles Reproductive Rights
When U.S. Vice-President Mike Pence lauded Donald Trump’s pro-life stance during his recent visit...
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Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking Into the Festival Circuit
Arguably, it is not common practice to name a theatre after a living playwright, and neither is to...
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Ottawa Fringe: “The Last President Of Canada” – An Exploration Of Obscure Canadian History As A Well-Performed Solo Performance
Solo shows are Fringe’s bread and butter and offer an excellent vehicle to explore in-depth a...
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Where Have You Gone, Davey?
The Polish narrative of 1968 tends to end with the conclusion that Jews lived in Poland after...
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About “Lemons Lemons Lemons Lemons Lemons”
Last night, I went, for the first time, to the Barons Court Theatre, which is staging a compact...
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The Toronto Theatre Laboratory
Art Babayants, of Armenian origin, has a doctorate in theatre performance, he taught acting in the...
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