Aichi Triennale 2019: Political Art, Censorship, and Democracy
The sudden Aug. 3 closure of After “Freedom of Expression?” — a multi-artist exhibit...
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Theatre and Politics
Jane Goodall’s Immersive Paper Forest Promotes Conservation
A rainforest has risen on the ground level of the Hong Kong Science Museum. Leaves rustle...
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Laughing with a Burnt Heart: Will There Be an End to Hatred?
A successful play is a machine all of whose parts are thoughtfully selected to serve its overall...
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Strands of Sisterhood
Bengaluru-based, Theatre for Change uses “choreopoems” devised from music, text, and...
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Inheriting This Earth: “Mojada” at the Public Theater
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
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Four Brazilian Artists Choose New York as Headquarters of Their Resistance
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
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Arts Festival Reflects Nation’s Soul: National Arts Festival in Makhanda in South Africa
Ismail Mahomed, CEO of the Market Theatre Foundation, visited the National Arts Festival in...
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Popular Theater in Buenos Aires
The cliché phrase that Buenos Aires was the Paris of South America exemplifies the exaggerated...
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Avignon 2019: Seeking the Other – Staging the Paroxysms of Orientalism
Mahmoud & Nini is an unusual show –not only it does not look like your typical proscenium...
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Avignon 2019: “Outside” – Between Testimony and Political Provocation
Provocation – artistic, political, personal – is the signature style of the Russian theatre...
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“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
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Avignon 2019: Imagining Two Plays That Embody the Ghosts of Europe. “Dévotion” and “Nous l’Europe”
Moving along with the themes of history, memory and forgetting – the focus of Paul Ricœur’s famous...
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World Premiere of The Dramedy “Nancy F***ing Reagan” at Secret Rose Theatre
The world premiere of a new play in North Hollywood opens old wounds for one man on his 50th...
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“Brooklyn Quartet”: A Story of Resonating Political Polarization
The Auroville Theatre Group’s latest production adapts a searing drama of social injustice written...
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“Europe” at The Donmar Warehouse
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read More![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-627x376.jpg)
Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]
Following the themes of the Avignon 2019, Alexandra Badea’s Points de non-retour [Quais de...
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They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place”
Ruhollah J’afari’s Richard III Will Not Take Place is an excavation of real historical events. A...
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Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert
The playwright “I spring from ministers, murderers, rebels, addicts, closeted queens, soldiers,...
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Co-Translating Hanoch Levin, The “Beckett of Israel”: A Conversation With Jessica Cohen & Evan Fallenberg
Although Hanoch Levin (1943–1999) is arguably Israel’s most important playwright, his work is...
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“An Enemy Is Someone Whose Story You Don’t Know”: Interview with Arab Israeli Playwright Ibrahim Miari About His Drama “In Between”
Ibrahim Miari, son of a Palestinian Muslim father and Jewish Israeli mother, grew up in Israel,...
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