Betraying Kane, the Musical: “4.48 Psychosis” Venables’ Operatic Version
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
Read MorePosted by Heather Waters | 18th Jan 2019 | Prototype 2019, Review, Theatre and Gender, Theatre and Opera, United Kingdom, United States of America
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
Read MorePosted by Irina Yakubovskaya | 15th Dec 2018 | Interview, New York, Theatre and Opera, Transmedia, United States of America
Ellen Pearlman is a New York based media artist, curator, writer, critic, and educator. She holds...
Read MorePosted by Megan McCormick | 1st Dec 2018 | Boston, Review, Theatre and Opera, United States of America
It’s a bold move to write an opera about a musical genius: to evoke the style of said great...
Read MorePosted by Holly Williams | 27th Nov 2018 | London, News, Theatre and Opera, United Kingdom
Hadestown, a reworking of the Orpheus and Eurydice myth by American singer-songwriter Anais...
Read MorePosted by Maria Pia Pagani | 27th Nov 2018 | Italy, Review, Romania, Theatre and Opera
In 2018, the Nae Leonard Teatrul Muzical in Galati, Romania, was declared the National Opera...
Read MorePosted by Lauren Deutsch | 19th Nov 2018 | Festivals, Los Angeles, Review, Theatre and Opera, United States of America
John Cage’s Europera 1 and Europera 2, (aka Europeras 1 & 2) was presented by The...
Read MorePosted by Aleks Sierz | 12th Nov 2018 | London, Review, Theatre and Opera, United Kingdom
Sometimes, just sometimes, I see a show which makes me wish that all theatre could be like this. A...
Read MorePosted by Robyn Grant-Moran | 7th Nov 2018 | Canada, Interview, Theatre and Opera
Note: Robyn Grant-Moran interviews I Call Myself Princess playwright Jane Lauzon and director...
Read MorePosted by Katrina Holden-Buckley | 30th Oct 2018 | Boston, Review, Theatre and Opera, United States of America
Gioachino Rossini’s most famous opera, The Barber Of Seville, opened Friday night at the Cutler...
Read MorePosted by Maria Pia Pagani | 4th Oct 2018 | Italy, Poland, Review, Theatre and Opera
The great success of Professor Paolo Bosisio as an opera director in Eastern Europe is confirmed...
Read MorePosted by Massimo Malavasi | 17th Sep 2018 | Italy, Review, Theatre and Opera
Sferisterio of Macerata. July 20th 2018 Mozart’s Magic Flute is one of the most famous and...
Read MorePosted by Rie Hammer | 3rd Sep 2018 | Directing, Greece, Interview, Theatre and Gender, Theatre and Opera
The Greek-born opera director Rodula Gaitanou has made a name for herself internationally. She is...
Read MorePosted by Christopher Harris | 29th Aug 2018 | Dramaturgy, Essay, London, Netherlands, Theatre and Opera, United Kingdom
The dramaturgy of love’s intertwining with violence has been a recurring theme in the...
Read MorePosted by Jocelyn Chng | 28th Aug 2018 | Essay, Festivals, Singapore, Theatre and Opera
A Festival Commission for the Singapore International Festival of Arts (SIFA) 2018, Toy Factory’s...
Read MorePosted by Zolima Citymag | 31st Jul 2018 | Festivals, Hong Kong, News, Theatre and Opera
Why We Recommend it This annual festival stages enduring Chinese opera performances across various...
Read MorePosted by Katrina Holden-Buckley | 21st Jun 2018 | Boston, Interview, Theatre and Opera, United States of America
This week, OperaHub’s original DIVAS, a “World Premier play with opera music” opens June 21st and...
Read MorePosted by Katrina Holden-Buckley | 10th Jun 2018 | Boston, Review, Theatre and Opera, United States of America
Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...
Read MorePosted by Aleks Sierz | 7th Jun 2018 | London, Review, Theatre and Opera, United Kingdom
Playwright Martin Crimp began his career by writing surreal short plays that hinted at his love of...
Read MorePosted by Carmen Kovacs | 5th Jun 2018 | Dramaturgy, Germany, Interview, Theatre and Disability, Theatre and Opera
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
Read MorePosted by Janelle Lawrence | 24th May 2018 | New York, Review, South Africa, Theatre and Opera, United States of America
Experiencing any show at Brooklyn Academy of Music is as magical as seeing a show at LTC3, only I...
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