Theatre and Gender Archives - Page 4 of 20

“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times

Posted by Toni Hildebrandt and Zainabu Jallo | 22nd Jan 2023 | Adaptation, Review, Switzerland, Theatre and Gender, Theatre and Science

Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....

Three-Day Women’s Theatre Festival in Thiruvananthapuram, Begun on December 23, Showcased 14 Plays by Women Directors

Posted by Saraswathy Nagarajan | 16th Jan 2023 | Festivals, India, News, Theatre and Gender

A day in the museum turns out to be an unforgettable journey across time and regions for six...

New Australian Play “D*ck Pics in the Garden of Eden” is Bold, Funny – And Very, Very Lewd

Posted by Helen Trenos | 11th Jan 2023 | Australia, Design, Directing, Review, Theatre and Gender

Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...

“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity

Posted by Rhiannon Ling | 4th Dec 2022 | New York, News, Playwriting, Theatre and Gender, United States of America

Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...

Interview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…”

Posted by Verity Healey | 1st Dec 2022 | Interview, Kosovo, Theatre and Gender, Theatre and Politics

“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights...

“Desdemona Roopakam” to be Staged

Posted by The Hindu | 16th Oct 2022 | Adaptation, India, Interview, Theatre and Gender

The play seeks to draw parallels between Desdemona from Othello and select women from Indian epics...

Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”

Posted by Rhiannon Ling | 10th Oct 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America

“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...

Dangerous Desires in “Marie It’s Time”

Posted by Morgan Skolnik | 21st Sep 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America

Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...

Mental Illness, Misogyny, and the Myth of the Male Genius in “The Butcher Boy”

Posted by Morgan Skolnik | 26th Aug 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America

This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened...

“Don’t You Hate It When Assholes Are Talented?”: “macbitches” at Chain Theatre

Posted by Rhiannon Ling | 22nd Aug 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America

I went to theatre school. Know this before reading on. I went to theatre school, trained as an...

”Seven Women in Search of Mia” or ”Breast Cancer Trilogy” (A Postproduction Reflection)

Posted by Cătălina Florina Florescu | 1st Aug 2022 | Interview, New York, Playwriting, Theatre and Gender, United States of America

In 2011, I published my first medical humanities book, Transacting Sites of the Liminal Bodily...

With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment

Posted by Vanessa Smith | 29th Jul 2022 | Adaptation, Australia, Review, Theatre and Gender

Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...

“The Fellowship,” Hampstead Theatre

Posted by Aleks Sierz | 24th Jul 2022 | London, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted...

“Borderland, maldita cabeza,” Mental Health Debate Enters into the Limits of a New Opera

Posted by Antonio Hernández Nieto | 27th Jun 2022 | Design, Review, Spain, Theatre and Gender, Theatre and Opera

A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...

“Lotus Beauty,” Hampstead Theatre

Posted by Aleks Sierz | 22nd Jun 2022 | London, Playwriting, Review, Theatre and Gender, United Kingdom

Theatre is slowly recovering from the effects of the pandemic, and many shows which were canceled...

Frenemies and Freedom: “Confederates,” Signature Theatre

Posted by Jonathan Kalb | 11th Jun 2022 | Review, Theatre and Decolonization, Theatre and Gender, United States of America

Dominique Morisseau is aware that most of her fans see her as a predominantly naturalistic...

Learning Curve—”How I Learned to Drive,” Manhattan Theatre Club

Posted by Jonathan Kalb | 29th May 2022 | Review, Theatre and Gender, United States of America

Paula Vogel’s How I Learned to Drive is, famously, the play that blew the lid off the subject of...

“Son of Byblos” Brings a Nuanced and Powerful Understanding of Lebanese Family Life to the Australian Stage

Posted by Cherine Fahd | 27th May 2022 | Australia, Review, Theatre and Decolonization, Theatre and Gender

Review: Son of Byblos, directed by Anna Jahjah for Brave New World Theatre Company The downstairs...

Daniela Bershan and Others — “OCEAN”

Posted by Bojana Cvejić | 11th May 2022 | Acting, Norway, Review, Theatre and Gender

OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...

Jackie Sibblies Drury’s “Marys Seacole” at the Donmar Warehouse

Posted by Mert Dilek | 25th Apr 2022 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom

Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...

Theatre and Gender

“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times

Three-Day Women’s Theatre Festival in Thiruvananthapuram, Begun on December 23, Showcased 14 Plays by Women Directors

New Australian Play “D*ck Pics in the Garden of Eden” is Bold, Funny – And Very, Very Lewd

“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity

Interview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…”

“Desdemona Roopakam” to be Staged

Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”

Dangerous Desires in “Marie It’s Time”

Mental Illness, Misogyny, and the Myth of the Male Genius in “The Butcher Boy”

“Don’t You Hate It When Assholes Are Talented?”: “macbitches” at Chain Theatre

”Seven Women in Search of Mia” or ”Breast Cancer Trilogy” (A Postproduction Reflection)

With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment

“The Fellowship,” Hampstead Theatre

“Borderland, maldita cabeza,” Mental Health Debate Enters into the Limits of a New Opera

“Lotus Beauty,” Hampstead Theatre

Frenemies and Freedom: “Confederates,” Signature Theatre

Learning Curve—”How I Learned to Drive,” Manhattan Theatre Club

“Son of Byblos” Brings a Nuanced and Powerful Understanding of Lebanese Family Life to the Australian Stage

Daniela Bershan and Others — “OCEAN”

Jackie Sibblies Drury’s “Marys Seacole” at the Donmar Warehouse

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