Theatre and Dance Archives - Page 12 of 15

The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”

Posted by Alvina Ruprecht | 15th Oct 2017 | Canada, Germany, Theatre and Dance

The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...

Disability And The Arts – A Separate Sector?

Posted by Kate Marsh and Jonathan Burrow | 9th Oct 2017 | Theatre and Dance, Theatre and Disability, United Kingdom

The notion of “dance and disability” as a sector of the arts in its own right is both...

Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School

Posted by Valeria Stračevská | 1st Oct 2017 | Interview, Russia, Theatre and Dance

Recently London was abuzz with the new project of the London Russian Ballet School — The Romantic...

Exquisite Growth In “Frantic Beauty”

Posted by Marcina Zaccaria | 30th Sep 2017 | Theatre and Dance, United States of America

There is no growth without decay. When I was considering Dante in Italy, many years ago, I...

We Can Know More Than We Can Tell: “L.I.F.E: A History of Distance”

Posted by Marié-Heleen Coetzee | 7th Sep 2017 | South Africa, Theatre and Dance

Stark white light from bulbs hanging in a straight line against a white backdrop greets audiences...

Interview With Jin Xing on Drama, Dance, Freedom

Posted by Wu Haiyun | 18th Aug 2017 | China, Interview, Theatre and Dance, Theatre and Gender

Jin Xing, one of China’s most popular TV hosts, dancers, and actresses, is returning to one of her...

Structured Flood: Challenges And Restrictions In The Work Of Choreographer Daniel Linehan

Posted by Kristof van Baarle | 17th Aug 2017 | Netherlands, Theatre and Dance

Choreographer and dancer Daniel Linehan places dancers in a hyper-structured environment. In this...

“Shadow Space” An Innovative Ukrainian Acrobatics Show

Posted by Zolima Citymag | 10th Aug 2017 | Hong Kong, Theatre and Dance, Theatre for Young Audiences, Ukraine

Why We Recommend it This imaginative shadow theatre show, aimed at children aged 3 and up,...

Avignon Part 10. Dance Poem by Radhouane El Meddeb

Posted by Yana Meerzon | 29th Jul 2017 | France, Theatre and Dance

Face à la mer, pour que les larmes deviennent des éclats de rire. Concept, dramaturgy,...

From Propaganda Ballets to Dance for the People

Posted by Cai Yiwen | 27th Jul 2017 | China, News, Theatre and Dance

Once a Cultural Revolution dancer, Wen Hui has become a pioneer of choreography that focuses on...

Avignon Part 9: “Kalakuta Republik” – An Exploration of Music, Space and Movement Based on The Life of Fela Kuti

Posted by Yana Meerzon | 26th Jul 2017 | Belgium, Festivals, Theatre and Dance

Kalkuta Republik Choreography Serge Aimé Coulibaly; music Yvan Talbot; inspired by the political...

Kiosk X / Festival of New Slovak Theater and Dance

Posted by Milan Zvada | 16th Jul 2017 | Slovakia, Theatre and Dance

The summer festival of the “different” Slovak theater and the bold spectator. The...

Interview with Romain Guimard, Acrobat with the French Compagnie XY

Posted by Nicole Birmann Bloom | 15th Jul 2017 | France, Interview, Theatre and Dance

The company of acrobats known as XY is touring the United States (Discovery Conservancy Green,...

Review of Sansluxe Dance Performance

Posted by Brendan Irish | 30th Jun 2017 | Canada, Theatre and Dance

Sansluxe, meaning “without luxury” in French, is a collaborative space that Montreal dancers in the city’s renowned gay village can use for the small fee of $40.00 per year. In February, dancers from the Sansluxe collective...

Romantic Ghosts That Will Not Rest: Hong Kong Dance Company’s “L’Amour Immortal”

Posted by Zolima Citymag | 6th Jun 2017 | Hong Kong, Theatre and Dance

A male lead dancer hesitantly crosses the darkened stage. He catches sight of a demure but...

Pina Bausch and the Tanztheater Exhibit: Can One Put Dance In a Display Cabinet?

Posted by Sabrina Schleicher | 4th Jun 2017 | Germany, Theatre and Dance

What remains of the dance experience when it is put in a museum? How can the liveliness of the...

Finding the Drama Without Words: “Alice’s Adventures in Wonderland” at the New National Theatre in Tokyo

Posted by Nobuko Tanaka | 4th Jun 2017 | Adaptation, Japan, Theatre and Dance

“Not everything can be explained in words. Everyone draws a different nuance from the word ‘love,’...

“Isale Eko”: One Powerful Play About The History of Lagos

Posted by Tobi Adebowale | 28th May 2017 | Nigeria, Theatre and Dance

A perfect blend of light, colours and humour. That is one of the most outstanding features of...

Discipline and Perform: A Preview of Wig in a Box’s “Docile Bodies”

Posted by Willow White | 27th May 2017 | Adaptation, Canada, Devised Theatre, Theatre and Dance

Adapted from Michel Foucault’s seminal text Discipline and Punish, the collaboratively-written and...

Mikhail Baryshnikov’s One-Man Show Showcases Joseph Brodsky’s Poetry And Their Lifelong Friendship

Posted by Jessica Barrett | 23rd May 2017 | London, Review, Theatre and Dance, United Kingdom

Throughout their 22-year friendship, Mikhail Baryshnikov and Joseph Brodsky loved nothing more...

Theatre and Dance

The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”

Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School

Exquisite Growth In “Frantic Beauty”

We Can Know More Than We Can Tell: “L.I.F.E: A History of Distance”

Interview With Jin Xing on Drama, Dance, Freedom

Structured Flood: Challenges And Restrictions In The Work Of Choreographer Daniel Linehan

“Shadow Space” An Innovative Ukrainian Acrobatics Show

Avignon Part 10. Dance Poem by Radhouane El Meddeb

From Propaganda Ballets to Dance for the People

Avignon Part 9: “Kalakuta Republik” – An Exploration of Music, Space and Movement Based on The Life of Fela Kuti

Kiosk X / Festival of New Slovak Theater and Dance

Interview with Romain Guimard, Acrobat with the French Compagnie XY

Review of Sansluxe Dance Performance

Romantic Ghosts That Will Not Rest: Hong Kong Dance Company’s “L’Amour Immortal”

Pina Bausch and the Tanztheater Exhibit: Can One Put Dance In a Display Cabinet?

Finding the Drama Without Words: “Alice’s Adventures in Wonderland” at the New National Theatre in Tokyo

“Isale Eko”: One Powerful Play About The History of Lagos

Discipline and Perform: A Preview of Wig in a Box’s “Docile Bodies”

Mikhail Baryshnikov’s One-Man Show Showcases Joseph Brodsky’s Poetry And Their Lifelong Friendship

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