Christina Ham Talks The Blues And Black Women With Dominic-Madori Davis
Strange Fruit They were pronounced dead on the scene. Sunday morning, September 15th, 1968,...
Read MorePosted by Dominic-Madori Davis | 17th Mar 2019 | Interview, Playwriting, United States of America
Strange Fruit They were pronounced dead on the scene. Sunday morning, September 15th, 1968,...
Read MorePosted by Mevlut Katik | 15th Mar 2019 | Interview, Playwriting, United States of America
American writers don’t get much bigger than David Henry Hwang. The award-winning playwright’s...
Read MorePosted by Mayra Ortiz Rodríguez | 3rd Mar 2019 | Argentina, Playwriting, Review
Traditional literary analysis has focused on a tripartite division of genres as if they were...
Read MorePosted by Zolima Citymag | 23rd Feb 2019 | China, Festivals, Hong Kong, News, Playwriting
Hong Kong’s reputation as a safe city is well-deserved. It ranks frequently among the top 10...
Read MorePosted by Walter Byongsok Chon | 14th Feb 2019 | Interview, Playwriting, South Korea
Hansol Jung is a playwright and director from South Korea. Her plays include Wild Goose Dreams (La...
Read MorePosted by Aleks Sierz | 20th Jan 2019 | Essay, Playwriting, United Kingdom
There is a simple dinner-party game that can be played at no ostensible cost. The host asks, “Who...
Read MorePosted by Trevor Boffone | 10th Jan 2019 | Festivals, Interview, Playwriting, United States of America
This February, writer Jasminne Mendez’s City Without Altar will receive a staged reading at Stages...
Read MorePosted by Trevor Boffone | 7th Jan 2019 | Festivals, Interview, Playwriting, United States of America
This February, playwright Georgina Escobar’s Then They Forgot About the Rest will receive a staged...
Read MorePosted by Gowri S | 3rd Dec 2018 | India, News, Playwriting
Isheeta Ganguly’s Sundays With Chitra And Chaitali brings to life once again, the tale of the...
Read MorePosted by Grace Power | 18th Nov 2018 | Interview, New York, Playwriting, United States of America
Alexis Roblan graduated from the University of Southern California’s MFA in Dramatic Writing...
Read MorePosted by Riley Rudy | 7th Nov 2018 | Interview, London, Playwriting, Theatre and Gender, United Kingdom
How her truth split critics and why she doesn’t really care Ella Hickson stopped worrying...
Read MorePosted by Aleks Sierz | 28th Oct 2018 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
Read MorePosted by Aleks Sierz | 18th Oct 2018 | Acting, London, Playwriting, Review, United Kingdom
Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...
Read MorePosted by Aleks Sierz | 17th Oct 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...
Read MorePosted by Aleks Sierz | 15th Oct 2018 | LGBTQ+ Theatre, London, Playwriting, Review, Scotland, United Kingdom
English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...
Read MorePosted by Deepa Ganesh | 10th Oct 2018 | India, Interview, Playwriting
Girish Karnad’s new play Rakshasa Tangadi puts the spotlight on Vijayanagar empire. More than his...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
Read MorePosted by Vikram Phukan | 8th Oct 2018 | India, News, Playwriting
Now well into its fourth decade, the rip-roaring Malwani comedy, Vastraharan rolls on. The...
Read MorePosted by Armando Rotondi | 3rd Oct 2018 | Adaptation, Playwriting, Review, Theatre and Art, United Kingdom
The relation between identity and performance is one of the strongest topics in the field of...
Read MorePosted by Jana Perkovic | 23rd Sep 2018 | Playwriting, Review, Theatre and Gender
Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...
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