“The Ridiculous Darkness” Is An Instruction Manual For Reality
For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...
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Playwriting
Review: Ensemble Studio Theatre 1-Act Marathon, Series B
Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...
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Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta
While working on her MFA in Writing from the University of San Francisco, playwright Marisela...
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Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”
Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...
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“WAGAS!” or Virgin Labfest 13 at the Cultural Center of the Philippines Opens on 28 June
The Cultural Center of the Philippines (CCP), in partnership with its resident theater company...
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Contemporary Estonian Drama
Land of Drama With almost one million theatre visits per year from a population of only 1.3...
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Stories of Diversity: An Interview with Martyna Majok
Martyna Majok is a young playwright whose new play, Cost of Living, has just opened in a Manhattan...
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“D’Annunzio Segreto”: A Renovating Portrait of a Celebrity
Can a staging improve the knowledge of the life of a celebrity, revealing the most intimate...
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Sense of Crisis: An Interview with Robert Schenkkan
Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...
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Remembering The Genius of Japanese Playwright Yukio Ninagawa
On May 12 last year, theater fans all over the world began mourning the death of one of Japan’s...
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The Latinx Play Project: Building a Movement in Ashland
On April 27-29, Oregon Shakespeare Festival (OSF) welcomed Latinx theatre artists and advocates to...
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The Great Australian Plays: Sex, Poetry and “The Chapel Perilous”
When she died in 2002, The Age hailed Dorothy Hewett as “the grande dame of Australian literature”...
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David Henry Hwang’s “Chinglish” Premieres in London
There is something strangely genuine and comically truthful about the European première of David...
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Globalized Modernity in Contemporary Drama
Current plays treat the great global contexts, but also take a look at family structures. There...
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Nine Contemporary Iraqi Plays
Nine plays by Iraqi dramatists have been published by Methuen Drama as Contemporary Plays from...
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Theatre of Displaced People: Post-Maidan Art in Ukraine
“How has theatre changed after Maidan?” is among the most frequently asked questions about...
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The Great Australian Plays: “The Front Room Boys” and New Wave Theatre
“Fucken boong”. With these words Australian theatre entered the swinging sixties – eight years...
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“Terror”: Theatre as Discussion on Ethics and the Law
With his debut play Terror, the lawyer and best-selling German author Ferdinand von Schirach...
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Theatre Review: Chekhov’s “The Seagull” (Hemar Theatre) At Ognisko Polskie
Ognisko Polskie, the Polish Hearth Club, is an exquisite venue: glistening chandeliers please the...
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Remembering Sarah Kane
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
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