Unbound Curation – The Freedom Of Programming Without Frames
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
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Management
Who’s Afraid of the Public? Reports from the Daehangno X Forum on the Shut-Down of TheatreIn
“Can we just disband the Seoul Foundation for the Arts and Culture entirely and start over?” A...
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Mark St Germain’s “Dancing Lessons” At Boulevard Münster In The Context Of The Ongoing Comedy Theatre Tradition In Germany
Germany’s theatre landscape is very rich indeed. Many cities have publicly owned and funded...
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On Kyoto Experiment’s Curatorial Vision
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
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Regional Producing Theatres In England. Leeds Playhouse: A Case Study
Back in 2019, I decided to write a book about the Leeds Playhouse. “Why?”, my friends asked me;...
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Miangaly Theatre Company: Defining the Stage in Madagascar
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
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The Opening of Barcelona’s Newest Theatre: Àlex Rigola Stages Thomas Bernhard’s “L’home De Teatre”
The relationship between theatre and life has been pervaded the work of dramatists from...
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Polish People Deserve Better From Irish Theatre…
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
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Institutional Logic Of The System: Young Artists Are Excluded From Public Funding. An Interview With Franco Ungaro
Franco Ungaro works at the AMA – Accademia Mediterranea dell’Attore in Lecce (Italy), he has...
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Registration Now Open: The International Mentorship Program, Workshops for Emerging Theatre Leaders
The International Association of Theatre Leaders (IATL) would like to invite you to The...
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Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death
Karnad spoke about his life as a writer and cultural administrator, his accidental foray into...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
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Exit interview: Dubravka Vrgoč
Dubravka Vrgoč, General and Artistic Director of the Croatian National Theatre in Zagreb, is set...
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Nairobi Hosts Major Performing Arts Conference
A stellar line-up of speakers, moderators and facilitators is scheduled to grace the event. They include academics, thespians and art critics.
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“Peggy For You,” Hampstead Theatre
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
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One Actor, One Audience Member: Innovations in the Time of COVID
There are some lyrics in Simon & Garfunkel’s The Dangling Conversation that really get to me:...
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West End Scene: London’s Trafalgar Theatre to Open with “Jersey Boys”
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
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Impact of COVID-19 on Creative Industries Among Core Topics of Culture Summit Abu Dhabi
Held under the theme “The Cultural Economy and the Economy of Culture” the Culture...
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