“Still Point Turning” is a Vital Affirmation of Trans People Through the Story of Catherine McGregor
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
Read MorePosted by Noah Riseman | 13th May 2018 | Australia, LGBTQ+ Theatre, Review, Theatre and Gender
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
Read MorePosted by David Vernon | 11th May 2018 | Interview, LGBTQ+ Theatre, Theatre and Opera, United States of America
Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...
Read MorePosted by Joe Szekeres | 29th Apr 2018 | Canada, LGBTQ+ Theatre, Review
Emotionally moving for its’ superlative vocal work and outstanding individual performances The...
Read MorePosted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom
Every great playwright has to have both an identifiable style and the ability to innovate and...
Read MorePosted by Eugene Tan | 29th Mar 2018 | LGBTQ+ Theatre, Review, Singapore, Theatre and Politics, Transcultural Collaborations
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
Read MorePosted by William Gregory | 24th Mar 2018 | Festivals, LGBTQ+ Theatre, London, News, Producing, Translation, United Kingdom
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
Read MorePosted by KaiChieh Tu | 24th Mar 2018 | Divine Comedy Festival 2017, LGBTQ+ Theatre, Poland, Review, Theatre and Politics
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
Read MorePosted by Jamie Portman | 14th Mar 2018 | Canada, LGBTQ+ Theatre, Review, United States of America
Larry Kramer’s The Normal Heart is a play fueled by anger. Anger at the political, medical and...
Read MorePosted by Vikram Phukan | 13th Mar 2018 | Adaptation, India, Interview, LGBTQ+ Theatre, Theatre and Gender
Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...
Read MorePosted by Dan Gillespie Sells | 4th Mar 2018 | LGBTQ+ Theatre, News, United Kingdom
February was the LGBT History Month UK. It’s 30 Years since the passing of Section 28, the...
Read MorePosted by Rach Skyer | 27th Feb 2018 | LGBTQ+ Theatre, London, News, United Kingdom
A blog by Rach Skyer for UK Theatre to mark LGBT History Month. Producer and Actor Rach Skyer is a...
Read MorePosted by Renu Ramanath | 12th Feb 2018 | Festivals, India, LGBTQ+ Theatre, News, Theatre and Disability, Theatre and Gender, Theatre and Politics
The 10th edition of ITFoK touches upon diverse themes such as gender, identity, displacement, and...
Read MorePosted by Katrina Holden-Buckley | 11th Feb 2018 | Boston, LGBTQ+ Theatre, Review, Theatre and Opera
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
Read MorePosted by Lola Proaño Gomez | 23rd Jan 2018 | Argentina, LGBTQ+ Theatre, Review
The desired body vis a vis tradition, and institutional normative sedimentation. ...
Read MorePosted by Chip Crane | 10th Jan 2018 | LGBTQ+ Theatre, Review, Russia, Russian Theatre - Featured
June 12 is Russia Day, a day of patriotic celebration that is the rough equivalent of America’s...
Read MorePosted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
Read MorePosted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
Read MorePosted by Um Hyun-hee | 9th Dec 2017 | Documentary Theatre, LGBTQ+ Theatre, Review, South Korea, Theatre and Gender
Namsan Arts Center’s 2017 season opened with Censoring the Minority 2017 (written and directed by...
Read MorePosted by Jessica Rizzo | 16th Nov 2017 | LGBTQ+ Theatre, New York, Review, United States of America
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
Read MorePosted by Trevor Boffone | 2nd Nov 2017 | LGBTQ+ Theatre, Playwriting, Review, United States of America
Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 
