LGBTQ+ Theatre Archives - Page 5 of 7

“There Was No Evidence That I Was Spying For Russia. I Was Just Queer.”

Posted by James Hogan | 29th Oct 2018 | Essay, LGBTQ+ Theatre, London, Theatre and Politics, United Kingdom

Oberon founder James Hogan writes about his experiences as a gay man in 1960s London, and why he...

Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios

Posted by Aleks Sierz | 21st Oct 2018 | Boston, LGBTQ+ Theatre, London, Review, United Kingdom, United States of America

If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...

Mark Sonnenblick And “Midnight At The Never Get”

Posted by David Vernon | 19th Oct 2018 | Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America

Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...

Jo Clifford’s “Losing Venice” at The Orange Tree Theatre

Posted by Aleks Sierz | 15th Oct 2018 | LGBTQ+ Theatre, London, Playwriting, Review, Scotland, United Kingdom

English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...

Out Of The Extraordinary: Women-Centered New Plays From India

Posted by Vikram Phukan | 26th Sep 2018 | India, LGBTQ+ Theatre, Review, Theatre and Gender

The characteristic middle-of-the-road sensibility of Akvarious Productions has found an outlet in...

Rob Roth’s “Soundstage” Fires Up Acoustic Imaginaries

Posted by KaiChieh Tu | 22nd Sep 2018 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America

oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.

Review: “The Rocky Horror Show” At The Stratford Festival

Posted by Joe Szekeres | 12th Sep 2018 | Canada, Festivals, LGBTQ+ Theatre, Review

Initially, I wasn’t too sure if I really wanted to see Rocky Horror again as I felt I had seen it...

Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance

Posted by Colin Hambrook | 11th Aug 2018 | Essay, Immersive Theatre, LGBTQ+ Theatre, Participatory Theatre, Theatre and Disability, Transmedia, United Kingdom

A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...

A Century Of Queer Performance With Serena Grasso

Posted by Oberon Books | 28th Jul 2018 | Interview, LGBTQ+ Theatre, London, Playwriting, United Kingdom

The Oberon Book Of Queer Monologues, just released, is an astonishing new collection which...

Curating LookOUT, The First Chinese Arts Festival On Gender: An Interview With Fabrizio Massini

Posted by Shiya Lu | 30th Jun 2018 | China, Festivals, Interview, LGBTQ+ Theatre, Theatre and Gender

The LookOUT Arts Festival, presented by Ibsen International, takes place in Beijing from July...

Baig’s “Acha Bacha” Shows That Sometimes Real Stories Don’t Have Happy Endings

Posted by Christopher Taylor | 30th Jun 2018 | Canada, Devised Theatre, LGBTQ+ Theatre, Review

I attended a live performance of Acha Bacha, written by Bilal Baig and directed by Brendan Healy,...

“Log Cabin,” and the Wilderness of LGBTQ Equality

Posted by Michael Appler | 29th Jun 2018 | LGBTQ+ Theatre, New York, Review, United States of America

After a month of Pride, Log Cabin is a cautionary tale about the price of privilege, of survival after assimilation, of what we leave behind after fleeing the fringe.