Adaptation Archives - Page 15 of 24

A Performative View on Kafka’s “The Great Wall” by Paper Tiger Theatre Studio (Beijing)

Posted by Andreea Chirita | 22nd Sep 2018 | Adaptation, China, Essay

In May and August 2017, respectively, Theater der Welt in Hamburg and The Shanghai Ming...

How “Possessed” Is The Audience?

Posted by Katerina Leoudi | 14th Sep 2018 | Adaptation, Greece, Review

What is expected from theatrical adaptations of literature? Why have they become so popular...

Review: “Sisters” At Soulpepper Theatre

Posted by Joe Szekeres | 10th Sep 2018 | Adaptation, Canada, Review

Nicole Power (who plays Evelina) writes in her Soulpepper Artist Program Note that she is grateful...

Young Work At TAZ #2018: Alice Bogaerts And Ingrid Berger Myhre

Posted by Rathsaran Sireekan | 9th Sep 2018 | Adaptation, Belgium, Festivals, Review

At their first encounter with director Alice Bogaerts’s and dramaturg Marleen Ilg’s stage...

Nine Years Theatre’s “Pissed Julie 茱莉小解”: Third Wheelings

Posted by Daniel Teo | 25th Aug 2018 | Adaptation, Review, Singapore

In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...

Seana Mckenna Shines As Julius Caesar At Stratford

Posted by Jamie Portman | 25th Aug 2018 | Adaptation, Canada, Festivals

By the time the assassination scene arrives in the Stratford Festival’s new production of Julius...

Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration

Posted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom

As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...

Korean Theatre at The Edinburgh Fringe 2018: “About Lady White Fox with Nine Tales . . .”

Posted by Walter Byongsok Chon | 18th Aug 2018 | Adaptation, Festivals, Interview, South Korea

Korean theatre company YVUA ARTS makes their Edinburgh Festival Fringe debut with About Lady White...

How Norwegians Do It (Play Ibsen, That Is)

Posted by Michael Evans | 17th Aug 2018 | Adaptation, Norway, Poland, Review, Theatre and Gender

The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...

“Melancholia” Artfully Brings The End Of The World To The Stage

Posted by Sandra D'urso | 3rd Aug 2018 | Adaptation, Australia, Review, Theatre and Film

Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...

“Orlando” At Soulpepper Theatre

Posted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender

To see actors who have received proper professional training in the use of two core...

Sally Cookson’s “A Monster Calls” At The Old Vic

Posted by Aleks Sierz | 20th Jul 2018 | Adaptation, London, Review, Theatre for Young Audiences, United Kingdom

There are few subjects as emotionally fraught as the relationship between childhood and death. How...

“Imperium” at The Gielgud Theatre

Posted by Aleks Sierz | 13th Jul 2018 | Adaptation, London, Review, Theatre and Politics, United Kingdom

History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...

Hitchcock Meets Indian Film Noir

Posted by Vikram Phukan | 9th Jul 2018 | Adaptation, India, News

The fourth edition of Aadyam premieres with Atul Kumar’s crime extravaganza—Detective Nau Do...

Compelling Story Of An Inhuman Practice

Posted by Diwan Singh Bajeli | 28th Jun 2018 | Adaptation, India, Review

Excellent music and performances rendered Asif Ali’s Nachyo Bahut Gopal a fine depiction of those...

Characters In Search Of A Play

Posted by Akarsh Khurana | 27th Jun 2018 | Adaptation, Books, India, Theatre for Young Audiences

Can’t we love a book enough to want to bring it to life on stage? Summer is here, and so are the...

Dr. Faustus Meets Cyberspace: The Past And The Future Collide In Perfect Harmony!!

Posted by Alvina Ruprecht | 26th Jun 2018 | Adaptation, Canada, Festivals, Review, Transmedia

In a small empty space illuminated by several enlarged computer screens, a shadowy figure sits...

The Magical World Of Leonora Carrington

Posted by Margarita Vargas | 24th Jun 2018 | Adaptation, Mexico, Review, Theatre and Art, Theatre and Gender

The gardens at the Museum of Modern Art in Mexico City have been the site of Emmanuel Márquez’s...

David Harrower’s “The Prime Of Miss Jean Brodie” At The Donmar Warehouse

Posted by Aleks Sierz | 17th Jun 2018 | Adaptation, London, Review, United Kingdom

Miss Jean Brodie, the larger-than-life Edinburgh schoolteacher that strides through Muriel Spark’s...

“Magic Mike Live” Is Coming To The UK–Here’s How To Get Tickets

Posted by Adam Bloodworth | 14th Jun 2018 | Adaptation, London, News, United Kingdom

Channing Tatum fans are about to get a whole lot closer to the star’s character Magic Mike, as a...

Adaptation

A Performative View on Kafka’s “The Great Wall” by Paper Tiger Theatre Studio (Beijing)

How “Possessed” Is The Audience?

Review: “Sisters” At Soulpepper Theatre

Young Work At TAZ #2018: Alice Bogaerts And Ingrid Berger Myhre

Nine Years Theatre’s “Pissed Julie 茱莉小解”: Third Wheelings

Seana Mckenna Shines As Julius Caesar At Stratford

Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration

Korean Theatre at The Edinburgh Fringe 2018: “About Lady White Fox with Nine Tales . . .”

How Norwegians Do It (Play Ibsen, That Is)

“Melancholia” Artfully Brings The End Of The World To The Stage

“Orlando” At Soulpepper Theatre

Sally Cookson’s “A Monster Calls” At The Old Vic

“Imperium” at The Gielgud Theatre

Hitchcock Meets Indian Film Noir

Compelling Story Of An Inhuman Practice

Characters In Search Of A Play

Dr. Faustus Meets Cyberspace: The Past And The Future Collide In Perfect Harmony!!

The Magical World Of Leonora Carrington

David Harrower’s “The Prime Of Miss Jean Brodie” At The Donmar Warehouse

“Magic Mike Live” Is Coming To The UK–Here’s How To Get Tickets

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