David Herskovits’ “Marjana And The Forty Thieves”
You know The Thousand And One Nights both better and worse than you realize. You may know it by a...
Read MorePosted by Abigail Weil | 31st Mar 2019 | Adaptation, New York, Review, United States of America
You know The Thousand And One Nights both better and worse than you realize. You may know it by a...
Read MorePosted by Abigail Weil | 30th Mar 2019 | Adaptation, New York, Review, United States of America
Creating riveting theater out of the problem of a bureaucratic oversight is no easy feat. Luckily...
Read MorePosted by Zolima Citymag | 27th Mar 2019 | Adaptation, Hong Kong, News, Theatre and Opera
Why We Recommend it The opera Madame White Snake tells the story of a demon’s incessant pursuit of...
Read MorePosted by Abigail Weil | 1st Mar 2019 | Adaptation, Documentary Theatre, New York, Review, Theatre and Politics, United States of America
What is a juggalo? Let me think for a second…Oh! He gets butt-naked and then he walks through the...
Read MorePosted by Jack Wernick | 1st Mar 2019 | Adaptation, Germany, Review, Theatre and Politics, United States of America
New York’s Irondale Project presents a scrupulously faithful production of Brecht’s The Life Of...
Read MorePosted by Nobuko Tanaka | 24th Feb 2019 | Adaptation, Japan, News, Theatre and Opera, Transcultural Collaborations
A new opera based on the quintessentially Japanese novel Kinkakuji is set to open in Tokyo...
Read MorePosted by Antonio Hernández | 14th Feb 2019 | Adaptation, Review, Spain
Simon Stone is a stage director who began working in Australia and is currently working in Europe. His successful production of Yerma, by Federico García Lorca, was selected by The New York Times theatre critics as one of the best plays in New York in 2018. Medea, a Simon Stone collaboration with the prestigious Ivo Van […]
Read MorePosted by Wendy Arons | 11th Feb 2019 | Adaptation, Pittsburgh, Review, The Pittsburgh Tatler, United States of America
A couple of decades ago my then-colleague Jan Hagens introduced me to a genre categorization that...
Read MorePosted by Vikram Phukan | 29th Jan 2019 | Adaptation, India, News
Erich Kästner’s 90-year-old German novella Emil Und Die Detektive (Emil And The Detectives), a...
Read MorePosted by Nobuko Tanaka | 26th Jan 2019 | Adaptation, Japan, News
In a scoop for Tokyo, Theatre Cocoon in Shibuya Ward is set to mark the new year with the world...
Read MorePosted by Alvina Ruprecht | 22nd Jan 2019 | Adaptation, Canada, Review
The narrative voices of Irish novelist and playwright Maeve Binchy that emerge in Minding Frankie...
Read MorePosted by Hannah Lund | 19th Jan 2019 | Adaptation, China, Immersive Theatre, Review
As we neared the elevator doors, a woman dressed in a beautiful 1930s-era gown directed us to keep...
Read MorePosted by Rem Myers | 12th Jan 2019 | Adaptation, Divine Comedy Festival 2018, Festivals, Poland, Review
Hańba [Disgrace] directed by Marcin Wierzchowski. Presented at Teatr Ludowy—Scena Stolarnia for...
Read MorePosted by Juno Schwarz | 17th Dec 2018 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...
Read MorePosted by Vikram Phukan | 18th Nov 2018 | Adaptation, Directing, India
The prolific theatremaker Faezeh Jalali has once again emerged from a strenuous and demanding...
Read MorePosted by Aleks Sierz | 16th Nov 2018 | Adaptation, London, Puppetry, Review, United Kingdom
In the days after the widespread commemorations of the 100th anniversary of the end of the first...
Read MorePosted by Aleks Sierz | 14th Nov 2018 | Adaptation, London, Review, United Kingdom
You can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith’s...
Read MorePosted by Duška Radosavljević | 11th Nov 2018 | Adaptation, Ireland, Review
Also known as Platonov or the Play Without A Title, Chekhov’s first playtext, written when he was...
Read MorePosted by Juno Schwarz | 5th Nov 2018 | Adaptation, London, Review, United Kingdom
First published in 1943 in New York, the story of the little prince and his travels hasn’t lost...
Read MorePosted by Huw Griffiths | 5th Nov 2018 | Adaptation, Australia, Review, Sydney
The fitness of Henrik Ibsen’s plays to address the political questions of our modern lives renews...
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