Big Masquerades To Honor the Committee for Relevant Arts (CORA)
The venue was the Freedom Park, Lagos Island, Lagos, Nigeria. Before this place became what it is...
Read MorePosted by Tunji Azeez | 22nd Jul 2016 | News, Nigeria
The venue was the Freedom Park, Lagos Island, Lagos, Nigeria. Before this place became what it is...
Read MorePosted by Jonathan Kalb | 22nd Jul 2016 | London, Review, Theatre and Politics, United Kingdom
Setting Shakespeare in modern Africa is risky business for a white first-world director. That...
Read MorePosted by Elisabeth Schweeger | 18th Jul 2016 | Dramaturgy, Essay
Knowing literature inside out, developing the repertoire, making translations…the list of skills...
Read MorePosted by Halima Tahan Ferreyra | 18th Jul 2016 | Argentina, Directing, Interview
Ricardo Bartis (born in Buenos Aires, 1949), one of the major figures of Argentine theatre, took...
Read MorePosted by Marié-Heleen Coetzee | 17th Jul 2016 | Festivals, News, South Africa
The 22nd Klein Karoo National Arts Festival (KKNK), presented by Kunste Onbeperk (Arts Unlimited),...
Read MorePosted by Ketaki Datta | 17th Jul 2016 | India, Review, Theatre and Gender
In the latter half of April 2016, Rabindra Sadan, Kolkata, was all abuzz with the excitement of...
Read MorePosted by Saayantan Pal Chowdhury | 17th Jul 2016 | India, Review
The dramatic performance of Pot Pot Potuya (at Dinabandhu Mancha, Siliguri, December 2015) shows...
Read MorePosted by Hemangi Hemangi | 17th Jul 2016 | India, Review, Theatre and Gender
In Marathi literature, one finds a strong tradition of Dalit literature, including autobiographies...
Read MorePosted by Ilinca Todoruţ | 17th Jul 2016 | News, Transmedia
For the first time in Broadway history, on June 30th 2016, a musical was live streamed: Roundabout...
Read MorePosted by The Theatre Times | 16th Jul 2016 | Dramaturgy, News
TACOMA – Geoff Proehl, professor of theatre arts at University of Puget Sound, has been selected...
Read MorePosted by Ilinca Todoruţ | 15th Jul 2016 | News, Transmedia
Theater, Yale’s journal of criticism and performance, launched its special issue on “Digital...
Read MorePosted by Rana Khaled | 13th Jul 2016 | Egypt, Musical Theatre, Review
On the second day of Eid Al-Fitr, Egypt’s national theatre witnessed the opening of the second...
Read MorePosted by Didi Cheeka | 13th Jul 2016 | Essay, Nigeria, Theatre and Politics
On July 28, 1914, Austria declared war on Serbia. The next day, across the Danube, Belgrade, came...
Read MorePosted by Iulia Popovici | 12th Jul 2016 | Essay, Romania
With a new–and technocratic–government, a Ministry of Culture with a limited mandate (until the...
Read MorePosted by Svetlana Ulanovskaya | 12th Jul 2016 | Belarus, News, Theatre and Dance
Contemporary dance in Belarus does not have a long history. Contrary to Western European...
Read MorePosted by Rana Khaled | 11th Jul 2016 | Egypt, Review, Theatre and Dance
On the second day of Eid Al-Fitr, Egypt’s national theatre witnessed the opening of the second...
Read MorePosted by Anna Sorokina - Russia Beyond Headlines | 11th Jul 2016 | Festivals, Review, Russia, United States of America
The U.S. is crazy over Krymov – Russian director gives a modern twist to a classic play. A...
Read MorePosted by Robin Ashenden | 6th Jul 2016 | News, Russia, Russian Theatre Abroad
BLACK, WHITE, AND RED ALL OVER By Lewis Owens The Grand Ballroom, New York Plaza Hotel, Saturday,...
Read MorePosted by Ketaki Datta | 4th Jul 2016 | India, News
Theater performances in India are a costly affair; however, they are in high demand across the...
Read MorePosted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
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