Finding The Balance: Scotland Aims For 50/50 By 2020
Scotland’s five centrally funded performing companies make formal pledge to achieve a 50/50 gender balance across their boardrooms by 2020.
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Theatre Review: “The Wawel Dragon”: Unleash Your Inner Child…
The theatre company Gods and Monsters and directors Nastazja Domaradzka and Phil Willmott have...
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Unlimited Festival: Making an Impact in Glasgow
Tramway’s Unlimited Festival at Glasgow is showcasing exceptional new work from disabled artists and trying to make a lasting an impact in Glasgow.
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“The Merchant of Venice” Opera That’s Been 55 Years in the Making
For a composer in search of characters and a good plot, Shakespeare might appear a rich source,...
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Egyptian-German Collaboration: My Journey in Earthport
Earthport was performed in Berlin and Cairo in 2016. This article is based on the Berlin...
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National Theatre in Lisbon: Doors Wide Open
After Tiago Rodrigues was appointed Director of Dona Maria National Theatre, in Lisbon, in October...
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Music and Performance at the Vittoriale: Festival “Tener-a-mente” 2016
The great Italian poet Gabriele d’Annunzio spent the last years of his life at the Vittoriale, his...
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Theatre Performed in the Comfort of Your Own Home
Demonios: las huellas del dolor (Demons: The Traces of Pain), written by Ingrid Águila, and...
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Shifting Perspectives in the Contemporary Israeli Political Theatre
The late Israeli critic, Dr. Shosh Avigal, wrote in 1996 that: “It is private life that is...
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Krzysztof Warlikowski and Song of the Goat in BAM in New York
The Brooklyn Academy of Music’s theatre season features two works by renowned Polish theatre...
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“A Pacifist’s Guide to the War on Cancer” Heading to the National Theatre
In 2001, at the age of 20, I was diagnosed with stage 3 metastatic testicular cancer. As a cancer...
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Olivier Kemeid’s “The Aeneid” at Stratford Festival
In today’s political, economic and social climate, with mass migration turning into a new norm, it...
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“A Mexican Trilogy: An American Story” at The Los Angeles Theatre Center
A Mexican Trilogy: American Story is showing at The Los Angeles Theatre Center from September 8...
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“Perfume” Spotlights Challenges of Hearing-Impaired in Egypt
Perfume is probably the first play ever to be staged on the topic of the problems of people who...
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Kyôgen Comedies’ Embedded Dramaturgy: 13 Lessons for Theater Practitioners
Kyôgen (狂言) are short, stylized comedies performed between somber masked-dance noh (能) for over...
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Genius Refound – “The Other Mozart”
A prodigy, a scholar, and an artist determined to break out of a mold, Maria Anna Mozart found her...
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“Mamá te voy a demandar” (Mother, I’m Going to Sue You) at Teatro Milan
Mamá te voy a demandar (Mother, I’m Going to Sue You) Will be showing at Teatro Milan in Foro...
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Blast Theory on “a Mission to Maintain a Sense of Liveness and Participation”
The Brighton-based Blast Theory is one of the world leading interactive performance companies that...
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“Loretta,” A Play About Indianness and Identity
Theatre director, documentary film-maker and screenwriter Sunil Shanbag found his stage voice...
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Interview with Thomas Ostermeier: “Every Generation Writes its Own Shakespeare”
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
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