Daughters of Misfortune: Guillermo Calderón’s “Villa”
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
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The Independent Theatres of Yerevan and the Search for New Theatrical Forms
The development of independent theatres in Yerevan has become an important topic for discussion as...
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Nine Contemporary Iraqi Plays
Nine plays by Iraqi dramatists have been published by Methuen Drama as Contemporary Plays from...
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Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez
There is a place in Madrid well known for the old things that are sold inside. It is an antique...
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A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski
Founded in 1991 by Piotr Tomaszuk and Tadeusz Słobodzianek, Teatr Wierszalin is currently run by...
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Collaborating Across Borders: Theatre for Integration Project in Portugal
Between March 2016 and March 2017, students and staff from the Universidade do Minho in Portugal...
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Theatre of Displaced People: Post-Maidan Art in Ukraine
“How has theatre changed after Maidan?” is among the most frequently asked questions about...
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SANCTA Let’s Community Theatre Thrive in South Africa!
This year the South African National Community Theatre Association (SANCTA) held its 36th Annual...
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Lagos Theatre Festival 2017: A Palatable Feast Of Diverse Servings
The British Council Arts sponsored 6-day feast of drama, music, dance, art exhibition, and...
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Opera: Sex, Violence, and Politics – An Immersive Exhibition
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
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Hong Kong’s Turbulent Times on Stage in Loong Hong-Man’s “A Floating Family”
It wasn’t hard for award-winning playwright Loong Man-hong to pick the three eras featured in his...
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New Leadership for the Colón Theatre in Buenos Aires
After the resignation of Darío Lopérfido, the theatre is set to undergo several changes with newly...
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“Street Plays” at the International Theatre Festival of Kerala
A Dalit family openly flogged by gau rakshaks for skinning a dead cow, found their extended public...
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There Is No Friendship In Politics: “Limehouse” Appeals To The Politically Prone
Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime...
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An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
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Understated Risk-Taking in Beckettian “Wakey, Wakey”
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
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The Great Australian Plays: “The Front Room Boys” and New Wave Theatre
“Fucken boong”. With these words Australian theatre entered the swinging sixties – eight years...
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Nowy Teatr’s “Generation After” Showcases “New School” of Polish Dance and Theatre
From March 23 to 25, Warsaw’s Nowy Teatr, together with the Adam Mickiewicz Institute, presented...
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“Anzac Eve”: A Profoundly Insightful Enriching Experience
“Afghanistan is exactly like Gallipoli!” shouts Ben, well into the action of Anzac Eve. “All the...
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Samurai Drama to Put Unique Spin On Evolution of Theater
Japanese audiences will soon join those in Holland as the only people in the world with access to...
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