Review of Martyna Majok’s “Cost Of Living”
Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...
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“Anatomy of a Suicide” at The Royal Court Theatre
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
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How Theatre Is Uniting The Youth of a War-torn Ukraine
On the front line between Russia and Ukraine, the small city of Popasna is a place deeply divided:...
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“Punts” Brings Up Questions Of Disability, Sexual Consent, And Parental Control
London fringe theatre is underfunded and under-resourced, but it often produces work that is more...
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Being ‘Inappropriate’ The Unspoken Battle of Self-Censorship
I. So when a man pinches my ass or grabs my boob or another tries to rub his dick against my thigh...
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Celebrating the Evergreen Hero: Legendary Kathakali Artist Kalamandalam Gopi
As legendary Kathakali artiste Kalamandalam Gopi turned 80, a four-day fete was organised in...
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Boylesque Redefines Burlesque and Masculinity
Burlesque is an art form that has polarized Western society for centuries. In his 1991 publication...
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Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...
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Contemporary Estonian Drama
Land of Drama With almost one million theatre visits per year from a population of only 1.3...
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Сryout With Precisely Measured Silence
Theater Vinora shows Women’s Voices, performance with elements of storytelling, based on...
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Pondering Over the Division between North and South Korea, Kim Eunsung’s “Sister Mok-Rahn” Greets New York
On Sunday, May 7, Korean playwright Kim Eunsung’s Sister Mok-Rahn was given a staged reading at...
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Stories of Diversity: An Interview with Martyna Majok
Martyna Majok is a young playwright whose new play, Cost of Living, has just opened in a Manhattan...
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Man / Woman / Monster: Franco Branciaroli Re-creates “Medea”
Twenty years ago, on 13 December 1996, Euripides’ Medea debuted in Bergamo (Teatro Donizetti): for...
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Taking a Ride on a “Red Bike”
Against the roar of asphalt and a set of wheels, a child looks out onto the horizon and tries to...
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How Far Should We Go When Depicting Violence on Stage?
Last year, London audiences have been horrified by the violence shown on stage in the National...
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The Novel and Play That Predicted Donald Trump’s Rise
The performing arts and politics have an uneasy relationship. From Aristophanes satirizing the...
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Film Artist Julian Rosefeldt: “Manifesto” and “Masquerade”
A feature on film artist Julian Rosefeldt’s most recent work, Manifesto.
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“I, Wu Song”: A One-Man Cantonese Opera – Without Songs or Words
Anyone familiar with Chinese opera would recognise the role Kelvin Ng Kwok-wa is playing next....
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The Economics of War in “The Spartan Conspiracy” at Akshara Theatre
Ajit Chitturi’s The Spartan Conspiracy brings to fore how the desire to control resources dictates...
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“Common:” Difficult To Follow And Nihilistic At The Wrong Time
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and...
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