“Orlando” At Soulpepper Theatre
To see actors who have received proper professional training in the use of two core...
Read MorePosted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender
To see actors who have received proper professional training in the use of two core...
Read MorePosted by Kate Croome | 23rd Jul 2018 | Canada, Festivals, Review, Theatre and Gender, Theatre and Science
Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...
Read MorePosted by Natasha Lomonossoff | 22nd Jul 2018 | Acting, Canada, Review
Harvest performed at the 1000 Islands Playhouse in Gananoque, Ontario A play that is inspired by a...
Read MorePosted by Trevor Boffone | 20th Jul 2018 | Chicago, Review, United States of America
Everyone has a bad roommate story. Whether it was your college roommate or your little sister...
Read MorePosted by Aleks Sierz | 20th Jul 2018 | Adaptation, London, Review, Theatre for Young Audiences, United Kingdom
There are few subjects as emotionally fraught as the relationship between childhood and death. How...
Read MorePosted by Aleks Sierz | 19th Jul 2018 | Italy, Kosovo, London, Review, United Kingdom
Images are what make abstract crises concrete. And who can forget the image of the bankrupt Lehman...
Read MorePosted by Aleks Sierz | 19th Jul 2018 | London, Playwriting, Review, United Kingdom
Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples...
Read MorePosted by Kelann Currie-Williams | 19th Jul 2018 | Canada, Festivals, Review, Theatre and Disability
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
Read MorePosted by Irene Kukota | 18th Jul 2018 | London, Review, United Kingdom
When looking forward to seeing a work of art, a certain play or a performance what is our feeling...
Read MorePosted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
Read MorePosted by Leah Jane Esau | 16th Jul 2018 | Canada, Review, Theatre and Politics
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...
Read MorePosted by Jack Wernick | 13th Jul 2018 | Festivals, New York, Review, United States of America
Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...
Read MorePosted by Aleks Sierz | 13th Jul 2018 | Adaptation, London, Review, Theatre and Politics, United Kingdom
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
Read MorePosted by Christine Deitner | 12th Jul 2018 | Los Angeles, Review, Translation, United States of America
There are plays that feel timeless because they strike familiar chords and speak to something at...
Read MorePosted by Aleks Sierz | 12th Jul 2018 | London, Review, Theatre and Gender, United Kingdom
We are now pretty familiar with the idea that human reproduction (making babies) has been turned...
Read MorePosted by Jamie Portman | 11th Jul 2018 | Canada, Festivals, Review
STRATFORD—We find ourselves immediately plunged into the opening shipwreck scene: sails flapping...
Read MorePosted by Jamie Portman | 10th Jul 2018 | Canada, Directing, Review
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
Read MorePosted by Diwan Singh Bajeli | 10th Jul 2018 | India, Review, Translation
Incorporating elements of post-modernism, surrealism and realism, Anjon Bose’s Garbh focuses on...
Read MorePosted by Katerina Sinadinovska | 9th Jul 2018 | France, Germany, Review, Theatre and Politics, Translation
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
Read MorePosted by Willow White | 8th Jul 2018 | Canada, Festivals, Review
Montreal, Québec Willow White reviews Thought Experiment Productions’ 4’33” In Baghdad in the...
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“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025