Review Archives - Page 92 of 138

Footwork Against Corruption: Via Katlehong And Gregory Maqoma’s “Via Kanana,” Dance Umbrella Festival, London

Posted by Lisa Marie Bowler | 23rd Oct 2018 | Dance Umbrella 2018, Festivals, London, Review, South Africa, Theatre and Dance, United Kingdom

The platform stage erected in Shoreditch Town Hall’s grand Victorian assembly room is receiving a...

“Pack Of Lies” at Menier Chocolate Factory

Posted by Aleks Sierz | 22nd Oct 2018 | London, Review, United Kingdom

We do love our spy stories, don’t we? The idea of betrayal, both political and personal, seems to...

Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios

Posted by Aleks Sierz | 21st Oct 2018 | Boston, LGBTQ+ Theatre, London, Review, United Kingdom, United States of America

If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...

An Adaptation of Samuel Beckett’s “Watt” Questions Being And Perception

Posted by Sarah Balkin | 20th Oct 2018 | Adaptation, Festivals, Ireland, Melbourne, Review

It resembled a pot, it was almost a pot, but it was not a pot of which one could say, Pot, pot,...

“Fierce” Offers A Believable Portrayal Of Loneliness

Posted by Patrick Langston | 18th Oct 2018 | Canada, Review

Ultimately, we’re all orphans, aren’t we? Sure, we carve out a place in the world, cultivate...

Robert Alan Evans’s “The Woods” at The Royal Court

Posted by Aleks Sierz | 18th Oct 2018 | Acting, London, Playwriting, Review, United Kingdom

Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...

A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London

Posted by Lisa Marie Bowler | 17th Oct 2018 | Dance Umbrella 2018, Festivals, London, New York, Review, United Kingdom, United States of America

As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...

Vinay Patel’s “An Adventure”: An Epic Reading of One Asian Family’s Global Migration Story

Posted by Aleks Sierz | 17th Oct 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom

Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...

“A Kettle Of Fish” at The Yard Theatre

Posted by Aleks Sierz | 16th Oct 2018 | London, Review, United Kingdom

Ah. Fear of flying. Yes, this is instantly recognizable: that sense that being propelled through...

“The Virgin Trial”: A Gritty Political Crime Drama

Posted by Ryan Pepper | 16th Oct 2018 | Canada, Review

Kate Hennig’s The Virgin Trial is a must-see gritty political crime drama that upends expectations...

“Shirley Valentine:” A Double-Toned Comedy About Finding Oneself

Posted by Natasha Lomonossoff | 15th Oct 2018 | Canada, Review, Theatre and Gender

At the 1000 Islands Playhouse in Gananoque, ON. As the final play of the season, British...

“En Masse” Is An Arresting Fusion Of Circus, Dance, And Classical Music

Posted by Trevor Jones | 15th Oct 2018 | Australia, Festivals, Review, Theatre and Dance

According to their artistic director, Yaron Lifschitz, Circa’s En Masse “speaks of fresh starts...

Jo Clifford’s “Losing Venice” at The Orange Tree Theatre

Posted by Aleks Sierz | 15th Oct 2018 | LGBTQ+ Theatre, London, Playwriting, Review, Scotland, United Kingdom

English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...

Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age

Posted by Armando Rotondi | 14th Oct 2018 | Adaptation, Essay, Review, Theatre and Dance, United Kingdom

Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...

Shaina Taub’s “Twelfth Night” At The Young Vic

Posted by Aleks Sierz | 13th Oct 2018 | London, Musical Theatre, Review, United Kingdom

If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...

David Hare’s “I’m Not Running” At The National Theatre

Posted by Aleks Sierz | 13th Oct 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom

Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to...

1980s Berlin Comes To Life In “Welcome The Bright World’s” Quest For “Truth”

Posted by Lisa Harper Campbell | 11th Oct 2018 | Australia, Review

Performance group House of Sand, in collaboration with the State Theatre Company of South...

A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”

Posted by Jane Baldwin | 10th Oct 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America

Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...

“Fierce” Premise Hard To Buy

Posted by Iris Winston | 10th Oct 2018 | Canada, Review

Fierce directed by George Walker. Black Sheep Theatre and Criminal Girlfriends Two women damaged...

Arabic Storytelling In Bahrain’s Theater Festival

Posted by Nora Amin | 10th Oct 2018 | Festivals, Palestine, Review, Theatre and Politics, Transcultural Collaborations

Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...

Review

Footwork Against Corruption: Via Katlehong And Gregory Maqoma’s “Via Kanana,” Dance Umbrella Festival, London

“Pack Of Lies” at Menier Chocolate Factory

Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios

An Adaptation of Samuel Beckett’s “Watt” Questions Being And Perception

“Fierce” Offers A Believable Portrayal Of Loneliness

Robert Alan Evans’s “The Woods” at The Royal Court

A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London

Vinay Patel’s “An Adventure”: An Epic Reading of One Asian Family’s Global Migration Story

“A Kettle Of Fish” at The Yard Theatre

“The Virgin Trial”: A Gritty Political Crime Drama

“Shirley Valentine:” A Double-Toned Comedy About Finding Oneself

“En Masse” Is An Arresting Fusion Of Circus, Dance, And Classical Music

Jo Clifford’s “Losing Venice” at The Orange Tree Theatre

Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age

Shaina Taub’s “Twelfth Night” At The Young Vic

David Hare’s “I’m Not Running” At The National Theatre

1980s Berlin Comes To Life In “Welcome The Bright World’s” Quest For “Truth”

A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”

“Fierce” Premise Hard To Buy

Arabic Storytelling In Bahrain’s Theater Festival

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