Radical Representation: “Hi, Are You Single” Engages and Triumphs
Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...
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Review
“Shook” by Samuel Bailey at Papatango
Film is the new theatre — this we know, but does the distance imposed by the change of medium...
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The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway
The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...
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A Point and Click Music Session With “Modulation”
I was mesmerized by Courtney Love, performing in Kansas City Choir Boy at Prototype in 2015....
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Who Let the “Lady of Pestilence” In?
The Jerzy Szaniawski Dramatic Theater in Wałbrzych opens the season with a play built on one of...
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Iceland’s “Wide Slumber for Lepidopterists” Undergoes Metamorphosis by Means of Metaphor
Composed by Valgeir Sigurðsson and directed by Sara Martí, Wide Slumber for Lepidopterists is an...
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Inside Virtual Rooms
In March 2020 in the midst of social isolation, Oskar Sadowski suggested to his friends that they...
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“A Strange Loop” by Michael R. Jackson
It’s rare when a musical wins the Pulitzer Prize for Drama. Most recently it was cultural...
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Review: Tarragon Theatre’s “Orestes” by Rick Roberts
Tarragon Theatre’s technological foray into the virtual reality of a Covid-19 lockdown begins with...
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About “Living Newspaper”: A Counter Narrative
Read all about it! Well, maybe not. Maybe more like: live the news and then watch it streamed....
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Cinematic Opera Unveiled: Philip Glass and Edgar Allan Poe’s “The Fall of the House of Usher”
Speaking to a class in Rome years ago, I heard Tito Schipa Jr. speak about how opera is simply too...
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Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music
The Rise and Fall of Saint George is a story about place, belonging, and community that taps into...
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Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
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Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”
Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney...
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“A Black and White Cookie” at TNC
Gary Morgenstein’s nostalgic yet au courant play A Black and White Cookie is an invigorating...
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“Times3 (Times x Times x Times)” Takes Bite Out of Big Apple
Created by theatre-artist Geoff Sobelle and composer-performer Pamela Z, Times3 (Times x Times x...
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The Amazing Energy of the Bulgarian Dance Platform 2020
As the second wave of the pandemic was just gaining speed in the country, in between the worrying...
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Interactive Online Theater – “Life on Earth”
Charles Mee’s Heaven on Earth conveys the message that our civilization, too, has come to an end;...
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On sound ecology: “Rainforest V (variation 3)” at Arter
Within the acoustics of Arter’s Karbon, a hall for sound installations and concerts is a...
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
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