The Geography of Theatre Imagination: A New “Endgame” at a New Irish Theatre Festival
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MorePosted by S.E. Gontarski | 13th Feb 2023 | Adaptation, Directing, New York, Review, United States of America
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MorePosted by Rhiannon Ling | 13th Feb 2023 | Devised Theatre, New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
Read MorePosted by Aleks Sierz | 5th Feb 2023 | LGBTQ+ Theatre, Review, Theatre and Religion, United Kingdom
Willy Hudson is a writer and performer from Exeter — his Willy Hudson Ltd theatre company...
Read MorePosted by Sabrina Sabatino | 3rd Feb 2023 | Festivals, Italy, Musical Theatre, Review
Naples. Last October and November, Naples was traversed by a cultural event that aimed to reassign...
Read MorePosted by Aleks Sierz | 1st Feb 2023 | LGBTQ+ Theatre, Review, United Kingdom
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her...
Read MorePosted by Lisa Monde | 31st Jan 2023 | Acting, France, Musical Theatre, Review
The Italian American gangster – Al Capone (Alphonse Gabriel Capone), who reigned as a crime boss...
Read MorePosted by Susanna Sun | 26th Jan 2023 | Directing, Review, United States of America
Located at the end of a long, narrow corridor, seating the audience near the stage and close to...
Read MorePosted by Aleks Sierz | 23rd Jan 2023 | Adaptation, Nigeria, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
Earlier in the week, I enjoyed a rainy afternoon at home by watching Inua Ellis’s 2019 adaptation...
Read MorePosted by Toni Hildebrandt and Zainabu Jallo | 22nd Jan 2023 | Adaptation, Review, Switzerland, Theatre and Gender, Theatre and Science
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Read MorePosted by Jingyi Zhang | 21st Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, Transmedia, United States of America
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
Read MorePosted by Jingyi Zhang | 20th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
Read MorePosted by Jingyi Zhang | 18th Jan 2023 | Festivals, Japan, Prototype 2023, Review, Theatre and Opera, United States of America
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
Read MorePosted by Jingyi Zhang | 17th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
Read MorePosted by Vera Bonder | 15th Jan 2023 | Festivals, Netherlands, Participatory Theatre, Review, Theatre and Dance, Theatre and Politics
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
Read MorePosted by Clare Cioffero | 12th Jan 2023 | Adaptation, New York, Review, Theatre and Politics, United States of America
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
Read MorePosted by Helen Trenos | 11th Jan 2023 | Australia, Design, Directing, Review, Theatre and Gender
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
Read MorePosted by Clare Cioffero | 10th Jan 2023 | Design, New York, Puppetry, Review, United States of America
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
Read MorePosted by Ademola Bello | 7th Jan 2023 | LGBTQ+ Theatre, New York, Review, Theatre and Decolonization, United States of America
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
Read MorePosted by Emilija Kvočka | 4th Jan 2023 | Adaptation, Directing, Festivals, Review, Serbia
At this “Desiré” festival in Subotica, on the stage of the Dezső Kosztolányi Theatre,...
Read MorePosted by Aleks Sierz | 25th Dec 2022 | London, Playwriting, Review, Theatre and Religion, United Kingdom
Pain is, at one and the same time, something to avoid, and also something you can use. Kahlil...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 