“The Dybbuk” Or a Play Possessing Audiences for a Century
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
Read MorePosted by Agnieszka Legutko | 17th Jan 2021 | Adaptation, Poland, Review, Russia, Transmedia, United States of America
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
Read MorePosted by Megan McCormick | 16th Jan 2021 | Review, Theatre and Dance, United States of America
An intriguing, quirky, movement and aerial experience, The Insectinside performed by the company...
Read MorePosted by Hansol Oh | 13th Jan 2021 | Musical Theatre, Review, South Korea, Theatre and Science
Marie Curie, whose image as an unsmiling scientist wearing a high-necked, black dress has been...
Read MorePosted by Tonderai Chiyindiko | 12th Jan 2021 | Review, South Africa, Theatre and Dance
The TX Theatre’s double bill Mnquma & Ithemba is rich modern African contemporary dance-based...
Read MorePosted by Aleks Sierz | 11th Jan 2021 | Review, Theatre and Politics, United Kingdom
Last week I watched Sarah Grochala’s award-winning short play, S-27, now streaming from the...
Read MorePosted by Rhiannon Ling | 2nd Jan 2021 | Covid-19, Review, United States of America
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
Read MorePosted by Aleks Sierz | 31st Dec 2020 | London, Playwriting, Review, United States of America
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
Read MorePosted by Megan McCormick | 31st Dec 2020 | Festivals, Musical Theatre, New York, Review, Transmedia, United States of America
*Content Warning: This article discusses and describes new musicals that deal with such topics as...
Read MorePosted by Marjan Moosavi | 29th Dec 2020 | Afghanistan, Iran, Review
I saw Amid the Waters amid the hustle and bustle of Tehran’s downtown at Tehran City Theatre...
Read MorePosted by Aleks Sierz | 28th Dec 2020 | London, Review, United Kingdom
A couple of days ago I watched the live stream of Misfits, from the Queen’s Theatre Hornchurch....
Read MorePosted by Alvina Ruprecht | 26th Dec 2020 | Barbados, Covid-19, Review
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
Read MorePosted by Huw Griffiths | 24th Dec 2020 | Australia, LGBTQ+ Theatre, Review, Sydney
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
Read MorePosted by Tonderai Chiyindiko | 22nd Dec 2020 | Devised Theatre, Review, South Africa
Kwasha! Theatre Company’s Peeling Shadows, which has just ended a limited run at the Market...
Read MorePosted by Tonderai Chiyindiko | 20th Dec 2020 | Dramaturgy, Review, South Africa
In Their Words, a staged reading which recently took place at the Tin Town Theatre in Johannesburg...
Read MorePosted by Alexander Fatouros | 19th Dec 2020 | Musical Theatre, Review, United States of America
Based on Orson Welles’ 1938 radio play and adapted by Creative Director Steve Wargo,...
Read MorePosted by Aleks Sierz | 18th Dec 2020 | London, Review, United Kingdom
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
Read MorePosted by Emily Cordes | 17th Dec 2020 | Devised Theatre, Participatory Theatre, Review, United States of America
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
Read MorePosted by Tonderai Chiyindiko | 14th Dec 2020 | Review, South Africa, Theatre and Gender
The Red Femicycle brings into sharp focus Gender-Based Violence in a gut-wrenching and...
Read MorePosted by Aleks Sierz | 13th Dec 2020 | Covid-19, Review, United Kingdom
Okay, COVID-19 really sucks. This play opened and closed on the same night, 4 November, as the...
Read MorePosted by Nobuko Tanaka | 11th Dec 2020 | Japan, Review, Theatre and Dance, Theatre and Politics
Sometimes a gesture of gratitude comes in the form of a carte blanche. Akira Shirai, the departing...
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