“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Read MorePosted by Toni Hildebrandt and Zainabu Jallo | 22nd Jan 2023 | Adaptation, Review, Switzerland, Theatre and Gender, Theatre and Science
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Read MorePosted by Jingyi Zhang | 21st Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, Transmedia, United States of America
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
Read MorePosted by Jingyi Zhang | 20th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
Read MorePosted by Jingyi Zhang | 18th Jan 2023 | Festivals, Japan, Prototype 2023, Review, Theatre and Opera, United States of America
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
Read MorePosted by Jingyi Zhang | 17th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
Read MorePosted by Vera Bonder | 15th Jan 2023 | Festivals, Netherlands, Participatory Theatre, Review, Theatre and Dance, Theatre and Politics
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
Read MorePosted by Clare Cioffero | 12th Jan 2023 | Adaptation, New York, Review, Theatre and Politics, United States of America
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
Read MorePosted by Helen Trenos | 11th Jan 2023 | Australia, Design, Directing, Review, Theatre and Gender
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
Read MorePosted by Clare Cioffero | 10th Jan 2023 | Design, New York, Puppetry, Review, United States of America
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
Read MorePosted by Ademola Bello | 7th Jan 2023 | LGBTQ+ Theatre, New York, Review, Theatre and Decolonization, United States of America
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
Read MorePosted by Emilija Kvočka | 4th Jan 2023 | Adaptation, Directing, Festivals, Review, Serbia
At this “Desiré” festival in Subotica, on the stage of the Dezső Kosztolányi Theatre,...
Read MorePosted by Aleks Sierz | 25th Dec 2022 | London, Playwriting, Review, Theatre and Religion, United Kingdom
Pain is, at one and the same time, something to avoid, and also something you can use. Kahlil...
Read MorePosted by Aleks Sierz | 22nd Dec 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Is British new writing in deep trouble? With the Arts Council defunding venues such as the...
Read MorePosted by Verity Healey | 21st Dec 2022 | Kosovo, Review, Theatre and Politics
If you don’t know about loss, then you will by the end of this show. Sara (Ilire Vinca) is married...
Read MorePosted by Emiliia Dementsova | 20th Dec 2022 | Azerbaijan, Festivals, News, Review, Theatre Olympics 2023
When the non-peaceful world is illuminated by the bursts of shells, it seems that other...
Read MorePosted by Lisa Monde | 19th Dec 2022 | Adaptation, Musical Theatre, New York, Review, United States of America
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
Read MorePosted by Aleks Sierz | 17th Dec 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
Read MorePosted by T.R. Sudha | 13th Dec 2022 | Acting, India, Review
Two well-known theater groups, JB Creations and Stage Creations, collaborate for the first time to...
Read MorePosted by Verity Healey | 11th Dec 2022 | Kosovo, LGBTQ+ Theatre, Review
Meta-theatre has been a bit of a theme at Kosovo’s latest independent theatre showcase in...
Read MorePosted by Aleks Sierz | 10th Dec 2022 | Israel, London, Review, Theatre and Politics, United Kingdom
Julia Pascal is a resourceful theatre-maker who is unafraid of being controversial. Her interest...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 