Examining “Tommy” Through a Neurodiverse Lens
Ramps on the Moon’s adaptation of Pete Townsend’s 1969 concept album ‘Tommy’, toured the UK...
Read MorePosted by Jonathan Meth | 1st Mar 2018 | Review, Theatre and Disability, United Kingdom
Ramps on the Moon’s adaptation of Pete Townsend’s 1969 concept album ‘Tommy’, toured the UK...
Read MorePosted by Zolima Citymag | 28th Feb 2018 | Hong Kong, Review, Theatre and Politics
Children. They have the power to change everything. The power to change the future. At least...
Read MorePosted by Jonathan Kalb | 27th Feb 2018 | New York, Review, Theatre and Gender, United States of America
Yesterday I knew nothing about the playwright Gracie Gardner or The Hearth, a feminist theater...
Read MorePosted by Aleks Sierz | 26th Feb 2018 | London, Playwriting, Review, United Kingdom
First the goats, and now the sheep—has this venue become an urban farm? Rural life, which was once...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Tania Barrenechea | 25th Feb 2018 | Musical Theatre, Review, Theatre and Gender, United States of America
My Heart Felt That Sha La La The proscenium stage of the Playhouse has been converted into...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
Read MorePosted by Aleks Sierz | 24th Feb 2018 | Immersive Theatre, London, Review
“Two things only the people anxiously desire—bread and circuses,” said the Roman poet Juvenal. He...
Read MorePosted by Jack Wernick | 24th Feb 2018 | Immersive Theatre, New York, Review, Stage Combat, Theatre and Politics, United States of America
One of New York City’s most dynamic young theater companies makes a bold addition to its...
Read MorePosted by Anna Gordeeva | 24th Feb 2018 | Review, Russia, Russian Theatre - Featured, Theatre and Dance
The glass pavilions that appeared on Teatralnaya Square after the reconstruction of the Bolshoi...
Read MorePosted by Courtney Seyl | 23rd Feb 2018 | Review, Seattle, United States of America
Seattle Rep’s “Two Trains Running” shows the power of standing up for what is right and finding your own voice in a sea of impossibility.
Read MorePosted by Alvina Ruprecht | 22nd Feb 2018 | Review, Spain, Theatre and Dance
European performance is slipping through boundaries, transforming relationships between film,...
Read MorePosted by Jonathan Kalb | 21st Feb 2018 | Germany, Review, Theatre and Politics
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
Read MorePosted by Christine Deitner | 21st Feb 2018 | Los Angeles, Review, United States of America
From the moment the play begins, it doesn’t take long for anyone to understand why playwright...
Read MorePosted by Trevor Boffone | 20th Feb 2018 | Review, Theatre and Gender, United States of America
In a city that still has a relatively conservative theatre community such as Houston, seeing ten...
Read MorePosted by Elaine Chiew | 19th Feb 2018 | Review, South Korea, Theatre and Opera
Euripides’ play Trojan Women has been adapted and performed numerous times around the world, from...
Read MorePosted by Alvina Ruprecht | 18th Feb 2018 | Canada, Review, Theatre and Dance
The National Ballet of Canada’s staging of John Neumeier’s Nijinsky, the artist who, by his...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Felipe Cervera | 18th Feb 2018 | Review, South Africa, Theatre and Politics
It is as if Mozart were able to capture what death sounds like, in those moments when people run...
Read MorePosted by Davide Cioffrese | 17th Feb 2018 | Germany, Review, Switzerland
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
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