“Butcher of Balkans” in Jester’s Attire: A Musical About Slobodan Milosevic
A musical about Slobodan Milosevic and his wife Mira dresses the “Butcher of Balkans”...
Read MorePosted by Artrit Bytyçi | 28th Mar 2018 | Musical Theatre, Review, Serbia, Theatre and Politics
A musical about Slobodan Milosevic and his wife Mira dresses the “Butcher of Balkans”...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics
For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics
The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...
Read MorePosted by Aleks Sierz | 26th Mar 2018 | London, Review, United Kingdom
Good programming is an art, and Paul Miller—artistic director at this venue—is clearly on a...
Read MorePosted by Lee Chin-A | 24th Mar 2018 | Adaptation, Immersive Theatre, Review, South Korea, Theatre and Dance
Theatre adaptations of novels are on the rise this season. Of course, this is nothing new....
Read MorePosted by Laurie Fyffe | 24th Mar 2018 | Canada, Review
In the end, it’s all about the story. The story you remember, the story you want to tell,...
Read MorePosted by KaiChieh Tu | 24th Mar 2018 | Divine Comedy Festival 2017, LGBTQ+ Theatre, Poland, Review, Theatre and Politics
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
Read MorePosted by Madison Parrotta | 23rd Mar 2018 | New York, Review, Theatre and Disability, United States of America
What do you do with a disabled child you can’t emotionally support? While not the biggest question...
Read MorePosted by Christopher Harris | 23rd Mar 2018 | Festivals, Netherlands, Review, Theatre and Opera
If you ask any resident of Amsterdam: “how did the National Opera House look from the...
Read MorePosted by Aleks Sierz | 22nd Mar 2018 | London, Review, United Kingdom
How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...
Read MorePosted by Aleks Sierz | 21st Mar 2018 | London, Review, Theatre and Politics, United Kingdom
Is it possible to get too much of American politics? With Donald Trump’s daily tweets invading our...
Read MorePosted by Patrick Langston | 21st Mar 2018 | Canada, Review
“I love you” doesn’t slip easily from Daphne’s tongue. But they are words that her grown...
Read MorePosted by Aleks Sierz | 20th Mar 2018 | Adaptation, London, Musical Theatre, Review, United Kingdom
The late Derek Jarman’s 1978 film Jubilee is a punk classic. I think he was in his Fellini phase,...
Read MorePosted by Annamarie Jagose and Lee Wallace | 20th Mar 2018 | Australia, Review, Theatre and Gender
The idea that femininity is a social performance, while masculinity simply sets the coordinates...
Read MorePosted by Stephen Chinna | 20th Mar 2018 | Canada, Review, Theatre and Politics
In The Far Side of the Moon, Philippe and Andre, two estranged brothers, deal with the aftermath...
Read MorePosted by Vikram Phukan | 20th Mar 2018 | Acting, Festivals, India, Review
The Tenkutittu and Badagutittu traditional theatre styles of coastal Karnataka come alive. The...
Read MorePosted by Julian Meyrick | 19th Mar 2018 | Adaptation, Australia, Festivals, Review
Arthur Danto, in his Analytic Philosophy of History, calls the common noun “scar” a...
Read MorePosted by Diwan Singh Bajeli | 19th Mar 2018 | Festivals, India, Review
Bharatmuni Rang Utsav saw some moving productions highlighting moral dilemmas and disturbing...
Read MorePosted by Julian Meyrick | 17th Mar 2018 | Australia, Review
Two plays about war, one utilizing children’s toys, the other blank verse. In many ways,...
Read MorePosted by Jane Baldwin | 15th Mar 2018 | Boston, Review, United States of America
The White Card, Claudia Rankine’s play on racism is having its world premiere at Boston’s...
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