August Wilson’s “Two Trains Running” Shows The Power Of A Voice
Seattle Rep’s “Two Trains Running” shows the power of standing up for what is right and finding your own voice in a sea of impossibility.
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Review
“Siena” By La Veronal: Self Contemplation, Imagined Self-Destruction, And A Terrifying Sense Of The Human Body!
European performance is slipping through boundaries, transforming relationships between film,...
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Thomas Ostermeier’s “Returning To Reims”
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
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“Water By The Spoonful” At The Mark Taper Forum
From the moment the play begins, it doesn’t take long for anyone to understand why playwright...
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Jaclyn Backhaus’ “Men On Boats” (Re)Imagines History With Women Front And Center
In a city that still has a relatively conservative theatre community such as Houston, seeing ten...
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SIFA’s “Trojan Women”: An Allegory For Modern Times
Euripides’ play Trojan Women has been adapted and performed numerous times around the world, from...
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Nijinsky At The NAC: A Truly Cathartic Encounter Between The Dancer And His Creations
The National Ballet of Canada’s staging of John Neumeier’s Nijinsky, the artist who, by his...
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Men, The Internet, and Politics: “The Believers Are But Brothers” at The Bush Theatre
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
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“And So You See…”: The Irrational Is In The Eye Of The Beholder
It is as if Mozart were able to capture what death sounds like, in those moments when people run...
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Legacy Of Life: Rimini Protokoll’s “Nachlass: Pièces Sans Personnes”
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
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Krystian Lupa’s “The Trial” At Divine Comedy Festival 2017
It is almost impossible to describe the experience of seeing the work of the legendary Polish...
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Sadocapitalism From Berlin: Thomas Ostermeier’s “Returning To Reims”
Best known in the US for the stunning exemplars of the German Regietheater tradition he regularly...
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“I Feel As If I’m Loosing My Leaves:” Translatability Of Theme Through Language In Theatr Genedlaethol Cymru’s Production Of Florian Zeller’s “Y Tad”
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
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“Privacy:” The Impact Of The Digital Revolution On Private Life
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
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Reinterpreting The Tradition: A Contemporary Retelling Of Tang Xianzu’s “The Handan Dream” By The Guangzhou Dramatic Arts Centre
Conceived in 2016 in Guangzhou and previously performed in Beijing and St. Petersburg, the...
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“Forked” Privilege Gets Served
Jo Tan’s playwriting debut offers a simple yet familiar story of one Singaporean girl with big...
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Looking Within With “Attempts: Singapore”
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
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“Imaginationship” at The Finborough Theatre Explores a Divided Nation
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
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“As One” – A New Biographical Opera About Transgender Experience Premiers in Boston
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
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“To The Depths,” Together: A Show In Folk Songs With A Story
The Polish production To The Depths or To The Bottom (Do Dna), which appeared at the 2017 Divine...
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