Passing a Relighted Torch. “Angry, Raucous & Shamelessly Gorgeous”
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
Read MorePosted by Donald Brown | 8th Feb 2022 | Review, Theatre and Gender, United States of America
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
Read MorePosted by Claire French | 7th Feb 2022 | Australia, Devised Theatre, Review
At this year’s Fringe World Festival in Perth, the “theatre of the real” is everywhere: theatre,...
Read MorePosted by Kate Maguire-Rosier | 6th Feb 2022 | Australia, Review, Sydney, Theatre and Politics
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
Read MorePosted by Gabrielle Edelstein | 5th Feb 2022 | Australia, Review, Theatre and Art
When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...
Read MorePosted by Ruth Dhanaraj | 4th Feb 2022 | Applied Theatre, India, Interview
Biryani Durbar, recently staged in Bengaluru, shows how roles reverse when opportunity presents...
Read MorePosted by Ati Metwaly | 3rd Feb 2022 | Design, Egypt, News
Award-winning Egyptian designer Naiema Agamy, who worked over decades with the best-known...
Read MorePosted by Aleks Sierz | 2nd Feb 2022 | Directing, London, Management, Review, United Kingdom
Peggy Ramsay is a theater legend. Around the time of her death in 1991, the Australian-born agent...
Read MorePosted by Aleks Sierz | 1st Feb 2022 | London, Review, Theatre and Gender, United Kingdom
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others...
Read MorePosted by Ati Metwaly | 31st Jan 2022 | Egypt, News, Theatre and Dance
Every year in December, the Cairo Opera Ballet Company performs The Nutcracker at the Cairo Opera...
Read MorePosted by Jonathan Kalb | 30th Jan 2022 | New York, Playwriting, Review, Theatre and Politics, United States of America
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Aleks Sierz | 29th Jan 2022 | Review, Theatre and Politics, United Kingdom
History is a prison. Often, you can’t escape. It imprints its mark on people, environments and...
Read MorePosted by Nele Wynants | 29th Jan 2022 | Belgium, Essay, Theatre and Science
Defined as “a place to observe” The Theatron (theatre) has been an experimental platform for...
Read MorePosted by Deniz Başar and Handan Salta | 28th Jan 2022 | Interview, Kosovo, Theatre and Politics
Deniz Başar and Handan Salta attended Kosovo Theatre Showcase and apart from seeing the plays and...
Read MorePosted by Antonio Hernández | 27th Jan 2022 | Festivals, Review, Spain
October was the month of Surge Madrid festival. A collection of the alternative theater whose...
Read MorePosted by Sarah Annes Brown | 25th Jan 2022 | Adaptation, Essay, Theatre and Science, United Kingdom
Science fiction is a genre very much associated with technological marvels, innovations, and...
Read MorePosted by Donald Brown | 24th Jan 2022 | Review, Theatre and Politics, United States of America
Long Wharf Theatre in New Haven Connecticut stages a revival of Anna Deavere Smith’s Fires in the...
Read MorePosted by WeekendSpecial.Co | 23rd Jan 2022 | Musical Theatre, News, South Africa, Theatre and Politics
Samson, the South African theatrical work produced by Third World Bunfight, is one of six winners...
Read MorePosted by Sheila Chisholm | 22nd Jan 2022 | Adaptation, Musical Theatre, Review, South Africa
CINDERELLA. A two-act musical. Written and directed by Faeron Wheeler. Musical Director: Tersia...
Read MorePosted by Etcetera | 21st Jan 2022 | Interview, New York, Theatre and Politics, United States of America
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
Read More
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025 

“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025 | M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | 2 | |||||
| 3 | 4 | 5 | 6 | 7 | 8 | 9 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 |
| 17 | 18 | 19 | 20 | 21 | 22 | 23 |
| 24 | 25 | 26 | 27 | 28 | 29 | 30 |