Rising Has Yet To Establish Its Voice – But This Year’s Festival Gave Us Significant And Thrilling Work By First Nations Artists
Rising has just completed its second run across Melbourne. The newest addition to the city’s...
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Featured
A Reflection On Nuit, A Dance Performance Genuinely Talking The Truth Of Humanity
Night, a faint and obscure shroud, creeps over and overtakes space. Sounds of footsteps clattering...
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The Art Of Small Steps
Dedicated to the 80th anniversary of the very first publication of Antoine de Saint-Exupéry’s...
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“A Place Of Comfort In The Square:” Once Upon A Time In Baku Or Memory Of The Heart
The smooth curves of the fancy building, with no sharp angles, were embraced by the spicy Baku...
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I, Daniel Blake On stage is a Powerful Representation of Real People Struggling in the Cost of Living Crisis
Ken Loach’s 2016 film I, Daniel Blake is a scathing indictment of the British benefits system. The...
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EXÓTICA by Amanda Piña
A transpersonal and transcultural desire to dance together EXÓTICA is a journey that sets off even...
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Digital Theatre Across Europe: Interview With Dr Katie Hawthorne
European Theatre Convention published a new study, Digital Theatre – Strategies and Business...
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A Hindu Epic Takes the Stage in Hong Kong
If Hong Kong was the setting for a hero’s journey — the storytelling arc of trials and temptations...
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“All Of It” at The Royal Court, London
What is life? How can it be measured? How is it possible to compare one experience of life with...
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About “Leaves Of Glass”
Polymath Philip Ridley has a rare superpower — he able to consistently astonish both audiences and...
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Peter Morgan’s “Patriots” at The Noël Coward Theatre: Award-Winning Story Of Putin’s Triumph Is Vivid But Unreal
Peter Morgan’s Patriots at the Noël Coward Theatre: award-winning story of Putin’s triumph is vivid but unreal
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Egypt’s Prima Ballerina Magda Saleh Passes Away In Cairo
Egypt’s esteemed prima ballerina Magda Saleh passed away in the early hours of Sunday in...
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Beauty and Wisdom for Who: Disability in Simon McBurney’s “Die Zauberflöte”
The first notes of Simon McBurney’s production of Mozart’s Die Zauberflöte (The Magic Flute) which...
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“Min Totala Njutning”: A Dystopian Universe of Flour and Water
The bread holds a distinct symbolic significance within the realm of art iconography. Often...
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“All Of It” at the Royal Court
The summer season at the Royal Court, London’s premiere new writing venue, features two plays...
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An Interview with Alexey Strelnicov, Belarusan Director
Alexey Strelnicov was a Belarusian theatre critic, director, actor, and tutor. He is considered to...
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Danny Robins’s “2:22 A Ghost Story” at The Apollo Theatre: Populist Shocker Is Pretty Chill Free
Can you enjoy a ghost story during summer? Usually the idea of a haunted house suggests images of...
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Léonora Miano On “What Must be Said”
The stage adaptation of Léonora Miano’s Ce qu’il faut dire (or “What Must be Said”) addresses a...
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“KPOP” On Broadway: A Multisensory Feast of HEUNG
KPOP is a new musical, with a book by Jason Kim and music by Helen Park and Max Vernon. It...
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About Vortex
Last Saturday, I went to the Excelsior Studios in Park Royal to see a performance of the Russell...
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