Featured Archives - Page 183 of 254

“Betroffenheit:” An Emotional Spectacle Which Transforms The Power Of Dance

Posted by Natasha Lomonossoff | 11th Apr 2018 | Canada, Review, Theatre and Dance

Betroffenheit, a creation by renowned Canadian choreographer Crystal Pite and writer Jonathon...

Can Art Truly Thrive In Hyper-Commercial Hong Kong?

Posted by Zolima Citymag | 11th Apr 2018 | Essay, Hong Kong, Theatre and Art

A throng of reporters circled Kristine Li at the officiating ceremony of H Queen’s, a gleaming new...

“Hamilton” Is The Biggest Winner At Olivier Awards

Posted by Jane Clinton | 11th Apr 2018 | London, News, United Kingdom

Hamilton swept the board at the Olivier Sunday night clinching seven awards including best new...

Dramatic Soundscapes

Posted by Vikram Phukan | 10th Apr 2018 | Essay, Immersive Theatre, India, Musical Theatre, Theatre and Dance, Theatre and Disability

Rather than experimental theatre, it is the realm of dance works that is considered to be much...

“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best

Posted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom

Every great playwright has to have both an identifiable style and the ability to innovate and...

Inclusivity: Welcoming Autistic Folk Into The Theater

Posted by Chris Pike | 10th Apr 2018 | News, Theatre and Disability, United Kingdom

I work for the National Autistic Society as their Autism Access Specialist. While this may seem...

“Love Me Now” at The Tristan Bates Theatre: Love in the Time of Tinder

Posted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom

Love may well be the strongest four-letter word, but what is the latest news from the front line...

“In And Of Itself”: Derek DelGaudio’s Gift Of Encounter

Posted by Rachel E. Diken | 9th Apr 2018 | Immersive Theatre, New York, Review, United States of America

Wow. In & Of Itself, written and performed by Derek DelGaudio for long runs with numerous...

Li Cunxin, The Ballet Star Who Could Never Really Leave The Stage

Posted by Caranissa Djatmiko | 8th Apr 2018 | Australia, China, News, Theatre and Dance

Chinese-Australian dancer Li Cunxin has been enjoying his long yet productive retirement for...

Socialist Morality in “The Threepenny Opera”

Posted by Katrina Holden-Buckley | 8th Apr 2018 | Boston, Review, Theatre and Opera, Theatre and Politics, United States of America

On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...

Myth, Motherhood, And Desperation in Modern Adaptation of Lorca’s “Yerma”

Posted by Jonathan Kalb | 7th Apr 2018 | Adaptation, New York, Review, United States of America

Last Monday, about forty minutes into the final preview of Yerma at the Park Avenue Armory—Simon...

Searching For Lost Artists In “A Song Of Dewdrops”

Posted by Song Minsook | 7th Apr 2018 | Musical Theatre, Review, South Korea

I went to the Seoul Donhwamun Traditional Theatre in early November, the night of the first full...

German Politicians Invest In Opera When Seeking Re-Election–Here’s Why

Posted by Pieter Vanhuysse | 6th Apr 2018 | Essay, Germany, Theatre and Opera, Theatre and Politics

In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...

“The Delightful Journey Of Mr. Goldoni”: A National Premiere In Pavia

Posted by Maria Pia Pagani | 6th Apr 2018 | Festivals, Italy, News, Playwriting

Since 2007, the year of the 300th anniversary of the birth of Carlo Goldoni (1707–1793), Ghislieri...

The Politics of Child Abuse in Searing Māori Theatre: “Bless the Child” by Hone Kouka

Posted by David O'Donnell | 5th Apr 2018 | New Zealand, Review, Theatre and Politics

Bless the Child by Hone Kouka. Co-produced by the New Zealand Festival, Auckland Arts Festival and...

The PUTIN Show: Kirill Serebrennikov And Russia’s Conservative Revolution

Posted by Marina Davydova | 5th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics

Russian theatre director Kirill Serebrennikov, arrested in August 2017 for alleged fraud, is the...

World Premiere Musical: “The Lucky Ones”

Posted by The Theatre Times | 4th Apr 2018 | Millennial Perspectives, Musical Theatre, New York, Review, United States of America

With downtown theatre audiences, the never-ending challenge is how to push boundaries and create...

Force And Fragility Meet And Merge In “Dunas”

Posted by Nobuko Tanaka | 4th Apr 2018 | Belgium, Interview, Japan, Theatre and Dance, Transcultural Collaborations

There are mutual squeals of delight when Belgian dance artist, Sidi Larbi Cherkaoui and Spanish...

“Oklahoma!” at 75: Has the Musical Withstood the Test of Time?

Posted by Ryan Raul Bañagale | 4th Apr 2018 | Essay, Musical Theatre, United States of America

Musicals have long depicted utopian worlds, offering an escape for audiences, if only for a few...

Richard Eyre’s Production Of “Long Day’s Journey Into Night” Performed By Irons And Manville At Wyndham’s Theatre

Posted by María Agustina Pardini | 3rd Apr 2018 | London, Review, United Kingdom

Dysfunctional families do not know about time or place. We may all know too well that reading...

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Featured

“Betroffenheit:” An Emotional Spectacle Which Transforms The Power Of Dance

Can Art Truly Thrive In Hyper-Commercial Hong Kong?

“Hamilton” Is The Biggest Winner At Olivier Awards

Dramatic Soundscapes

“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best

Inclusivity: Welcoming Autistic Folk Into The Theater

“Love Me Now” at The Tristan Bates Theatre: Love in the Time of Tinder

“In And Of Itself”: Derek DelGaudio’s Gift Of Encounter

Li Cunxin, The Ballet Star Who Could Never Really Leave The Stage

Socialist Morality in “The Threepenny Opera”

Myth, Motherhood, And Desperation in Modern Adaptation of Lorca’s “Yerma”

Searching For Lost Artists In “A Song Of Dewdrops”

German Politicians Invest In Opera When Seeking Re-Election–Here’s Why

“The Delightful Journey Of Mr. Goldoni”: A National Premiere In Pavia

The Politics of Child Abuse in Searing Māori Theatre: “Bless the Child” by Hone Kouka

The PUTIN Show: Kirill Serebrennikov And Russia’s Conservative Revolution

World Premiere Musical: “The Lucky Ones”

Force And Fragility Meet And Merge In “Dunas”

“Oklahoma!” at 75: Has the Musical Withstood the Test of Time?

Richard Eyre’s Production Of “Long Day’s Journey Into Night” Performed By Irons And Manville At Wyndham’s Theatre

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