Interview Archives | Page 6 of 26

BLIXT Locally Grown on Community-Driven Theatre During COVID-19

Posted by Rhiannon Ling | 18th May 2020 | Covid-19, Interview, Theatre for Young Audiences, United States of America

BLIXT Locally Grown was born on “a car ride between Scottsbluff and Lincoln,” Becky Boesen...

Interview with Raphaëlle Boitel – Compagnie L’oubliée

Posted by Nicole Birmann Bloom | 17th May 2020 | Directing, France, Interview

Written by The Cultural Services of the French Embassy of the United States. Interview Conducted...

Stage Design: Tradition of Diversity

Posted by Nadine Berghausen | 10th May 2020 | Design, Germany, Interview

Germany has more theatres and concert halls than almost any other country in the world. From its...

Anya Richkind: The Spontaneous Playwright in Experimental Theatre

Posted by Ziming Jim Liu | 9th May 2020 | Interview, Playwriting, United States of America

Anya Richkind is an emerging Brooklyn-based playwright who has taken many different roles in...

Capturing the Ephemeral: Marc J. Franklin on Theatre Photography, Inspiration, and Community

Posted by Irina Yakubovskaya | 7th May 2020 | Interview, New York, Theatre and Art, United States of America

His photography is undoubtfully radiating, soulful, with a hint of edgy energy. Marc J. Franklin...

Lockdown: A Testing Time for Surabhi Theatre Artistes in Hyderabad

Posted by Sangeetha Devi Dundoo | 2nd May 2020 | India, Interview, Theatre and Politics

With their sole means of livelihood being out of bounds, members of Sri Venkateswara Surabhi...

“De Lege Zaal: Broken Shapes” – Rimah Jabr and Dareen Abbas / Moussem

Posted by Rimah Jabr | 1st May 2020 | Belgium, Interview, Theatre and Art, Transmedia

The coronavirus empties streets and theatres. Because we prefer virtual theatre to none at all, we...

VR, Theatre and the Importance of Immersion

Posted by Ágnes Bakk | 26th Apr 2020 | Interview, Poland, Theatre and Age

Wojtek Markowski is the producer of the Polish experimental lab Dream Adoption Society. Together...

Community Theatre Is Not Amateurish – Rashida Namulondo

Posted by Ian Kiyingi Muddu | 23rd Apr 2020 | Acting, Interview, Uganda

The name ‘Rashida Namulondo’ will easily roll off any random tongue in the performing arts...

Narrative Game Design and Social Issues

Posted by Ágnes Bakk | 22nd Apr 2020 | Austria, Interview, Transmedia

Georg Hobmeier is an artist and narrative game designer who is working in several fields: game...

“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff

Posted by Tomasz Wiśniewski | 16th Apr 2020 | Interview, Poland, Theatre and Dance

Song of the Goat Theatre was founded in 1996 by Grzegorz Bral and Anna Zubrzycki, and is now led...

Interview with Playwright David Lescot

Posted by Guillaume Clayssen | 13th Apr 2020 | France, Interview, Playwriting

Guillaume Clayssen, a fellow playwright, interviewed David Lescot on his newest piece in June 2016...

“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski

Posted by Tomasz Wiśniewski | 5th Apr 2020 | Directing, Interview, Poland

One of the major figures in Polish experimental theatre, Włodzimierz Staniewski, is the founder of...

“New Dramaturgies:” Insights Into Mark Bly’s Playwriting Exercises. Interview with Mark Bly

Posted by Mary Davies | 4th Apr 2020 | Books, Dramaturgy, Interview, Playwriting, United States of America

Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting...

Interviewing Crystal Field, Artistic Director or Theater for the New City

Posted by Marcina Zaccaria | 31st Mar 2020 | Interview, New York, Theatre and Art, United States of America

Life cannot exist without art. That is something that is hard to get into people’s heads, because they say ‘I have to eat. I have to pay the rent. I have to be warm in the Winter and cooler in the Summer, if possible.’ They don’t realize that if you took their art away, if their art got taken away, they would die. They only know it, when it gets taken away.

Ken Watanabe: A Conquistador in “Pizarro”

Posted by Nobuko Tanaka | 27th Mar 2020 | Interview, Japan, Theatre and Politics

Ever since his Oscar-nominated Hollywood debut as Lord Katsumoto in 2003’s The Last Samurai, Ken...

Lasting Friendships: An Interview with Philip Arnoult

Posted by Tamás Jászay | 26th Mar 2020 | Design, Hungary, Interview

When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....

Interactive Living and Aesthetic of Participation: A Conversation with Christa Sommerer

Posted by Louise Boisclair | 18th Mar 2020 | Austria, Interview, Theatre and Art, Transmedia

This conversation with Christa Sommerer focuses on some aspects of the gigantic artwork that...

Dancing with a Deer, a Jaguar or a Snake

Posted by Joachim Ben Yakoub | 13th Mar 2020 | Chile, Interview, Theatre and Politics, Transcultural Collaborations

A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...

Examining “A Black and White Cookie”

Posted by Cate Cammarata | 12th Mar 2020 | Interview, New York, Playwriting, United States of America

We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?