Reflecting on Theatre Education and History with Laurence Senelick
Laurence Senelick, Fletcher Professor of Drama and Oratory Emeritus, is a theatre historian...
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Interview
Tradition and Modernity in Chinese Theatre: Interview with Shule Li, Director of “Pythonland”
Interview with Shule Li: A Chinese Director of Pythonland (2016) Shule Li is most recently known...
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Another Step Forward: An Interview With Homo Cosmos Theatre CEO Founder Katsiaryna Saladukha
In September 2019 new theatre season starts, promising not only new performances but some new...
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Interview with Emily Mann
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
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Lily Houghton and Kylie M. Brown on “Of the Woman,” World Premiere at Normal Ave
Normal Ave is setting out to nurture a community of new and diverse voices and to make theater...
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An Original Tokyo Musical Destined For Bigger Things
Disturbance is an original musical, making its world premiere in Tokyo this month. We spoke with...
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Milly Thomas on Her Off-Broadway Show “Dust” at New York Theatre Workshop
Milly Thomas is a writer and actor who hails from London. She is currently starring off-Broadway...
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How Does Commercial Theatre Fare In Delhi?
Grand sets, lavish costumes, technical extravaganza, celebrity actors, and pricey tickets —...
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“For Me, The Script Is Not God”: Interview With Sunil Shanbag, Director Of “Words Have Been Uttered”
“While being respectful, I am not reverential,” says he, an Indian theatre director, screenwriter,...
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Khekhe On His Journey And Future In Zimbabwean Theatre
The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
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Interview: Kristina Poe of LAByrinth Theater Company
New York’s storied Cherry Lane Theatre in the West Village was recently the home of the LAByrinth...
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“No Elections, Torture Instead”: Zarema Zaudinova, Rising Star of Russian Documentary Theatre, About Her Latest Work, “Torture”
Whatever preconceptions you have about documentary theatre, set them aside when you step inside...
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In Memoriam: Robert Blacker Looks at the Past And Future of American Dramaturgy
Robert Blacker, Interviewed by Jacob Gallagher-Ross This interview was originally published in...
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Anthony Wong in Theatre and Indie Films
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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Which Theatre Style Connects With You the Most, Asks Deepro Roy’s New Play
In his play Azad Theatre, Deepro Roy uses a singular set as the backdrop to spar a debate on two...
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“Passengers”: Nostalgia, Circus, and Finding Human Connection.
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
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The Power of a Collective: Playwright Groups at Centre 42
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
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Interview with Plasticiens Volants
In August and September, the street theater collective Plasticiens Volants (PV) return...
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