A Conversation with Composer Ilya Demutsky: “I’m Excited”
Sergey Elkin interviews composer Ilya Demutsky about the Joffrey’s new ballet of Anna Karenina
Read MorePosted by Sergey Elkin | 26th Mar 2019 | Interview, Russia, Russian Theatre - Featured, Theatre and Dance
Sergey Elkin interviews composer Ilya Demutsky about the Joffrey’s new ballet of Anna Karenina
Read MorePosted by Nicole Birmann Bloom | 20th Mar 2019 | France, Interview, Theatre for Young Audiences
Recently, in February, Johanny Bert, Director/actor/puppeteer developed the play She No Princess,...
Read MorePosted by Rebecca Flores | 19th Mar 2019 | Education, Interview, Theatre for Young Audiences, United States of America
Debbie Devine is an award-winning theatre director, teacher, and renowned leader in Theater Arts...
Read MorePosted by Zsófi Szerda | 19th Mar 2019 | Interview, Macedonia, Theatre and Politics
Kokan Mladenović’s name is well known both within and outside the theatre: he is the director who...
Read MorePosted by Dominic-Madori Davis | 17th Mar 2019 | Interview, Playwriting, United States of America
Strange Fruit They were pronounced dead on the scene. Sunday morning, September 15th, 1968,...
Read MorePosted by Krisztina Rosner | 17th Mar 2019 | Interview, Japan, Participatory Theatre, Transmedia
teamLab, founded by Toshiyuki Inoko and several of his friends in 2001, is an art collective, an...
Read MorePosted by Panni Néder | 17th Mar 2019 | Belgium, Hungary, Interview
An interview with Gabriela Carrizo, a founding member of Peeping Tom After ten years we had the...
Read MorePosted by Mevlut Katik | 15th Mar 2019 | Interview, Playwriting, United States of America
American writers don’t get much bigger than David Henry Hwang. The award-winning playwright’s...
Read MorePosted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
Read MorePosted by Jeremy Stoller | 5th Mar 2019 | Applied Theatre, Interview, United States of America
Playwright Chisa Hutchinson’s Surely Goodness And Mercy follows 12-year-old Tino, an orphan...
Read MorePosted by Judith Greenaway | 26th Feb 2019 | Australia, Interview, LGBTQ+ Theatre, Transcultural Collaborations
For Mardi Gras 2019, Shaun Parker & Company will present the world premiere of KING, an...
Read MorePosted by Irina Yakubovskaya | 26th Feb 2019 | Boston, Interview, United States of America
The weekend of February 21-24 provided the audiences of the Paramount Center (Boston) with a...
Read MorePosted by Sergey Elkin | 24th Feb 2019 | Acting, Interview, Russia, Russian Theatre - Featured
Sergey Elkin interviews Russian actor of stage and screen Aleksei Guskov, who stars in Stage Russia HD’s filmed version of “Smile Upon Us, Lord” at Moscow’s Vakhtangov Theatre.
Read MorePosted by Ati Metwaly | 21st Feb 2019 | Egypt, Interview, Management
A unique cultural player, Hamed’s work in the PR and marketing of the arts, helped launch,...
Read MorePosted by Irina Yakubovskaya | 19th Feb 2019 | Boston, Interview, Transmedia, United States of America
Ayesha Jordan and Justin Hicks have been collaborators for many years. Their work transcends...
Read MorePosted by Maria Pia Pagani | 19th Feb 2019 | Interview, Italy
The recent publication of the volume On Ibsen and Strindberg: The Reversed Telescope (Newcastle...
Read MorePosted by Sébastien Hendrickx and Kristof van Baarle | 18th Feb 2019 | France, Interview, Theatre and Science
What do we humans have in common with wales, mushrooms, bacteria or the internet? We are all...
Read MorePosted by Romy König | 15th Feb 2019 | Education, Germany, Interview, Theatre for Young Audiences
“Politik im Freien Theater” is a free theatre festival where youngsters address...
Read MorePosted by Walter Byongsok Chon | 14th Feb 2019 | Interview, Playwriting, South Korea
Hansol Jung is a playwright and director from South Korea. Her plays include Wild Goose Dreams (La...
Read MorePosted by Peter Eckersall | 13th Feb 2019 | Directing, Documentary Theatre, Interview, Lebanon
Peter Eckersall: How did you come into theatre and how did you start working around this idea of...
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